Datamoshing the Land of Ooo: An Interview with David OReilly
Screenshot of work in progress, David OReilly, “A Glitch is a Glitch” (2013). Episode of the television series Adventure Time.
David OReilly is a 3D animator’s 3D animator. Embracing a stripped-back aesthetic that foregrounds the very processes of …
Artifacts: A Conversation Between Hito Steyerl and Daniel Rourke
“But even if the internet is dead this doesnt mean it’s over. It is all over.”
When we met recently we talked about the glitch as it relates to contemporary image culture, but we also talked about the glitch as something to aspire to. In your essa…
An Object Oriented Glitch Ontology?
I took a trip to Chicago for GLI.TC/H 2112! – A conference/festival/carnival/movement in honour (and despite) of hardware/software/wetware errors, databends and feedback blackholes. I took a ton of photographs, you can view them on Flickr (better quality) or Facebook (dotted with comments, insights and exultations from the GLI.TC/H community). I intend to write more about […]
Abject Materialities: An Ontology of Everything on the Face of the Earth
If a cell gets out it could imitate everything on the face of the Earth…and it’s not gonna stop!!! On the 5th of October I took part in the ASAP/4 ‘Genres of the Present’ Conference at the Royal College of Art. In collusion with Zara Dinnen, Rob Gallagher and Simon Clark, I delivered a paper on The Thing, as part of […]
Sampling, Acclimatisation, and the ‘Die Hard’ Method
The 5th Mercy Podcast for Liverpool Biennial, 2012 is a work written, performed and edited by wondrous poet Holly Pester and myself (Daniel Rourke) Featuring Original Work by: George Major : http://www.georgemajor.com Claire Potter : http://clairelouisepotter.blogspot.co.uk Featuring Audio Samples From: Bo Didley, I’m a Man The Yardbirds, I’m a man Jacques Dutronc, La Fille Du Père Noël Davie Bowie, The […]
Conference Panel: How to Survive in a Post-Zombie Digital Landscape
ASAP/4: Genres of the Present Conference, Royal College of Art, ‘Abject Materialities (an Ontology of Every Thing on the Face of the Earth)’ as part of panel, ‘Figuring Genre in Contemporary Culture: How to Survive in a Post-Zombie Digital Landscape’, with Zara Dinnen, Rob Gallagher and Simon Clark, October 4th-6th 2012
Kipple and Things II: The Subject of Digital Detritus
This text is a work in progress; a segment ripped from my thesis. To better ingest some of the ideas here, you might want to read these texts first: – Kipple and Things: How to Hoard and Why Not To Mean – Digital Autonomy Captured in celluloid under the title Blade Runner, (Scott 1982) Philip K. Dick’s vision of kipple […]
