MachineMachine /stream - tagged with manifesto en-us LifePress <![CDATA[The Downward Spiral: The Chimera Manifesto | Spike Art Magazine]]>

This website uses cookies to help us give you the best experience when you visit our website. By continuing to use this website, you consent to our use of these cookies. Bacchanal with Minotaur from the Vollard Suite, Pablo Picasso, 1933, published 1939, 34.

Wed, 21 Aug 2019 04:08:51 -0700
<![CDATA[Hyperrhiz: New Media Cultures | ISSN 1555-9351]]>

Citation: Hanna, Julian. ““Future Shock”: Manifestos in the Digital Age.” Hyperrhiz: New Media Cultures no. 20, 2019. doi:10.20415/hyp/020.ex02 Abstract: The manifesto is currently one of most useful and vital online forms.

Tue, 28 May 2019 23:03:14 -0700
<![CDATA[The Manifesto of the Futurist Woman – Italian Futurism]]>

The Manifesto of [the] Futurist Woman (Response to F. T. Marinetti) (1912) Humanity is mediocre. The majority of women are neither superior nor inferior to the majority of men. They are all equal. They all merit the same scorn.

Tue, 09 Apr 2019 05:41:16 -0700
<![CDATA[New narratives of resilience - Laboratory Planet]]>

Revised from “Donna Haraway and Cary Wolfe in Conversation”, Manifestly Haraway (University of Minnesota Press, 2016). Perhaps it is time to write a “Chthulucene Manifesto.” “My” Chthulucene is the time of mortal compositions at stake to and with each other.

Tue, 09 Apr 2019 05:41:14 -0700
<![CDATA[C Magazine / Feminisms of the Future, Now: Rethinking Technofeminism and the Manifesto Form]]>

“Ours is a world in vertigo. It is a world that swarms with technological mediation, interlacing our daily lives with abstraction, virtuality, and complexity.

Tue, 09 Apr 2019 05:41:12 -0700
<![CDATA[Crapularity Aesthetics | Making & Breaking]]>

In 2011, a loose group of “grumpy futurists” wrote up an extensive list of “Alternatives to the Singularity” in a collaborative Google Document. “The Singularity”, in popular culture and para-religious belief, refers to the point where machine intelligence leaves humans behind.

Thu, 07 Feb 2019 05:01:08 -0800
<![CDATA[A Manifesto for Revolutionary Demonology |NERO Editions]]>

The doctrine of the Right-Hand Path is a theory of self-deification encompassing the entirety of the western hermetic tradition.

Sat, 26 Jan 2019 18:56:14 -0800
<![CDATA[Manifesto on algorithmic humanitarianism | openDemocracy]]>

The nature of machine learning operations mean they will actually deepen some humanitarian problematics and introduce new ones of their own. This banality of machine learning is also its power. Small grocery shop in The Jungle refugee camp in Calais, 2015. Debets/Press Association.

Tue, 09 Oct 2018 09:50:40 -0700
<![CDATA[Resisting Reduction Manifesto: against the Singularity, for a "culture of flourishing" / Boing Boing]]>

Joi Ito's Resisting Reduction manifesto rejects the idea of reducing the world to a series of computable relationships that will eventually be overtaken by our ability to manipulate them with computers ("the Singularity") and instead to view the world as full of irreducible complexities and "to d

Sun, 26 Nov 2017 07:30:54 -0800
<![CDATA[Resisting Reduction Manifesto: against the Singularity, for a "culture of flourishing" / Boing Boing]]>

Joi Ito's Resisting Reduction manifesto rejects the idea of reducing the world to a series of computable relationships that will eventually be overtaken by our ability to manipulate them with computers ("the Singularity") and instead to view the world as full of irreducible complexities and "to d

Mon, 20 Nov 2017 09:50:54 -0800
<![CDATA[The Mundane Afrofuturist Manifesto | Rhizome]]>

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and asserting a different set of values with which to re-imagine the future.

Wed, 11 Oct 2017 17:08:13 -0700
<![CDATA[Laboria Cuboniks in Conversation «DIS Magazine]]>

Laboria Cuboniks is currently a group of 6 women working together online to redefine a feminism adequate to the twenty-first century. They collectively wrote Xenofeminsim: A Politics for Alienation in 2014.

Wed, 07 Sep 2016 11:14:22 -0700
<![CDATA[Julian Rosefeldt`s 'Manifesto']]>

Entering the darkened gallery space in the side wing of Berlin`s Hamburger Bahnhof – Museum für Gegenwart, the visitor first encounters a projection showing the close-up of a fuse cord burning in the dark.

Mon, 20 Jun 2016 01:21:18 -0700
<![CDATA[Manifestos for the Internet Age by Various — Julian Hanna – minor literature[s]]]>

This is what you get when you dip into Manifestos for the Internet Age, a reader issued by Greyscale Press. It might be the best way to consume manifestos, in fact, jumping in for a page or two and getting out fast.

Mon, 09 May 2016 01:16:33 -0700
<![CDATA[#Additivism: An Encounter with The Fluid Outside]]>

SONIC ACTS ACADEMY #Additivism: An Encounter with The Fluid Outside 28 February 2016 - De Brakke Grond, Amsterdam, the Netherlands --- A talk and Q&A session by Morehshin Allahyari and Daniel Rourke about The 3D Additivist Manifesto + The 3D Additivist Cookbook and the artist’s own research and practice in relationship to #Additivism, activism, and critical/poetic approaches to 3D printing. #Additivism is a collaboration between artist and activist Morehshin Allahyari and writer/artist/academic Daniel Rourke. In March 2015 they released The 3D Additivist Manifesto: a call to push additive manufacturing technologies to their absolute limits and beyond, into the realm of the speculative, the provocative and the weird. They then issued a call for submissions for a radical ‘Cookbook‘ of blueprints, designs, 3D print templates, and essays on the topics raised by their Manifesto including text and projects on environmental ethics, objects in movements for social and political change, the renewed contemporary significance of the artist manifesto by the likes of the Accelerationist and Xenofeminist movements, and the potential of radical intervention in contemporary technocapitalism.Cast: Sonic Acts

Fri, 18 Mar 2016 04:48:27 -0700
<![CDATA[Devising A Manifesto for the Abolishment of The Future Family... #additivism #SonicActs #workshop]]> ]]> Tue, 01 Mar 2016 06:45:18 -0800 <![CDATA[Ampliative Art Manifesto - Introduction — Ampliative Art]]>

Ampliative Art is a new, empowering art procedure whose mission is to restore to art and its actors its transforming multifaceted power.

Sun, 18 Oct 2015 08:10:44 -0700
<![CDATA[A manifesto for algorithms in the environment]]>

Algorithms – step-by-step sequences of operations that solve specific computational tasks – are transforming the world around us. They support sophisticated search engines, voice recognition software, online transactions, data compression, targeted advertising and self-driving cars.

Sun, 18 Oct 2015 08:10:43 -0700
<![CDATA[Il ritorno del futuro]]>

Il ritorno del futuro A long piece - in Italian - about the current state of the future. With reflections on #Additivism, #Xenofeminism, #Chthulucene, #PostInternet:

In true spirit of Marinetti, additivism chasing an ideal post-human to the edge of pornography; technological fetishism in their case is a decidedly erotic fetishism, that blessed wallows in a sea of perversions and uninhibited excitement for the deformed: “There is nothing more desirable for mankind do more often fertile union between a man and an Analytical Engine. Our technologies are the sexual organs of speculation material. Any attempt to understand events is rendered impossible by our anthropomorphism.

If the Xenofeminism pursues a "futro alien”, the 3D Additivist Manifesto calls for “a gradual awakening of matter; the emergence, finally, of a new form of life. ” Therefore it proposes to “forge anarchy, rebellion and disorder,” and to create “clutter from his digital magazine”. The great metaphor to the root of the project additivism, is the 3D printer, it becomes a tool to “condense imagery into material reality”: not so much a machine of desires, as a machine for the desire.

Mon, 05 Oct 2015 22:40:00 -0700
<![CDATA[Nichons — nous dans l'Internet — Revue semestrielle]]>

Nichons-nous dans l'Internet est une revue en papier intégralement consacrée à Internet. Au sommaire du quatrième numéro : 9gag, le Bon Coin, les Youtubeuses, Google Maps et Kenneth Goldsmith.

Tue, 22 Sep 2015 18:50:21 -0700