Daniel Rourke /stream

• Ask Metafilter Creative and/or weird uses and abuses of Twitch streaming I am interested in innovative, creative uses and/or abuses of the Twitch streaming platform. Streamers who have used the platform as a creative medium, regardless of its (main) intention as a place for game streaming. Art and performance are what come to mind,…

  November 17 2022, 7:11am | Comments

• Additivism The thin line between theory and practice: a conversation on...

  April 20 2016, 7:43am | Comments

• Portfolio 'Ways of Something' curated by Lorna Mills

  February 4 2015, 2:47pm | Comments

• Bookmark There's Not Much 'Glitch' In Glitch Art | Motherboard

  Artist Daniel Temkin has been creating and discussing glitch art for over seven years. In that time, he's exhibited in solo and group shows, and had his work featured in Rhizome…

  March 18 2014, 12:45pm | Comments

• Portfolio Glitchometry

  November 20 2013, 6:51am | Comments

• Portfolio Conference Panel: Time and Presentness in Narratives of Digital Process

  International Conference on Narrative, ‘Narrating Digital Things for Posthuman Ends’ as part of panel, ‘It Shall Have Become: Time and Presentness in Narratives of Digital Process’, Manchester Metropolitan University, with Zara Dinnen, Rob Gallagher, Simon Clark, June 26th-29th 2013

  June 26 2013, 8:33am | Comments

• YouTube

  May 13 2013, 3:59am | Comments

• Rhizome Contributions Artist Profile: Émilie Gervais

  April 18 2013, 8:00am | Comments

• Bookmark artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  January 14 2013, 5:29pm | Comments

• Portfolio An Object Oriented Glitch Ontology?

  December 10 2012, 3:22pm | Comments

• Twitter Favourites

  Do Artists Actually Confront Our New Technological Reality?

  September 8 2012, 6:07am | Comments

• Bookmark digital divide: contemporary art and new media - artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  September 4 2012, 6:17am | Comments

• Portfolio A Shot to the Arse

  August 8 2012, 1:50am | Comments

• Portfolio LISTEN TO MY EXECUTABLES

  July 23 2012, 3:06am | Comments

• Twitter Favourites

  Does It Matter Whether God Exists?

  March 23 2012, 1:51am | Comments

• Twitter Favourites

  The return of art manifestos

  February 23 2012, 4:05am | Comments

• Bookmark Can religion tell us more than science?

  In this view belonging to a religion involves accepting a set of beliefs, which are held before the mind and assessed in terms of the evidence that exists for and against…

  September 20 2011, 3:12am | Comments

• Twitter Favourites

  Contemporary art does not account for that which is taking place

  September 1 2011, 1:00am | Comments

• Twitter Favourites

  Animated GIF Q & A

  August 22 2011, 2:10am | Comments

• Bookmark Inside the Internet Art Bubble

  The internet finally seems to have made a dint in New York's institutional art world. Cory Arcangel, an artist who began his career manipulating old computer technologies and critiquing web culture,…

  August 17 2011, 6:26am | Comments

• Bookmark Inside the Box: Notes From Within the European Artistic Research Debate

  The debate over artistic research, particularly its appeal to scientificity, often rests on defining one’s terms. Thus, an examination of some of the keywords deployed might be instructive, especially when their…

  June 16 2011, 3:13am | Comments

• Wikipedia Steganography Steganography is the art and science of writing hidden messages in such a way that no one, apart from the sender and intended recipient, suspects the existence of the message, a form of security through obscurity. The word steganography is of Greek origin…

  April 22 2010, 2:50am | Comments

• Ask Metafilter De-constructing 'code' (picking apart its assumptions) De-constructing 'code': I am looking for philosophical (from W. Benjamin through to post-structuralism and beyond) examinations of 'code'. That both includes the assumptions contained in the word 'code' and any actual objects or subjects that code is connected to - including, but not…

  February 2 2010, 6:35am | Comments

• Bookmark Liam Gillick: The Discursive | Journal / e-flux

  A discursive model of praxis has developed within the critical art context over the last twenty years. It is the offspring of critical theory and improvised, self-organized structures. It is the…

  February 16 2009, 5:59am | Comments

Page: 1

• Ask Metafilter Creative and/or weird uses and abuses of Twitch streaming I am interested in innovative, creative uses and/or abuses of the Twitch streaming platform. Streamers who have used the platform as a creative medium, regardless of its (main) intention as a place for game streaming. Art and performance are what come to mind,…

  November 17 2022, 7:11am | Comments

• Additivism The thin line between theory and practice: a conversation on...

  April 20 2016, 7:43am | Comments

• Portfolio 'Ways of Something' curated by Lorna Mills

  February 4 2015, 2:47pm | Comments

• Bookmark There's Not Much 'Glitch' In Glitch Art | Motherboard

  Artist Daniel Temkin has been creating and discussing glitch art for over seven years. In that time, he's exhibited in solo and group shows, and had his work featured in Rhizome…

  March 18 2014, 12:45pm | Comments

• Portfolio Glitchometry

  November 20 2013, 6:51am | Comments

• Portfolio Conference Panel: Time and Presentness in Narratives of Digital Process

  International Conference on Narrative, ‘Narrating Digital Things for Posthuman Ends’ as part of panel, ‘It Shall Have Become: Time and Presentness in Narratives of Digital Process’, Manchester Metropolitan University, with Zara Dinnen, Rob Gallagher, Simon Clark, June 26th-29th 2013

  June 26 2013, 8:33am | Comments

• YouTube

  May 13 2013, 3:59am | Comments

• Rhizome Contributions Artist Profile: Émilie Gervais

  April 18 2013, 8:00am | Comments

• Bookmark artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  January 14 2013, 5:29pm | Comments

• Portfolio An Object Oriented Glitch Ontology?

  December 10 2012, 3:22pm | Comments

• Twitter Favourites

  Do Artists Actually Confront Our New Technological Reality?

  September 8 2012, 6:07am | Comments

• Bookmark digital divide: contemporary art and new media - artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  September 4 2012, 6:17am | Comments

• Portfolio A Shot to the Arse

  August 8 2012, 1:50am | Comments

• Portfolio LISTEN TO MY EXECUTABLES

  July 23 2012, 3:06am | Comments

• Twitter Favourites

  Does It Matter Whether God Exists?

  March 23 2012, 1:51am | Comments

• Twitter Favourites

  The return of art manifestos

  February 23 2012, 4:05am | Comments

• Bookmark Can religion tell us more than science?

  In this view belonging to a religion involves accepting a set of beliefs, which are held before the mind and assessed in terms of the evidence that exists for and against…

  September 20 2011, 3:12am | Comments

• Twitter Favourites

  Contemporary art does not account for that which is taking place

  September 1 2011, 1:00am | Comments

• Twitter Favourites

  Animated GIF Q & A

  August 22 2011, 2:10am | Comments

• Bookmark Inside the Internet Art Bubble

  The internet finally seems to have made a dint in New York's institutional art world. Cory Arcangel, an artist who began his career manipulating old computer technologies and critiquing web culture,…

  August 17 2011, 6:26am | Comments

• Bookmark Inside the Box: Notes From Within the European Artistic Research Debate

  The debate over artistic research, particularly its appeal to scientificity, often rests on defining one’s terms. Thus, an examination of some of the keywords deployed might be instructive, especially when their…

  June 16 2011, 3:13am | Comments

• Wikipedia Steganography Steganography is the art and science of writing hidden messages in such a way that no one, apart from the sender and intended recipient, suspects the existence of the message, a form of security through obscurity. The word steganography is of Greek origin…

  April 22 2010, 2:50am | Comments

• Ask Metafilter De-constructing 'code' (picking apart its assumptions) De-constructing 'code': I am looking for philosophical (from W. Benjamin through to post-structuralism and beyond) examinations of 'code'. That both includes the assumptions contained in the word 'code' and any actual objects or subjects that code is connected to - including, but not…

  February 2 2010, 6:35am | Comments

• Bookmark Liam Gillick: The Discursive | Journal / e-flux

  A discursive model of praxis has developed within the critical art context over the last twenty years. It is the offspring of critical theory and improvised, self-organized structures. It is the…

  February 16 2009, 5:59am | Comments

Page: 1