Daniel Rourke /stream

• Portfolio Artist Profile: Nick Briz

  Part of an ongoing series of interviews with artists who have developed a significant body of work but may not (yet) be well known to our readers. Nick Briz is an artist/educator/organizer living in Chicago, and co-founder of the conference and festival GLI.TC/H. This interview took…

  July 15 2013, 7:41am | Comments

• Rhizome Contributions Artist Profile: Nick Briz

  July 15 2013, 7:41am | Comments

• Bookmark Rhizome | The Postmedia Perspective

  The following excerpt comes from the final chapter of my book Media, New Media, Postmedia, recently published in Italian by Postmediabooks, who kindly gave Rhizome permission to republish it in English.

  July 14 2013, 4:40pm | Comments

• Portfolio Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 4:12am | Comments

• Furtherfield Contributions Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 3:12am | Comments

• Tumblr Excited and privileged to be in this show, opening tomorrow (May...

  May 22 2013, 5:14pm | Comments

• Rhizome Contributions Artist Profile: Émilie Gervais

  April 18 2013, 8:00am | Comments

• Rhizome Contributions Artist Profile: Alex Myers

  April 3 2013, 9:28am | Comments

• Bookmark A disjointed conversation – Claire Bishop, The Digital Divide, and the State…

  I found Claire Bishop’s landmark essay on Digital Art, ‘The Digital Divide’ in Artforum’s 50th Anniversary issue three months late through Lauren Cornell and Brian Droitcour’s equally polemic response, ‘Technical Difficulties’…

  January 16 2013, 2:41am | Comments

• Bookmark How art history is failing at the Internet

  Keeping up with the pace of change in the digital world is challenging, and harnessing its potential can be frustrating. But the biggest mistake many of us in the arts and…

  December 31 2012, 7:01am | Comments

• Twitter

  #GreekNewMediaShit

  December 7 2012, 7:07pm | Comments

• Twitter Favourites

  Why Do Sign Language Interpreters Look So Animated?

  November 11 2012, 1:02am | Comments

• Twitter Favourites

  MANIFESTO FOR A THEORY OF THE ‘NEW AESTHETIC’

  October 11 2012, 3:23pm | Comments

• Bookmark My response to Claire Bishop’s article “Digital Divide” « MEDIA, NEW MEDIA,…

  This is my response to Claire Bishop‘s essay “Digital Divide“, published in Artforum in September 2012 (also posted in the comments section of the article): Reading this article was a pleasure,…

  September 8 2012, 7:01am | Comments

• Bookmark Making the Digital Divide Cheap and Nasty. | http://www.furtherfield.org

  So ArtForum have launched a special September issue investigating the, lets say broader, relationship between new media, technology and visual art.* Of worthy mention is the essay Digital Divide by the…

  September 8 2012, 6:57am | Comments

• Twitter Favourites

  Do Artists Actually Confront Our New Technological Reality?

  September 8 2012, 6:07am | Comments

• Bookmark digital divide: contemporary art and new media - artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  September 4 2012, 6:17am | Comments

• Bookmark Why contemporary art fails to come to grips with digital. A response…

  This month, Art Forum published a very timely, and beautifully written essay by Claire Bishop entitled, Digital Divide: on contemporary Art and New Media“. In it, Bishop analyses the contemporary art-world’s…

  September 4 2012, 5:30am | Comments

• Portfolio Kipple and Things II: The Subject of Digital Detritus

  August 25 2012, 10:00am | Comments

• Portfolio Rigid Implementation vs Flexible Materiality

  June 7 2012, 6:08am | Comments

• Bibliography After the Digital Divide?: German Aesthetic Theory in the Age of New Media (Screen Cultures: German Film and the… by Lutz Koepnick

  May 29 2012, 7:10am | Comments

• Bookmark Peter Krapp: Noise Channels: Glitch and Error in Digital Culture (2011)

  To err is human; to err in digital culture is design. In the glitches, inefficiencies, and errors that ergonomics and usability engineering strive to surmount, Peter Krapp identifies creative reservoirs of…

  May 23 2012, 9:46am | Comments

• Bookmark At ROFLCon, watching memes go mainstream

  What is ROFLCon? It's a biennial convention (this year was its third) held to celebrate and discuss internet memes and the celebrity that is often created alongside them. This year's invited…

  May 8 2012, 2:17pm | Comments

• Bookmark The Web Browser As Aesthetic Framework: Why Digital Art Today Looks Different

  Collective cultural memory is the foundation on which the significance of a creative practice stands. As summarized in Emerson Rosenthal’s post for #DIGART week, online collections and exhibition spaces have been…

  May 8 2012, 2:14pm | Comments

• Bookmark Network Science of the Game of Go

  They constructed their networks in a simple way: if one board position can lead to another, they are connected. Using a dataset of about 1,000 professional games and 4,000 amateur games,…

  April 20 2012, 12:29pm | Comments

• Bookmark What Is the "New Aesthetic"?

  The New Aesthetic is now subject to discussion and critique on a number of forums, blogs, twitter threads, and so forth (for a list, see bibliography on Berry 2012a, but also…

  April 19 2012, 1:21am | Comments

• Bookmark The New Aesthetic Needs to Get Weirder

  A really new aesthetics might work differently: instead of concerning itself with the way we humans see our world differently when we begin to see it through and with computer media…

  April 18 2012, 9:33am | Comments

• YouTube

  January 23 2012, 7:58am | Comments

• Twitter Favourites

  "How to Do Things with Videogames" by Ian Bogost

  January 13 2012, 2:50am | Comments

• Bookmark It’s Only Humanist

  To me it tastes like a desire to locate man’s place in a world that he perceives primarily with the aid of machines. The art of the Greeks has been used…

  January 4 2012, 9:16am | Comments

• Portfolio Noise; Mutation; Autonomy: A Mark on Crusoe’s Island

  December 7 2011, 8:50am | Comments

• Bibliography Error: Glitch, Noise, and Jam in New Media Cultures by Mark Nunes

  October 20 2011, 4:35am | Comments

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• Portfolio Artist Profile: Nick Briz

  Part of an ongoing series of interviews with artists who have developed a significant body of work but may not (yet) be well known to our readers. Nick Briz is an artist/educator/organizer living in Chicago, and co-founder of the conference and festival GLI.TC/H. This interview took…

  July 15 2013, 7:41am | Comments

• Rhizome Contributions Artist Profile: Nick Briz

  July 15 2013, 7:41am | Comments

• Bookmark Rhizome | The Postmedia Perspective

  The following excerpt comes from the final chapter of my book Media, New Media, Postmedia, recently published in Italian by Postmediabooks, who kindly gave Rhizome permission to republish it in English.

  July 14 2013, 4:40pm | Comments

• Portfolio Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 4:12am | Comments

• Furtherfield Contributions Neither Here Nor Then: Thomson and Craighead at Carroll / Fletcher Gallery

  June 14 2013, 3:12am | Comments

• Tumblr Excited and privileged to be in this show, opening tomorrow (May...

  May 22 2013, 5:14pm | Comments

• Rhizome Contributions Artist Profile: Émilie Gervais

  April 18 2013, 8:00am | Comments

• Rhizome Contributions Artist Profile: Alex Myers

  April 3 2013, 9:28am | Comments

• Bookmark A disjointed conversation – Claire Bishop, The Digital Divide, and the State…

  I found Claire Bishop’s landmark essay on Digital Art, ‘The Digital Divide’ in Artforum’s 50th Anniversary issue three months late through Lauren Cornell and Brian Droitcour’s equally polemic response, ‘Technical Difficulties’…

  January 16 2013, 2:41am | Comments

• Bookmark How art history is failing at the Internet

  Keeping up with the pace of change in the digital world is challenging, and harnessing its potential can be frustrating. But the biggest mistake many of us in the arts and…

  December 31 2012, 7:01am | Comments

• Twitter

  #GreekNewMediaShit

  December 7 2012, 7:07pm | Comments

• Twitter Favourites

  Why Do Sign Language Interpreters Look So Animated?

  November 11 2012, 1:02am | Comments

• Twitter Favourites

  MANIFESTO FOR A THEORY OF THE ‘NEW AESTHETIC’

  October 11 2012, 3:23pm | Comments

• Bookmark My response to Claire Bishop’s article “Digital Divide” « MEDIA, NEW MEDIA,…

  This is my response to Claire Bishop‘s essay “Digital Divide“, published in Artforum in September 2012 (also posted in the comments section of the article): Reading this article was a pleasure,…

  September 8 2012, 7:01am | Comments

• Bookmark Making the Digital Divide Cheap and Nasty. | http://www.furtherfield.org

  So ArtForum have launched a special September issue investigating the, lets say broader, relationship between new media, technology and visual art.* Of worthy mention is the essay Digital Divide by the…

  September 8 2012, 6:57am | Comments

• Twitter Favourites

  Do Artists Actually Confront Our New Technological Reality?

  September 8 2012, 6:07am | Comments

• Bookmark digital divide: contemporary art and new media - artforum.com / in print

  WHATEVER HAPPENED TO DIGITAL ART? Cast your mind back to the late 1990s, when we got our first e-mail accounts. Wasn’t there a pervasive sense that visual art was going to…

  September 4 2012, 6:17am | Comments

• Bookmark Why contemporary art fails to come to grips with digital. A response…

  This month, Art Forum published a very timely, and beautifully written essay by Claire Bishop entitled, Digital Divide: on contemporary Art and New Media“. In it, Bishop analyses the contemporary art-world’s…

  September 4 2012, 5:30am | Comments

• Portfolio Kipple and Things II: The Subject of Digital Detritus

  August 25 2012, 10:00am | Comments

• Portfolio Rigid Implementation vs Flexible Materiality

  June 7 2012, 6:08am | Comments

• Bibliography After the Digital Divide?: German Aesthetic Theory in the Age of New Media (Screen Cultures: German Film and the… by Lutz Koepnick

  May 29 2012, 7:10am | Comments

• Bookmark Peter Krapp: Noise Channels: Glitch and Error in Digital Culture (2011)

  To err is human; to err in digital culture is design. In the glitches, inefficiencies, and errors that ergonomics and usability engineering strive to surmount, Peter Krapp identifies creative reservoirs of…

  May 23 2012, 9:46am | Comments

• Bookmark At ROFLCon, watching memes go mainstream

  What is ROFLCon? It's a biennial convention (this year was its third) held to celebrate and discuss internet memes and the celebrity that is often created alongside them. This year's invited…

  May 8 2012, 2:17pm | Comments

• Bookmark The Web Browser As Aesthetic Framework: Why Digital Art Today Looks Different

  Collective cultural memory is the foundation on which the significance of a creative practice stands. As summarized in Emerson Rosenthal’s post for #DIGART week, online collections and exhibition spaces have been…

  May 8 2012, 2:14pm | Comments

• Bookmark Network Science of the Game of Go

  They constructed their networks in a simple way: if one board position can lead to another, they are connected. Using a dataset of about 1,000 professional games and 4,000 amateur games,…

  April 20 2012, 12:29pm | Comments

• Bookmark What Is the "New Aesthetic"?

  The New Aesthetic is now subject to discussion and critique on a number of forums, blogs, twitter threads, and so forth (for a list, see bibliography on Berry 2012a, but also…

  April 19 2012, 1:21am | Comments

• Bookmark The New Aesthetic Needs to Get Weirder

  A really new aesthetics might work differently: instead of concerning itself with the way we humans see our world differently when we begin to see it through and with computer media…

  April 18 2012, 9:33am | Comments

• YouTube

  January 23 2012, 7:58am | Comments

• Twitter Favourites

  "How to Do Things with Videogames" by Ian Bogost

  January 13 2012, 2:50am | Comments

• Bookmark It’s Only Humanist

  To me it tastes like a desire to locate man’s place in a world that he perceives primarily with the aid of machines. The art of the Greeks has been used…

  January 4 2012, 9:16am | Comments

• Portfolio Noise; Mutation; Autonomy: A Mark on Crusoe’s Island

  December 7 2011, 8:50am | Comments

• Bibliography Error: Glitch, Noise, and Jam in New Media Cultures by Mark Nunes

  October 20 2011, 4:35am | Comments

Page: 1 2 3 4 5