BBC: Lego has unveiled Smart Bricks - tech-filled versions of its small building blocks - which it says will bring sets to life with sound, light and reaction to movement. However, the new product range is causing unease among play experts, who say it risks undermining what makes Lego special for children in an increasingly digital world. Wired: Smart Play revolves around Lego's patented sensor- and tech-packed brick. It's the same size as a standard 2 x 4 Lego brick, but it is capable of connecting to compatible Smart Minifigures and Smart Tags and interacting with them in real time. By pairing these components, kids big and small can create context-appropriate sounds and light effects as they play with the Danish company's toys.

It has become almost impossible to separate the effects of digital technologies from our everyday experiences.

Warning: Contains strobing effects. A short animated documentary by Eryk Salvaggio on how AI image generation works, and the entanglement of composite photography,…

This is a 1 hour general-audience introduction to Large Language Models: the core technical component behind systems like ChatGPT, Claude, and Bard. What they are, where they are headed, comparisons and analogies to present-day operating systems, and some of the security-related challenges of this new computing paradigm. As of November 2023 (this field moves fast!).

Context: This video is based on the slides of a talk I gave recently at the AI Security Summit. The talk was not recorded but a lot of people came to me after and told me they liked it. Seeing as I had already put in one long weekend of work to make the slides, I decided to just tune them a bit, record this round 2 of the talk and upload it here on YouTube. Pardon the random background, that's my hotel room during the thanksgiving break.

• Slides as PDF: https://drive.google.com/file/d/1pxx_ZI7O-Nwl7ZLNk5hI3WzAsTLwvNU7/view?usp=share_link (42MB)
• Slides. as Keynote: https://drive.google.com/file/d/1FPUpFMiCkMRKPFjhi9MAhby68MHVqe8u/view?usp=share_link (140MB)

Few things I wish I said (I'll add items here as they come up): - The dreams and hallucinations do not get fixed with finetuning. Finetuning just "directs" the dreams into "helpful assistant dreams". Always be careful with what LLMs tell you, especially if they are telling you something from memory alone. That said, similar to a human, if the LLM used browsing or retrieval and the answer made its way into the "working memory" of its context window, you can trust the LLM a bit more to process that information into the final answer. But TLDR right now, do not trust what LLMs say or do. For example, in the tools section, I'd always recommend double-checking the math/code the LLM did. - How does the LLM use a tool like the browser? It emits special words, e.g. |BROWSER|. When the code "above" that is inferencing the LLM detects these words it captures the output that follows, sends it off to a tool, comes back with the result and continues the generation. How does the LLM know to emit these special words? Finetuning datasets teach it how and when to browse, by example. And/or the instructions for tool use can also be automatically placed in the context window (in the “system message”). - You might also enjoy my 2015 blog post "Unreasonable Effectiveness of Recurrent Neural Networks". The way we obtain base models today is pretty much identical on a high level, except the RNN is swapped for a Transformer. http://karpathy.github.io/2015/05/21/rnn-effectiveness/ - What is in the run.c file? A bit more full-featured 1000-line version hre: https://github.com/karpathy/llama2.c/blob/master/run.c

Chapters: Part 1: LLMs 00:00:00 Intro: Large Language Model (LLM) talk 00:00:20 LLM Inference 00:04:17 LLM Training 00:08:58 LLM dreams 00:11:22 How do they work? 00:14:14 Finetuning into an Assistant 00:17:52 Summary so far 00:21:05 Appendix: Comparisons, Labeling docs, RLHF, Synthetic data, Leaderboard Part 2: Future of LLMs 00:25:43 LLM Scaling Laws 00:27:43 Tool Use (Browser, Calculator, Interpreter, DALL-E) 00:33:32 Multimodality (Vision, Audio) 00:35:00 Thinking, System 1/2 00:38:02 Self-improvement, LLM AlphaGo 00:40:45 LLM Customization, GPTs store 00:42:15 LLM OS Part 3: LLM Security 00:45:43 LLM Security Intro 00:46:14 Jailbreaks 00:51:30 Prompt Injection 00:56:23 Data poisoning 00:58:37 LLM Security conclusions End 00:59:23 Outro

Become a Patron https://www.patreon.com/bobbyfingers

Or you can buy me a coffee here. https://ko-fi.com/bobbyfingers

UPDATE : THE TREASURE HAS BEEN FOUND BY A PATRON!!!

Produced by Rob Sutton and Bobby Fingers.

Thanks to the good people of ODYSSEY STUDIOS https://www.odysseystudios.ie/

Click for KING KONG COMPANY https://youtu.be/_A13Mv5dchI?si=C2wBpJBQPnsj4dr8

Big thanks to L. Sierakowski for the use of his beautiful music. https://furniture-music.bandcamp.com

Thanks to Esref Akinci, Ossman Yetkin and Dr. Nihat Cicek at Holiday Estetic https://holidayestetic.com/

Amazon march footage courtesy of Shabbir Lakha/Rank and FIle Combine https://www.instagram.com/shabbirlakha/ CHECK HIM OUT!!!! AMAZING PERSON!!!

Director of Photography - Shane Serrano - https://www.shaneserrano.com/

Additional Camera work by Rob Sutton https://www.instagram.com/rob.sutton/ Clem McInerney (Water Cinematography) https://clemmcinerney.com/ Shane Joyce https://www.instagram.com/shanej0yce/ Alex Genn-Bash https://www.instagram.com/shuttermug/ Berke Beyazpınar https://www.instagram.com/berkebeyazpinar/ Emma McNamara https://www.instagram.com/rc86maker/ Jason Flood (whats your social Jason?)

Music by Bobby Fingers Cillian King https://www.instagram.com/cillianking/ Daniel luke https://open.spotify.com/artist/7MqR9hflQxb3YzurijtPB3 Luís Sierakowski https://furniture-music.bandcamp.com Boris Sevastyanov https://www.fiverr.com/composerr Michael Hennessy and all the guys in Harmony Bro, Mens Choir in Ennis.

Sound Recordist - Eoin Gleeson https://www.instagram.com/eoingleeson/

Visual Effects by Ray Sullivan https://www.instagram.com/directedbyray/

Additional editing by Rob Sutton and Nathan Campion https://www.instagram.com/nathanthecampionoftheworld/

Makeup by Sadhbh Nic Uidhir https://www.instagram.com/sadhbhniqueer/ Clodagh McInerney

Costumes by Gerdi McGlynn Pamela McGlynn Grace Burke Sarah Allen

Jet Ski Operator - James Monaghan

The Pirates were played by Jean McGlynn Michael O'Donoghue Mike Finnernanan Martin Cooke Nhlanhla Banda Cein Daly Shane Davis Luke McEvoy Isaac Bryant Cian Egan Matt Kelly Darren O'Carroll Tobi Omoteso Conor McNelis Robert Walsh

Special thanks to Shirani Bolle, Díní McGlynn, Romee Mcglynn, Antoinette Bolle, Wayne Cuddy, Dominic Yard http://www.thisisyard.com/ Ali Day, Rebecca Ní Churnáin, Mick Dolan and all the gang at Dolans, Rebecca Pearson, Bec Hill, Matt Parker, Dr. Billy Fingers, Gary MacMahon, Brian O'Brien, Mike Hogan, Bono Kavanagh, Emma Tierney, Steve Lock and the gang at Soho theatre, Conor O'Brien, Laura Davoren, Paul Ryan from Film In Limerick, Keelan Christie, Mary Gallagher Cooke, Brendan Kennedy from Panda.ie. Thanks to John and all the lads in Mungret Civic Ameneties, Elle Coughlan, Alan Ward and the guys in the National 50m Pool in UL.

If I've forgotten anyone, please let me know, I can add your name in here very easily.

Workers hired via crowdsource services like Amazon Mechanical Turk are using large language models to complete their tasks – which could have negative knock-on effects on AI models in the future. Data is critical to AI.

"Datamoshing is a technique of damaging video clips to create a glitch effect wherein frames that should change don't. It's most noticeable between cuts and across motion. Datamoshing is the process of corrupting, removing or replacing I-frames, causing P-frames to be applied to the wrong picture."

Marcelo Rinesi remembers what it was like to watch Jurassic Park for the first time in a theater. The dinosaurs looked so convincing that they felt like the real thing, a special effects breakthrough that permanently shifted people’s perception of what’s possible.

Peli Grietzer is a philosopher of literature who received his PhD from Harvard University in 2017. His dissertation used machine learning theory to study forms of ambient meaning, like moods and vibes, in modernist and avant-garde aesthetics.

Marcelo Rinesi remembers what it was like to watch Jurassic Park for the first time in a theater. The dinosaurs looked so convincing that they felt like the real thing, a special effects breakthrough that permanently shifted people’s perception of what’s possible.

Peli Grietzer is a philosopher of literature who received his PhD from Harvard University in 2017. His dissertation used machine learning theory to study forms of ambient meaning, like moods and vibes, in modernist and avant-garde aesthetics.

What if NFT collections like Bored Ape Yacht Club, Azuki, CloneX, and other such stupid crap were actually honest about what they were?

SUBSCRIBE HERE: http://goo.gl/ITTCPW

Join us Mondays, Wednesdays, Fridays, and Sundays at 3pm EST for brand new Cracked shows and series!

CLICK HERE for more HONEST ADS: https://youtu.be/gmQE4qdb9fg CLICK HERE for more YOUR BRAIN ON CRACKED: https://youtu.be/mjWqtWntljg CLICK HERE for WE REMADE ZACK SNYDER’S JUSTICE LEAGUE FOR ONLY $20: https://youtu.be/Q_JeapnFFy4 CLICK HERE for more LONG STORY SHORT(ish): https://youtu.be/iCPdhuxmNT4 CLICK HERE for more CANONBALL: https://youtu.be/tclMdfFcxmQ

Get more of this in the One Cracked Fact newsletter at https://cracked.com/newsletters!

SOURCES: https://www.cracked.com/article_31914_nfts-are-so-so-dumb.html https://www.theatlantic.com/ideas/archive/2021/04/nfts-werent-supposed-end-like/618488/ https://www.theverge.com/2021/3/20/22334527/nft-scams-artists-opensea-rarible-marble-cards-fraud-art https://www.wired.co.uk/article/nft-fraud-qinni-art https://www.wired.com/story/nfts-hot-effect-earth-climate/ https://www.scmp.com/magazines/style/tech-design/article/3123302/would-you-pay-us590000-meme-nyan-cat-just-sold-six https://techcrunch.com/2021/03/24/nft_users/ https://www.cnbc.com/2021/04/14/irs-is-probing-the-dark-web-to-look-for-cryptocurrency-nft-tax-evasion.html https://www.vice.com/en/article/5dgzed/what-the-hell-is-right-clicker-mentality https://kotaku.com/nft-buyers-scammed-as-creator-bails-who-could-possibly-1847806528 https://hyperallergic.com/702309/artists-say-plagiarized-nfts-are-plaguing-their-community/ https://news.bitcoin.com/nft-criticism-heightens-skeptic-calls-tech-a-house-of-cards-claims-nfts-will-be-broken-in-a-decade/ https://www.theverge.com/2021/5/21/22447690/link-rot-research-new-york-times-domain-hijacking https://www.rollingstone.com/music/music-news/interpol-david-lynch-nft-collaboration-1248376/ https://adage.com/article/digital-marketing-ad-tech-news/how-brands-are-using-nfts-continually-updated-list/2376086 https://www.theverge.com/22683766/nft-scams-theft-social-engineering-opensea-community-recovery https://kotaku.com/nft-buyers-scammed-as-creator-bails-who-could-possibly-1847806528

Roger Horton: Jack Hunter Artist: Darnell Eaton Writer: Mark Hill Director: Jordan Breeding Art Director/Assistant Director: Andy Newman Director of Photography: Dave Brown Editor: Jordan Breeding Sound: Mike Schoen Key Production Assistant: Jose Brown Set Production Assistant/Art: James Satterfield Teleprompter: Hillary Shea

Mark's Twitter: https://twitter.com/mehil Mark's Book: https://www.amazon.com/dp/B087SDX4L5 Jordan’s Twitter: https://twitter.com/The_J_Breeding Jordan’s Writing Portfolio: https://thejordanbreedingblog.wordpress.com/2017/03/22/portfolio/ Dave’s Instagram: https://www.instagram.com/deforestbrown/

00:00 - If NFTs Were Honest 05:18 - Darnell Is Going To Be Famous

NFT #Crypto #NFTExplained

Not​ all deaths are created equal. In February 2020, the world began to panic about the novel coronavirus, which killed 2714 people that month. This made the news. In the same month, around 800,000 people died from the effects of air pollution. That didn’t. Novelty counts for a lot.

There can’t be many visitors here who are unaware of Dougal Dixon and his 1981 book After Man (Dixon 1981), the work which effectively started the entire Speculative Zoology (or SpecZoo) movement. Caption: the 1981 (Grenada) and 2018 (Breakdown Press) editions of After Man.

How to create famous movie title cards all with practical effects, no CGI needed! Creating famous movie titles of your own can be done easily by following this InCamera practical fx tutorial; where we use the famous The Thing (1982) title sequence as an example of the practical filmmaking techniques used.

We provide an in depth tutorial for this practical effects masterclass and show you in an informative, entertaining show; how to recreate it. Demonstrating a mix of classic and modern practical filmmaking techniques.

INCAMERA OFFICIAL SOCIAL MEDIA ACCOUNTS:

INSTAGRAM - https://www.instagram.com/incamerafx/ TWITTER - https://twitter.com/InCameraFX FACEBOOK - https://www.facebook.com/InCameraTV REDDIT - https://www.reddit.com/user/InCameraFX LINKEDIN - https://www.linkedin.com/company/68500456/ TIK TOK - @InCameraFX

CREDIT/THANKS: All credit to Peter Kuran, who did the practical fx for the original film. All footage from 'The Thing' (1982) courtesy of Universal Pictures. The original 'The Thing' (1982) title burn - https://www.youtube.com/watch?v=NWidoMhF9Qw

EQUIPMENT USED FOR THIS VIDEO: Camera - BlackMagic Pocket Cinema Camera 4k with a small HD 502 monitor, rigged by a Tilta cage. Lighting - Dedo 150w fresnel and used a full ctb gel to bring to it to daylight. Stencils - Stencils were machine cut by an external company from vinyl onto glass. Smoke - Concept Colt 4 smoke machine. Video Editing Software - The retiming and colour grading were all done onAdobe Premiere Pro.

WHY SUBSCRIBE TO INCAMERA? - We post original content monthy. - We have step-by-step, informative & entertaining tutorials on how to create amazing practical effects. - We're extremely engaging with our community across all social media platforms. - We'd love to make InCamera our full time jobs, so need all the support possible!

What happens when design and engineering research results in activism, human rights work, politics, or matters of equity and justice? Engineers and designers are often thought of as “problem-solvers” in mostly technical, practical, and formal senses. But this class explores the equally compelling history of engineering and design projects that raise difficult questions, aid marginalized communities, address urgent social issues, or create new social conditions.We’ll talk to designers, artists, and engineers who work on issues of sustainability, power, health, education, and more. And we’ll run our own experiments in creative design work for the public good. The class includes significant reading, field trip(s) and guest lectures, short experiments, and a culminating project.We want you to witness and be inspired by the exciting, expansive fields of what are variously called social design, engineering for the public good, socially engaged art practices, and many other names. However, we also want you to be well versed in the many, many pitfalls of so-called “activist” work with technology—when it’s under-informed, poorly researched, focused on form and not on substance, it risks not only being ineffective, but can lead to actual harm. We take this risk seriously, so this course will have you mostly listening, learning, listening and learning some more, and, finally proposing—not carrying out fully-fledged projects in one semester. Trust us on this: We can have fun and be at play with ideas while also operating with due diligence as socially-minded engineers and designers. Humility and questions are your trusty companions here, your true north. We want to help you to lay a foundation; you will have many, many future opportunities to build the house.

Holly Buck joins me to discuss her new book, After Geoengineering: Climate Tragedy, Repair, and Restoration. We talked about why we may have little choice but to undertake geoengineering to avert the worst of the climate crisis. We also discussed the question of whether climate change is innately difficult for human beings to comprehend, and whether avoiding the worst effects of climate change will entail moving beyond capitalism.

=== Original video: https://m.soundcloud.com/poltheoryother/86-after-geoengineering-w-holly-buck Downloaded by http://huffduff-video.snarfed.org/ on Thu May 14 00:59:07 2020 Available for 30 days after download

Support my work on Patreon: https://www.patreon.com/melodysheep | Get the soundtrack: https://bit.ly/2HKl9fi | How's it all gonna end? This experience takes us on a journey to the end of time, trillions of years into the future, to discover what the fate of our planet and our universe may ultimately be.

We start in 2019 and travel exponentially through time, witnessing the future of Earth, the death of the sun, the end of all stars, proton decay, zombie galaxies, possible future civilizations, exploding black holes, the effects of dark energy, alternate universes, the final fate of the cosmos - to name a few.

This is a picture of the future as painted by modern science - a picture that will surely evolve over time as we dig for more clues to how our story will unfold. Much of the science is very recent - and new puzzle pieces are still waiting to be found.

To me, this overhead view of time gives a profound perspective - that we are living inside the hot flash of the Big Bang, the perfect moment to soak in the sights and sounds of a universe in its glory days, before it all fades away. Although the end will eventually come, we have a practical infinity of time to play with if we play our cards right. The future may look bleak, but we have enormous potential as a species.

Featuring the voices of David Attenborough, Craig Childs, Brian Cox, Neil deGrasse Tyson, Michelle Thaller, Lawrence Krauss, Michio Kaku, Mike Rowe, Phil Plait, Janna Levin, Stephen Hawking, Sean Carroll, Alex Filippenko, and Martin Rees.

Big thanks to Protocol Labs for their support of this creation: https://protocol.ai/

And to my Patreon supporters: Juan Benet, Kalexan, Laine Boswell, Holly, Dave & Debbie Boswell, Abraxas, Alina Sigaeva, Aksel Tjønn, Daniel Saltzman, Crystal, Eico Neumann, geekiskhan, Giulia Carrozzino, Hannah Murphy, Jeremy Kerwin, JousterL, Lars Støttrup Nielsen, Leonard van Vliet, Mitchel Mattera, Nathan Paskett, Patrick Cullen, Randall Bollig, Roman Shishkin, Silas Rech, Stefan Stettner, The Cleaner, Timothy E Plum, Virtual_271, Westin Johnson, Yannic, and Anna & Tyson.

Soundtrack now available: https://bit.ly/2HKl9fi and coming soon to iTunes/Spotify/Etc

Additional visual material sourced from:

NASA Goddard Google SpaceX 2012 Geostorm Into the Universe with Stephen Hawking BMW X1 Journey to the Edge of the Universe Noah How the Universe Works Deep Impact Wonders of the Universe Moon raker vfx reel

Peace and love,

melodysheep @musicalscience melodysheep.com

Is art a currency? Investor Stefan Simchowitz thinks so. He wrote with uncompromising clarity about the post-Brexit era: “Art will effectively continue its structural function as an alternative currency that hedges against inflation and currency depreciation.

Researchers in Sweden examined the possible steps that people can take to help tackle the climate crisis. Although a lot of resulting news coverage focused on the most effective action (having one fewer kid), the real takeaway is that individual actions still matter. A lot.