It may sound like the plot of a Dan Brown novel, but an academic at the University of Manchester claims to have cracked a mathematical and musical code in the works of Plato.

Jay Kennedy, a historian and philosopher of science, described his findings as "like opening a tomb and discovering new works by Plato."

Plato is revealed to be a Pythagorean who understood the basic structure of the universe to be mathematical, anticipating the scientific revolution of Galileo and Newton by 2,000 years.

Kennedy's breakthrough, published in the journal Apeiron this week, is based on stichometry: the measure of ancient texts by standard line lengths. Kennedy used a computer to restore the most accurate contemporary versions of Plato's manuscripts to their original form, which would consist of lines of 35 characters, with no spaces or punctuation. What he found was that within a margin of error of just one or two percent, many of Plato's dialogues had line lengths based on round multiples of twel

What prevents Bohlen-Pierce from becoming unpleasant, dissonant noise is the fact that is not merely an avant-garde musician taking a hacksaw to our current musical system for sheer destructive glee. In the same way that languages share certain principles, Bohlen-Pierce takes advantage of fundamental properties that make our own musical system work. It makes some different basic assumptions, most notably by not using the octave. But it also makes use of analogous ways of creating harmony and chords. The result is music that sounds different, but not bad. “A different tuning system is almost like a different language,” said Ross W. Duffin, a music professor at Case Western Reserve University and author of the book “How Equal Temperament Ruined Harmony (And Why You Should Care).” “There are other languages that sound completely different [from English] - that have different grammatical systems, that have different words for the same thing. And yet those things coexist, and it’s recognize