The introduction to the book Metaverse Evolution Theory by Japanese VTuber and writer Virtual Girl Nem has now been published in English. The 5,000-word introduction is available at her official Medium page, and aimed at generating discussion about her book in the English-speaking community.

GMTK is powered by Patreon - https://www.patreon.com/GameMakersToolkit

To mark the release of The Legend of Zelda: Tears of the Kingdom, let's look back at the making of Breath of the Wild's open world.

Sources

How the "Open Air" world was created... | Gamer.Ne https://www.gamer.ne.jp/news/201709010048/

Legend of Zelda: Breath of the Wild has become a game... | IGN Japan https://jp.ign.com/cedec-2017/16928/news/botw

The Perfect Game World Born under Nintendo's New Development Approach... | GNN Gamer https://gnn.gamer.com.tw/detail.php?sn=152054

The perfect game world of The Legend of Zelda: Breath of the Wild... | 4Gamer https://www.4gamer.net/games/341/G034168/20170901120/

Did the map for "Zelda" start in Kyoto!? | Game.Watch.Impress https://game.watch.impress.co.jp/docs/news/1078569.html

The Making of The Legend of Zelda: Breath of the Wild Video – Open-Air Concept | Nintendo https://youtu.be/vLMGrmf4xaY

The Legend of Zelda: Breath of the Wild’s map is based on Kyoto | Polygon https://www.theverge.com/2017/3/6/14827832/the-legend-of-zelda-breath-of-the-wild-map-kyoto-japan

=== Credits ===

Music provided by Epidemic Sound - https://www.epidemicsound.com/referral/vtdu5y (Referral Link)

=== Subtitles ===

Contribute translated subtitles - https://amara.org/videos/eB3GnQWpxx4M/

The Japanese newspaper The Mainichi first reported on the marital troubles back in January, with the New York Times providing further details this week.

The Japanese newspaper The Mainichi first reported on the marital troubles back in January, with the New York Times providing further details this week.

Coury and Try go over what it's like to get started with the MiSTer FPGA project in 2022 - the parts you need, the processes required to set it up, what you need to do to get great audio and video, and what kinds of fun things you can do with the many console, computer, handheld, and arcade cores! You might just see that it isn't nearly as hard as you thought it was!

► Resources

► MiSTer Development & Documentation :: https://github.com/MiSTer-devel :: https://mister-devel.github.io/MkDocs_MiSTer/

► MiSTer Social Resources :: https://misterfpga.org/ :: https://discord.gg/misterfpga

► MiSTer YouTube Resources :: https://www.youtube.com/MiSTerFPGA :: https://www.youtube.com/MiSTerWalrusFPGA :: https://www.youtube.com/VideoGameEsoterica

:: https://www.youtube.com/LusRetroSource

► Chapters 00:00 - Opening 1:55 - Part 1: MiSTer Overview 6:45 - Part 2: Core Focus: Atari Consoles, ColecoVision and other Pre-NES Consoles 12:06 - Part 3: Building your MiSTer 19:26 - Part 4: Core Focus: NES and Super NES 27:38 - Part 5: Setting up the SD Card 33:34 - Part 6: Core Focus: PC-Engine/Turbografx-16 & Neo Geo 44:18 - Part 7: MiSTer OS, Input Options and other Odds 'n Ends 53:51 - Part 8: Universal MiSTer Settings, Editing the .ini File 01:05:16 - Part 9: Core Focus: Sega Master System, Game Gear, Genesis/Mega Drive and Sega CD 01:20:16 - Part 10: MiSTer Audio and Video Settings 01:37:07 - Part 11: Core Preview: MiSTer PlayStation 1 01:43:32 - Part 12: Core Focus: 486 PC, Commodore 64, Amiga, ZX Spectrum, MSX, Sharp X68000 02:10:07 - Part 13: Core Focus: Game Boy / Color, Game Boy Advance, WonderSwan, Atari Lynx 02:25:25 - Part 14: Core Focus: Capcom CPS-1 & CPS-2, Sega System-16 and more Classic Arcade Games 02:37:02 - Ending

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My Life in Gaming makes documentaries, deep dives into retro console hardware, and more.

In 1860, Fukuzawa Yukichi, a young Japanese student still learning English himself, accompanied the first ever Japanese diplomatic mission to the United States as its English interpreter.

A four-square-metre box with a screen and computer. This is what Japanese cyber-cafes offer, around the clock.

Most customers just spend an hour or two here. But there are thousands who spend their lives in them.

A friend of mine flew from northern California, to North Carolina on Saturday night and was immediately surprised by what she encountered when she landed. “Why is it so hot here?” she texted before she was even out of the airport. “I haven’t been this hot since...I don’t even know.

As the country’s population ages and shrinks, there’s increasing demand for services that clean out and dispose of the property of the dead.

In 1984, the BBC aired a TV movie so disturbing it would only repeat the broadcast once, a year later, on the 40th anniversary of the atomic bombing of Japan. That film was Threads, and anyone who’s seen it will never forget it.

When you are the first person to arrive in a meeting room, do you think of it as being empty or full? If you were raised in the West, a meeting room is made for people to meet. Therefore, if there are no people in that room, then of course it must be empty.

Biomimicry design, explained with 99% Invisible. Check them out here: https://99percentinvisible.org/

Subscribe to our channel here: http://goo.gl/0bsAjO

Japan’s Shinkansen doesn’t look like your typical train. With its long and pointed nose, it can reach top speeds up to 150–200 miles per hour.

It didn’t always look like this. Earlier models were rounder and louder, often suffering from the phenomenon of "tunnel boom," where deafening compressed air would rush out of a tunnel after a train rushed in. But a moment of inspiration from engineer and birdwatcher Eiji Nakatsu led the system to be redesigned based on the aerodynamics of three species of birds.

Nakatsu’s case is a fascinating example of biomimicry, the design movement pioneered by biologist and writer Janine Benyus. She's a co-founder of the Biomimicry Institute, a non-profit encouraging creators to discover how big challenges in design, engineering, and sustainability have often already been solved through 3.8 billion years of evolution on earth. We just have to go out and find them.

This is one of a series of videos we're launching in partnership with 99% Invisible, an awesome podcast about design. 99% Invisible is a member of http://Radiotopia.fm

Additional imagery from the Biodiversity Heritage Library: https://www.flickr.com/photos/biodivlibrary/

Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com to get up to speed on everything from Kurdistan to the Kim Kardashian app.

Check out our full video catalog: http://goo.gl/IZONyE Follow Vox on Twitter: http://goo.gl/XFrZ5H Or on Facebook: http://goo.gl/U2g06o

It was a tense summer day in 1835 Japan. The country’s reigning Go player, Honinbo Jowa, took his seat across a board from a 25-year-old prodigy by the name of Akaboshi Intetsu. Both men had spent their lives mastering the two-player strategy game that’s long been popular in East Asia.

In 1815, 15 years before he made his most famous print, The Great Wave, Hokusai published three volumes of erotic art. In one of them there is a woodcut print known in English as ‘The Dream of the Fisherman’s Wife’ and in Japanese as ‘Tako to ama’, ‘Octopus and Shell Diver’.

Houshi Ryokan was founded around 1,300 years ago and it has always been managed by the same family since then. 
It is the oldest still running family business in the world. This ryokan (a traditional japanese style hotel) was built over a natural hot spring in Awazu in central Japan in the year 718. Until 2011, it held the record for being the oldest hotel in the world. 
 Houshi Ryokan has been visited by the Japanese Imperial Family and countless great artists over the centuries. Its buildings were destroyed by natural disasters many times, but the family has always rebuilt. The garden as well as some parts of the hotel are over 400 years old. Houshi (法師) means buddhist priest. It is the name of the family as well as of the hotel. (It's great if you want to share the video, but DON'T publish any still images or screenshots from it without my permission!) (c) Fritz Schumann 2014 fotografritz.de twitter.com/fotografritz music by Mario Kaoru Mevy mevy.co.uk/ vimeo.com/kmevy Houshi Soundtrack available here: soundcloud.com/mario-kaoru-mevy/sets/houshi-soundtrackCast: Fritz Schumann and Mario Kaoru MevyTags: hotel, japan, old, history, houshi, ryokan, onsen, water and family

This article contains extensive descriptions of vaginas and might be NSFW, depending on your place of work. Growing up, Japanese artist Rokudenashiko ― who uses a pseudonym that translates to “good-for-nothing” ― never said the word manko, or vagina, out loud. No one really did.

It’s important to photograph the hermit crabs in their natural habitat.  I prefer to photograph them using a wide angle lens to achieve a unique perspective. Hermit crab in a glass bottle- Yomitan, Okinawa.

More than five years after the devastating tsunami and the 8.9-magnitude earthquake struck north-eastern Japan, causing the explosion of the nuclear power plant in Fukushima, the Japanese town remains abandoned. Since April 22, 2011, an area within 20km (12.

Suzumori Endo Lab, Tokyo Tech has developed Musculoskeletal robot driven by multifilament muscles.

Project members: Shunichi Kurumaya, Ryusuke Morita, Masatoshi Fukuda, Hiroyuki Nabae, Gen Endo, Koichi Suzumori.

Our lab's URL is here (Japanese). http://www-robot.mes.titech.ac.jp/home.html

This video can be used for informational purposes such as Internet Web pages. This general permission extends to media and personal Web pages except for advertisement. Please clearly state copyright for the source of the material, "Suzumori Endo Lab, Tokyo Institute of Technology".

Any further questions, please contact our public relations at Tokyo institute of Technology. Thank you.

Mail to : media@jim.titech.ac.jp

http://www.egs.edu/ Catherine Malabou, philosopher and writer, A philosophical approach to the proposed geological epoch called as the Anthropocene.

Public open lecture for the students and faculty of the European Graduate School EGS Media and Communication Studies department program Saas-Fee Switzerland Europe. 2015.

Catherine Malabou, Ph.D., is an important contemporary French philosopher. Catherine Malabou was born in 1959 and is a former student at the École normal supérieure (ENS) of Fontenay-Saint-Cloud in Lyon, France. ENS schools are regarded as some of the most prestigious French schools for humanities studies. Before that Catherine Malabou was educated in Paris at the renown Sorbonne University.

Catherine Malabou passed her agrégation in philosophy (French University high-level competitive examination for the recruitment of professors and often the gateway to Ph.D. study). Catherine Malabou wrote her dissertation on Georg Wilhelm Friedrich Hegel (1770-1831) under the direction of the critical French philosopher Jacques Derrida (1930-2004), completing it on December 15 1994. The thesis was published in 1996 under the title “L’Avenir de Hegel, plasticité, temporalité, dialectique” and was prefaced by Derrida with a text entitled “Le temps des adieux: Heidegger (lu par) Hegel (lu par) Malabou” (“A time for farewells: Heidegger (read by) Hegel (read by) Malabou”). Catherine Malabou’s doctoral dissertation was eventually published in both Japanese and English (2005, “The Future of Hegel: Plasticity, Temporality and Dialectic”).

More recently, Catherine Malabou published with the eminent American critical thinker Judith Butler (1956-) a book in French entitled “Sois mon corps” (2010), not yet published in English but which can translate as “Be My Body”. The two thinkers give us a contemporary reading of domination and servitude in Hegel. They ask about who has not ever dreamed or feared, desired or dreaded to delegate one’s body? That is to say, asking or ordering someone else: be my body, carry it in my place, feed it, cultivate it, shape it. According to Judith Butler and Catherine Malabou such request and order are those which the master gives the slave in Hegel’s “The Phenomenology of Spirit” (1807). In this way, the dialectic of domination and servitude must be understood as a scene of delegation and denial of the body. But they also want to ask two opposite and yet inextricable questions: do we ever manage to completely detach oneself from one’s body? And on the contrary, are we ever completely attached to it? From Hegel to Michel Foucault (1926-1984), Jacques Derrida and Alexandre Kojève (1902-1968), these issues are tackled in all their modalities.