The cultural impact of Mark Fisher's work continues to grow years after his death in 2017....

https://rwm.macba.cat/en/sonia/sonia-148-mark-fisher

Like much of her work, Ashley Zelinskie eludes a one-dimensional definition. She is a Star Trek-obsessed nerd who studies electrical engineering, theoretical physics, and space in her spare time.

| | | Among the four languages covered in this section, the most common terminology in use today is Japanese. This page contains English terminology with Japanese in parenthesis (where applicable).

Documentation of Hito Steyerl's lecture "Is the Museum a Battlefield", first shown at 13th Istanbul Biennial. Steyerl’s new lecture, pro­duced for the 13th Istanbul Biennial, takes as its departure point her March 2013 talk ‘I Dreamed a Dream: Politics in the Age of Mass Art Production’ and focuses on the arms industry, a phenomenon constantly re-conceptualized by the media through the regular flow of images. It asks the question of how a museum and a battlefield could be related. The question emerges when Steyerl follows the trace of an empty bullet casing which she found in the area where the mass grave of Andrea Wolf and her friends were located in Van, Turkey.Cast: Museum Battlefield

I wrote an essay released in tandem with New Sculpt: LaTurbo Avedon‘s first solo exhibition, held at Transfer Gallery, New York – July 20 through August 10, 2013 Excerpt ::: In the past three decades the term “cyberspace” has come to define a social, rather than a geometric common environment. The term still conjures up images of posthuman projections and vast parallax branes, their cross-hatched surfaces woven at right angles by virtual motorcycles. We hear “cyberspace” and we think of terminals, of cables and an ocean of information, yet the most important means by which cyberspace is produced — namely human social and economic relations — barely registers a flicker. The objects of New Sculpt play between these contradictions.

Brian Dettmer

Brian Dettmer Key Monuments #2, 2009, Altered Book, 10-1/4" x 9" x 2-1/4" Image courtesy of the Artist and Toomey Tourell Fine Art