MachineMachine /stream - tagged with composition https://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss LifePress therourke@gmail.com <![CDATA[Bad Writing and Bad Thinking]]> http://chronicle.com/article/Bad-WritingBad-Thinking/65031/

Orwell leaves us with a list of simple rules:

* Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
* Never use a long word where a short one will do.
* If it is possible to cut a word out, always cut it out.
* Never use the passive where you can use the active.
* Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
* Break any of these rules sooner than say anything outright barbarous.
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Thu, 29 Apr 2010 14:55:00 -0700 http://chronicle.com/article/Bad-WritingBad-Thinking/65031/
<![CDATA[Triumph of the Cyborg Composer]]> http://www.miller-mccune.com/culture-society/triumph-of-the-cyborg-composer-8507/

Along with his work on synthesis, or using machines to create sounds, Cope had dabbled in the use of software to compose music. Inspired by the field of artificial intelligence, he thought there might be a way to create a virtual David Cope software to create new pieces in his style.

The effort fit into a long tradition of what would come to be called algorithmic composition. Algorithmic composers use a list of instructions — as opposed to sheer inspiration — to create their works. During the 18th century, Joseph Haydn and others created scores for a musical dice game called Musikalisches Würfelspiel, in which players rolled dice to determine which of 272 measures of music would be played in a certain order. More recently, 1950s-era University of Illinois researchers Lejaren Hiller and Leonard Isaacson programmed stylistic parameters into the Illiac computer to create the Illiac Suite, and Greek composer Iannis Xenakis used probability equations. Much of modern popular music is a sort

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Fri, 12 Mar 2010 03:09:00 -0800 http://www.miller-mccune.com/culture-society/triumph-of-the-cyborg-composer-8507/
<![CDATA[James Tenney Collage #1 ("Blue Suede")]]> http://www.youtube.com/watch?v=xC7sdH2XvbU&feature=youtube_gdata ]]> Sat, 06 Mar 2010 05:12:00 -0800 http://www.youtube.com/watch?v=xC7sdH2XvbU&feature=youtube_gdata <![CDATA[Manipulating Reality - How Images Redefine the World]]> http://www.we-make-money-not-art.com/archives/2010/01/-tatjana-hallbaum-in-between.php

Manipulating Reality presents a selection of 23 artistic approaches that work through photography and video to develop possible models of reality. Its aim is not to understand whether photographs can convey reality but how this can occur. The works exhibited represent different artistic strategies addressing the construction, reflection or distortion of reality in images. In addition to investigating the value of documentary photography today, many of the artists presented reflect in part the conditions of the tool of photography and adopt known artistic techniques such as collage, presentation in model form, abstraction and the assemblage of different elements.

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Fri, 29 Jan 2010 16:00:00 -0800 http://www.we-make-money-not-art.com/archives/2010/01/-tatjana-hallbaum-in-between.php