Daniel Rourke /stream

• Bookmark How the Movies of Tomorrow Will Play With Your Mind - Pacific…

  Since the dawn of cinema, the cut has been one of the most powerful tools in a director’s kit. If we see a man walk through a door and turn his…

  May 7 2014, 1:33pm | Comments

• Bookmark Seen and Unseen: Could There Ever Be a “Cinema Without Cuts”? |…

  Astronauts on a routine repair mission for the Hubble Space Telescope find themselves coping with more than they bargained for in the pulse-pounding opening sequence of Alfonso Cuaron’s Oscar-winning film, Gravity.…

  May 7 2014, 1:28pm | Comments

• Bookmark The Dimesion of depth and objects rushing towards us

  Or: The tail that wags the dog. A discourse on digital 3-D cinema. Film scholar Thomas Elsaesser on a revolution in perception.

  May 1 2014, 1:41pm | Comments

• Bookmark John Stezaker: 'cutting a photograph can feel like cutting through flesh' |…

  “Collectors of cinema memorabilia have a name for anonymous actors who were photographed for publicity stills, but never actually made a film," says John Stezaker. “They call them 'virgins'. When I…

  April 2 2014, 5:27pm | Comments

• Bibliography The Cinema of John Carpenter: The Technique of Terror by Ian Conrich

  March 8 2014, 8:41am | Comments

• Vimeo

  February 28 2014, 4:16am | Comments

• Bookmark High-end advertisements reinvent the GIF for the luxury crowd | 3D |…

  They're not GIFs, they're not cinemagraphs, they're... something we don't have a word for yet.

  February 26 2014, 9:06am | Comments

• YouTube

  January 22 2014, 3:32pm | Comments

• Portfolio An Ontology of Everything on the Face of the Earth

  December 9 2013, 10:34am | Comments

• Bookmark Big Things & Little Things | ‘Digital’ in the arts

  So, returning to an old subject, about which I’ve got very annoyed in the past. Last week Arts Council England (ACE) published the second version of their 10-year strategic framework for…

  November 9 2013, 4:02am | Comments

• Vimeo

  September 26 2013, 6:59am | Comments

• Metafilter MeFi: The Phantom Zone "In comic books, as in the moving image, the frame is the constituent element of narrative. Each page of a comic book is a frame which itself frames a series of frames, so that by altering each panel's size, bleed or aesthetic variety,…

  September 11 2013, 10:51pm | Comments

• Rhizome Contributions The Phantom Zone

  September 10 2013, 8:00am | Comments

• Bibliography Cinema 1: The Movement Image (Continuum Impacts) by Gilles Deleuze

  September 10 2013, 7:30am | Comments

• Bookmark Cerise Press › Film After Film / Cinema After Deleuze: Hoberman, Rushton,…

  “In this sly and thought-provoking essay, Village Voice film critic J. Hoberman suggests that it’s possible to speak of a distinctive twenty-first century cinema, only a decade into the new millennium.

  August 26 2013, 3:39pm | Comments

• Portfolio Artist Profile: Nick Briz

  Part of an ongoing series of interviews with artists who have developed a significant body of work but may not (yet) be well known to our readers. Nick Briz is an artist/educator/organizer living in Chicago, and co-founder of the conference and festival GLI.TC/H. This interview took…

  July 15 2013, 7:41am | Comments

• Rhizome Contributions Artist Profile: Nick Briz

  July 15 2013, 7:41am | Comments

• Portfolio Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 4:12am | Comments

• Furtherfield Contributions Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 3:12am | Comments

• Bookmark Guide to Reading Deleuze’s The Movement-Image, Part I: The Deleuzian Notion of…

  [This is the first of a series of posts which form a reading guide to Deleuze's Cinema I & II.

  April 27 2013, 12:53am | Comments

• Bookmark In 1977, NASA sent 115 images – the so-called ‘Golden Record’ –…

  In 1977, NASA sent 115 images – the so-called ‘Golden Record’ – into space on board the Voyager space probe. They also included greetings in 55 different languages and a number…

  August 13 2012, 5:47am | Comments

• Portfolio Rigid Implementation vs Flexible Materiality

  June 7 2012, 6:08am | Comments

• YouTube

  June 3 2012, 4:01pm | Comments

• Bookmark Philip K. Dick, Sci-Fi Philosopher, (Part 3) : Adventures in the Dream…

  Philip K. Dick’s admittedly peculiar but passionately held worldview and the gnosticism it embodies does more than explain what some call the dystopian turn in science fiction from the 1960s onward,…

  May 23 2012, 10:00am | Comments

• Twitter Favourites

  Tumblr ❤ GIFs

  April 14 2012, 8:37am | Comments

• Bookmark Underneath the Skin: John Carpenter’s “The Thing” and You

  This monster’s talent for mimicry provokes some of the darkest questions. By foregrounding this capability and coupling it with our inability to discern mimics from the remaining men, The Thing focuses…

  March 26 2012, 3:37am | Comments

• YouTube

  March 16 2012, 5:41am | Comments

• YouTube

  March 10 2012, 4:13am | Comments

• YouTube

  January 12 2012, 5:21am | Comments

• Twitter Favourites

  On Victor Tausk's 'The Influencing Machine'

  October 25 2011, 3:21am | Comments

• Twitter Favourites

  Explaining the Neuroscience of the Zombie Epidemic

  October 23 2011, 3:08pm | Comments

• Twitter Favourites

  How to Read Lacan - Troubles with the Real: Lacan as a Viewer of Alien

  September 5 2011, 12:41am | Comments

Page: 1 2 3

• Bookmark How the Movies of Tomorrow Will Play With Your Mind - Pacific…

  Since the dawn of cinema, the cut has been one of the most powerful tools in a director’s kit. If we see a man walk through a door and turn his…

  May 7 2014, 1:33pm | Comments

• Bookmark Seen and Unseen: Could There Ever Be a “Cinema Without Cuts”? |…

  Astronauts on a routine repair mission for the Hubble Space Telescope find themselves coping with more than they bargained for in the pulse-pounding opening sequence of Alfonso Cuaron’s Oscar-winning film, Gravity.…

  May 7 2014, 1:28pm | Comments

• Bookmark The Dimesion of depth and objects rushing towards us

  Or: The tail that wags the dog. A discourse on digital 3-D cinema. Film scholar Thomas Elsaesser on a revolution in perception.

  May 1 2014, 1:41pm | Comments

• Bookmark John Stezaker: 'cutting a photograph can feel like cutting through flesh' |…

  “Collectors of cinema memorabilia have a name for anonymous actors who were photographed for publicity stills, but never actually made a film," says John Stezaker. “They call them 'virgins'. When I…

  April 2 2014, 5:27pm | Comments

• Bibliography The Cinema of John Carpenter: The Technique of Terror by Ian Conrich

  March 8 2014, 8:41am | Comments

• Vimeo

  February 28 2014, 4:16am | Comments

• Bookmark High-end advertisements reinvent the GIF for the luxury crowd | 3D |…

  They're not GIFs, they're not cinemagraphs, they're... something we don't have a word for yet.

  February 26 2014, 9:06am | Comments

• YouTube

  January 22 2014, 3:32pm | Comments

• Portfolio An Ontology of Everything on the Face of the Earth

  December 9 2013, 10:34am | Comments

• Bookmark Big Things & Little Things | ‘Digital’ in the arts

  So, returning to an old subject, about which I’ve got very annoyed in the past. Last week Arts Council England (ACE) published the second version of their 10-year strategic framework for…

  November 9 2013, 4:02am | Comments

• Vimeo

  September 26 2013, 6:59am | Comments

• Metafilter MeFi: The Phantom Zone "In comic books, as in the moving image, the frame is the constituent element of narrative. Each page of a comic book is a frame which itself frames a series of frames, so that by altering each panel's size, bleed or aesthetic variety,…

  September 11 2013, 10:51pm | Comments

• Rhizome Contributions The Phantom Zone

  September 10 2013, 8:00am | Comments

• Bibliography Cinema 1: The Movement Image (Continuum Impacts) by Gilles Deleuze

  September 10 2013, 7:30am | Comments

• Bookmark Cerise Press › Film After Film / Cinema After Deleuze: Hoberman, Rushton,…

  “In this sly and thought-provoking essay, Village Voice film critic J. Hoberman suggests that it’s possible to speak of a distinctive twenty-first century cinema, only a decade into the new millennium.

  August 26 2013, 3:39pm | Comments

• Portfolio Artist Profile: Nick Briz

  Part of an ongoing series of interviews with artists who have developed a significant body of work but may not (yet) be well known to our readers. Nick Briz is an artist/educator/organizer living in Chicago, and co-founder of the conference and festival GLI.TC/H. This interview took…

  July 15 2013, 7:41am | Comments

• Rhizome Contributions Artist Profile: Nick Briz

  July 15 2013, 7:41am | Comments

• Portfolio Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 4:12am | Comments

• Furtherfield Contributions Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 3:12am | Comments

• Bookmark Guide to Reading Deleuze’s The Movement-Image, Part I: The Deleuzian Notion of…

  [This is the first of a series of posts which form a reading guide to Deleuze's Cinema I & II.

  April 27 2013, 12:53am | Comments

• Bookmark In 1977, NASA sent 115 images – the so-called ‘Golden Record’ –…

  In 1977, NASA sent 115 images – the so-called ‘Golden Record’ – into space on board the Voyager space probe. They also included greetings in 55 different languages and a number…

  August 13 2012, 5:47am | Comments

• Portfolio Rigid Implementation vs Flexible Materiality

  June 7 2012, 6:08am | Comments

• YouTube

  June 3 2012, 4:01pm | Comments

• Bookmark Philip K. Dick, Sci-Fi Philosopher, (Part 3) : Adventures in the Dream…

  Philip K. Dick’s admittedly peculiar but passionately held worldview and the gnosticism it embodies does more than explain what some call the dystopian turn in science fiction from the 1960s onward,…

  May 23 2012, 10:00am | Comments

• Twitter Favourites

  Tumblr ❤ GIFs

  April 14 2012, 8:37am | Comments

• Bookmark Underneath the Skin: John Carpenter’s “The Thing” and You

  This monster’s talent for mimicry provokes some of the darkest questions. By foregrounding this capability and coupling it with our inability to discern mimics from the remaining men, The Thing focuses…

  March 26 2012, 3:37am | Comments

• YouTube

  March 16 2012, 5:41am | Comments

• YouTube

  March 10 2012, 4:13am | Comments

• YouTube

  January 12 2012, 5:21am | Comments

• Twitter Favourites

  On Victor Tausk's 'The Influencing Machine'

  October 25 2011, 3:21am | Comments

• Twitter Favourites

  Explaining the Neuroscience of the Zombie Epidemic

  October 23 2011, 3:08pm | Comments

• Twitter Favourites

  How to Read Lacan - Troubles with the Real: Lacan as a Viewer of Alien

  September 5 2011, 12:41am | Comments

Page: 1 2 3