Welcome to the first of what we hope will be many posts about teaching writing in the age of AI! The Important Work is a space for writing instructors at all levels—high school, college, and beyond—to share reflections about teaching writing in the era of generative AI.

LAGOS — Adegunji Kazeem vividly remembers the day his life fell apart. It was December 4, 2019. Kazeem was a final-year student at the University of Lagos and writing his undergraduate thesis, a requirement for graduation.

So, we all love the latest Zelda game (Tears of the Kingdom - TOTK), and so do the critics. But now that we and the game journalists all have hundreds of hours of playtime under our belts, have any thoughtful, well written critical takes on Nintendo's latest masterpiece been written? I know at the beginning there were a few knee jerk reviews that tried to stand out. I am looking for well written, thoughtful, but ultimately critical takes on TOTK. People who have more to say than just gushing about Ultrahand. People who have perhaps done a thoughtful comparison with BOTW at a design level, and come out with some negative feedback on the game overall.

This is not because I don't like the game - far from it - but I would love to read some balanced analysis before I venture my own (potentially critical) takes on the game.

Thanks

On a Tuesday in mid-March, Jennifer Lepp was precisely 80.41 percent finished writing Bring Your Beach Owl, the latest installment in her series about a detective witch in central Florida, and she was behind schedule.

On a Tuesday in mid-March, Jennifer Lepp was precisely 80.41 percent finished writing Bring Your Beach Owl, the latest installment in her series about a detective witch in central Florida, and she was behind schedule.

Share this so it isn't my last episode. Join our Discord! https://discord.gg/SrDAqQzQ

✳ PATREON: https://www.patreon.com/user?u=711561 ✳ Twitter: http://twitter.com/_lucasrizzotto ✳ Facebook: http://facebook.com/lucasrizzotto ✳ Instagram: http://instagram.com/_lucasrizzotto ✳ Website: http://lucasrizzotto.com]

Thanks for the wild ride, friends. This one was a joy (and hell) to make. Make sure you follow me closely on social media - got some big announcements to make this week!

I really appreciate you all, specially those of you who dig deep into the description to find hidden bits like this :)

This channel never really blew up the way I thought it would but it brought me close with some of the most passionate people I've ever seen and I'll always be eternally grateful.

Love ya,

Swooty McBooty

Special thanks to: Austin Beaulier (for helping me get the epic smooth shots in the memories sequence) Cix Liv (for all his expert insight as Dimitri) Max Noir (for dealing with all the bs of making this video for almost a year lmao) Stephen Hodgson (for helping out hugely with GPT-3 code)

Chapters!

00:00 - Teaser 00:38 - Introduction 02:35 - Jeff Bezos' Tale 04:22 - The Brain Transplant 05:07 - GIANT METAL DEATH MACHINES 06:00 - Okay Let Me Explain GPT-3 For Real Now lol 07:10 - Writing Fake Memories 09:30 - PLOT TWIST! An Old Friend 11:20 - Ad-Break 12:24 - The Conversation Begins 13:36 - Microwave Gets Personal 14:45 - Microwave Politics 15:43 - Oh God He Likes Hitler 16:18 - Dramatic Question Montage 19:34 - Unintended Consequences 20:19 - Microwave PTSD Montage 21:12 - The Murder Attempt 23:04 - Lucas Moves Far Away... 23:33 - ... To Uganda LOL 24:22 - Haunted By Nightmares 24:53 - Talking to an Expert 26:34 - Is Magnetron Fake? 27:06 - The Final Conversation 30:12 - Goodbye, Magnetron 31:34 - Is it over? 32:15 - Outro / Sad Announcements 34:20 - Goodbyes & Reminiscing

What if NFT collections like Bored Ape Yacht Club, Azuki, CloneX, and other such stupid crap were actually honest about what they were?

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CLICK HERE for more HONEST ADS: https://youtu.be/gmQE4qdb9fg CLICK HERE for more YOUR BRAIN ON CRACKED: https://youtu.be/mjWqtWntljg CLICK HERE for WE REMADE ZACK SNYDER’S JUSTICE LEAGUE FOR ONLY $20: https://youtu.be/Q_JeapnFFy4 CLICK HERE for more LONG STORY SHORT(ish): https://youtu.be/iCPdhuxmNT4 CLICK HERE for more CANONBALL: https://youtu.be/tclMdfFcxmQ

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SOURCES: https://www.cracked.com/article_31914_nfts-are-so-so-dumb.html https://www.theatlantic.com/ideas/archive/2021/04/nfts-werent-supposed-end-like/618488/ https://www.theverge.com/2021/3/20/22334527/nft-scams-artists-opensea-rarible-marble-cards-fraud-art https://www.wired.co.uk/article/nft-fraud-qinni-art https://www.wired.com/story/nfts-hot-effect-earth-climate/ https://www.scmp.com/magazines/style/tech-design/article/3123302/would-you-pay-us590000-meme-nyan-cat-just-sold-six https://techcrunch.com/2021/03/24/nft_users/ https://www.cnbc.com/2021/04/14/irs-is-probing-the-dark-web-to-look-for-cryptocurrency-nft-tax-evasion.html https://www.vice.com/en/article/5dgzed/what-the-hell-is-right-clicker-mentality https://kotaku.com/nft-buyers-scammed-as-creator-bails-who-could-possibly-1847806528 https://hyperallergic.com/702309/artists-say-plagiarized-nfts-are-plaguing-their-community/ https://news.bitcoin.com/nft-criticism-heightens-skeptic-calls-tech-a-house-of-cards-claims-nfts-will-be-broken-in-a-decade/ https://www.theverge.com/2021/5/21/22447690/link-rot-research-new-york-times-domain-hijacking https://www.rollingstone.com/music/music-news/interpol-david-lynch-nft-collaboration-1248376/ https://adage.com/article/digital-marketing-ad-tech-news/how-brands-are-using-nfts-continually-updated-list/2376086 https://www.theverge.com/22683766/nft-scams-theft-social-engineering-opensea-community-recovery https://kotaku.com/nft-buyers-scammed-as-creator-bails-who-could-possibly-1847806528

Roger Horton: Jack Hunter Artist: Darnell Eaton Writer: Mark Hill Director: Jordan Breeding Art Director/Assistant Director: Andy Newman Director of Photography: Dave Brown Editor: Jordan Breeding Sound: Mike Schoen Key Production Assistant: Jose Brown Set Production Assistant/Art: James Satterfield Teleprompter: Hillary Shea

Mark's Twitter: https://twitter.com/mehil Mark's Book: https://www.amazon.com/dp/B087SDX4L5 Jordan’s Twitter: https://twitter.com/The_J_Breeding Jordan’s Writing Portfolio: https://thejordanbreedingblog.wordpress.com/2017/03/22/portfolio/ Dave’s Instagram: https://www.instagram.com/deforestbrown/

00:00 - If NFTs Were Honest 05:18 - Darnell Is Going To Be Famous

NFT #Crypto #NFTExplained

Through her writings and the collaborative curatorial platform Feral Atlas, the anthropologist is offering new ways of imagining – and representing – our relationship to nature

Octavia Estelle Butler was inspired to write science fiction after watching a schlocky B-movie, Devil Girl from Mars. She was twelve years old and thought: “Geez, I can write a better story than that.” Her mother did domestic work, an experience that would shape Butler’s writing.

In this solo episode, I discuss the impact of converging technologies, Artificial Intelligence, Natural Language Generation (NLG) tools like GPT-3, and more on writing, authors, and the publishing industry.

Writing for academic publication is highly stylised and formalised. In this post Rob Kitchin describes how writing fiction has shaped his own academic praxis and can provide scholars with an expanded range of conceptual tools for communicating their research.

How can authors use AI writing tools like GPT-3? What's the best way to prompt the models to output usable text? Are there copyright issues with this approach? Author Paul Bellow explains how he is using the tools and how authors need to embrace the possibilities rather than reject them.

https://www-thecreativepenn-com.cdn.ampproject.org/v/s/www.thecreativepenn.com/2021/02/26/ai-augmented-author-gpt3/amp/?amp_gsa=1&_js_v=a6&usqp=mq331AQIKAGwASCAAgM=#amp_tf=From %1$s&aoh=16247239328784&csi=0&referrer=https://www.google.com&ampshare=https://www.thecreativepenn.com/2021/02/26/ai-augmented-author-gpt3/

This seminar course is an introduction to the concepts, questions, and components that encompass interactive media as it relates to creative expression and critical engagement. Students will learn to analyze interactive media’s constituent parts, engage in readings that critically examine both the impact that interactive media and technology have on culture and societies as well as the ways in which social contexts shape the development and application of these technologies, and apply these concepts in a series of creative exercises. The contexts become apparent by examining interactive media and interactivity through the lenses of relevant critical perspectives including politics, economics, ethics, race, gender, psychology, and the environment. Throughout the semester students will learn and apply critical texts to analyze interactive media and build a vocabulary for making sense of our increasingly mediated world. The course thus serves to introduce a conceptual foundation for students to inform and direct their own creative practice by establishing a lexicon of basic operating definitions and reinforcing a culture of makers capable of critical reflection and awareness. Readings, discussions, research, creative exercises and writing constitute the body of this course.

List of AI in: Academia, Technology and Activism - An Openly shared Resource with Peers. (Title to be changed soon) The Cultural Production of Art and AI: Investigating various methods such as: computer vision, artificial intelligence, neurorobotics, speech recognition, generative writing, ge...

Years ago, I started writing a short story, the premise of which was this: All the clocks in the world stop working, at once. Not time itself, just the convention of time. Life freezes in place.

Years ago, I started writing a short story, the premise of which was this: All the clocks in the world stop working, at once. Not time itself, just the convention of time. Life freezes in place.

A year ago, I came across an article by Stephen Elliott, a writer I’d admired.

Explanation: I'm an academic researching glitches in videogames, and what fascinates me most is how glitches—often ones discovered by speedrunners, though not always ones that speed up runs—completely destroy the stories the games are trying to tell. Characters get chopped and changed, plot sequences get broken, settings get demolished, even space and time get bent around the exploits and accidents of the game's programming going wrong. Some examples: 1) Using the FF6 "airship glitch", you can break sequence to do things like moving from the World of Ruin back to the World of Balance, making Terra become her own father, or taking General Leo to visit his own grave. 2) In the Pokemon Reverse Badge Order runs, the player essentially warps space and time to pull the various gym leaders to him, beat them soundly, and then dismiss them again. That's no longer the story of a young hero on a personal-development quest, it's now about a young god screwing with people. 3) Stretching the definition of glitch a bit, but I think definitely not something intended by the developers: the Any% for Two Worlds where the main villain is killed within the game's first two minutes by aggro'ed townsfolk and the game takes that as its cue to end. Glad to clarify further but that should give the general gist of it. I'd love to know your own favorite examples of stories getting broken. (And if I end up using it anywhere in the book or articles I'm writing, I'll be sure to cite you there.) submitted by /u/epikt to r/speedrun [link] [comments]

Goldsmiths College Department of Art MFA Lectures 2018 - 2019

Series 1.1: Offence is the Best Defence: On the Success of Social Media Toxicity

8 Oct 2018 — Daniel Rourke (Goldsmiths): “We're trying to have the non-weird future get here as fast as possible.” 15 Oct 2018 — Isobelle Clarke (Birmingham): "Poor little snowflake, are you 'grossly' offended?": Quantifying Communicative Styles of Twitter Trolling 22 Oct 2018 — Zeena Feldman (Kings College, London): Beyond Time: On Quitting Social Media 29 Oct 2018 — William Davies (Goldsmiths): War of Words: Embodiment and Rhetoric in Online Combat

Daniel Rourke 8th October 2018 “We're trying to have the non-weird future get here as fast as possible.”

From the Latin ‘aequivocare’, for ‘called by the same name’, to equivocate is to use language ambiguously to conceal a truth or avoid commitment to a single meaning. In this talk Daniel Rourke will consider equivocation in the performative (social media) speech acts of figures such as Donald Trump, Elon Musk, and Twitter CEO Jack Dorsey.

How their speech acts exposit a 'shared' future, or a means of ‘escaping’ our present conditions, has much to tell us about how the very idea of the ‘true’ or the ‘false’ has shifted in the era of algorithmic governance, and social media campaigns such as #MeToo.

Turning to Homi K. Bhabha's theories of postcolonial discourse, as well as introducing the project The 3D Additivist Manifesto – co-created with Morehshin Allahyari – Daniel will end by trying to reaffirm the equivocal act, pointing out a way to generate and move toward non-determinate futures without imperialising them.

BIO: Dr. Daniel Rourke is a writer/artist and co-convener of Digital Media (MA) at Goldsmiths. In his work Daniel creates collaborative frameworks and theoretical toolsets for exploring the intersection of digital materiality, the arts, and posthumanism. These frameworks often hinge on speculative elements taken from science fiction and pop culture: fictional figures and fabulations that might offer a glimpse of a radical ‘outside’ to the human(ities). His writing and artistic profile includes work with AND Festival, The V&A, FACT Liverpool, Arebyte gallery, Centre Pompidou, Transmediale, Tate Modern, Sonic Acts Festival, as well as recent artistic collaborations with a cast of hundreds... web: machinemachine.net.

Presented by the Art Department, Goldsmiths.

In the fall 2018 semester, I am teaching a semester-long class on Cyborgs and Cybernetics at NYU Tandon School of Engineering. Due to popular demand, I’m sharing the reading list. The course is taught as a 3000-level, writing intensive seminar. It meets twice a week for about 2 hours per session.