Art takes a unique combination of skill, creativity the very human element of aesthetic taste. But what if the visual arts also fall to AI. In this episode we discuss Dall-E 2, a powerful text to image generator that's set to shake things up.

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Sources:

https://cdn.openai.com/papers/dall-e-2.pdf

https://fortune.com/2022/04/06/openai-dall-e-2-photorealistic-images-from-text-descriptions/

https://www.engadget.com/open-a-is-dall-e-2-produces-fantastical-images-of-most-anything-you-can-imagine-170056814.html

https://www.engadget.com/the-morning-after-open-ai-dall-e-2-images-111840375.html

https://towardsdatascience.com/generating-images-from-prompts-using-clip-and-stylegan-1f9ed495ddda

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//Soundtrack//

Burn Water - Nostalgia Dreams

no spirit - leaves covered by snow

Burn Water - Does it Get Easier (clean)

Nils Frahm - You (Teen Daze Rework)

Jon Hopkins - The Wider Sun

Ben Böhmer - Flug & Fall

Kidnap Kid - Moments (feat. Leo Stannard)

Hammock - Wasted We Stared at the Ceiling

Burn Water - Fate

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Producer: Dagogo Altraide

The mouse didn't look like much. It had the same red beady eyes and white fur as any other laboratory mouse. Sure, its DNA had been tweaked to make it ideal for testing anti-cancer drugs, but that wasn’t so unusual either.

The existence of the Denisovans was discovered just a decade ago through DNA alone. Now we're starting to uncover fossils and artefacts revealing what these early humans were like TODAY, there is only one species of human alive on the planet. But it wasn’t always so.

I've seen my fair share of novels wherein characters transform into werewolves or animals but the transformations I've encountered almost always seems to happen rather instantaneously and in the case of shapeshifters, well they could always revert back to their human forms so its not as damning/consequential. Personally I'm more interested in seeing a transformation unfold slowly (over months or years) as you get to see more of the character's thought processes as the transformation happens. You get to see their emotional turmoil, denial and their struggle to come to terms with their inevitable fate It doesn't have to be some sort of supernatural/magical transformation. it could be something manufactured like the altering of the dna or body modification. I'd prefer it though if the transformation was unwilling. But basically I'm more interested in the ongoing process of the transformation itself rather than the aftermath. submitted by /u/dgotan22 to r/printSF [link] [comments]

There are tens of thousands of genes in the human genome: minuscule twists of DNA and RNA that combine to express all of the traits and characteristics that make each of us unique. Each gene is given a name and alphanumeric code, known as a symbol, which scientists use to coordinate research.

We now know that many of us are part Neanderthal, with our genes carrying traces of past encounters between our early ancestors and the Stone Age hominins that populated Europe until around 40,000 years ago.

From skin color to immunity, human biology is linked to our archaic ancestry.

In mid-January, a group of computer scientists and biologists from the University of Vermont, Tufts, and Harvard announced that they had created an entirely new life form — xenobots, the world’s first living robots.

Public opinion on The Thing as a film has changed dramatically over time, but how does it stand up as an adaptation of John Campbell's short story Who Goes There?

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When biologists synthesize DNA, they take pains not to create or spread a dangerous stretch of genetic code that could be used to create a toxin or, worse, an infectious disease.

In 2003, a team of scientists in China managed to create embryos containing a mix of rabbit and human DNA. Most of the biological matter was human, while the rabbit DNA was present only in the mitochondria, the energy-generators of the cells.

When modern humans left Africa for Europe tens of thousands of years ago, they met Neanderthals and had sex with them. The evidence of those encounters remains inside most of us today; 2 to 3 percent of the DNA of non-African humans comes from Neanderthals.

Genetic-ancestry tests are having a moment. Look no further than Spotify: On Thursday, the music-streaming service—as in, the service used to fill tedious workdays and DJ parties—launched a collaboration with AncestryDNA.

Up to about 100,000 years ago, our human ancestors coexisted with Neanderthals in Europe and interbred with them for thousands of years. The Neanderthals eventually went extinct, but many of us still carry around fragments of Neanderthal DNA.

ORLANDO, Fla. — Interbreeding with Neandertals restored some genetic heirlooms that modern humans left behind in the ancient exodus from Africa, new research suggests. Those heirlooms are versions of genes, or alleles, that were present in humans’ and Neandertals’ shared ancestors.

It was one of the very first motion pictures ever made: a galloping mare filmed in 1878 by the British photographer Eadweard Muybridge, who was trying to learn whether horses in motion ever become truly airborne. More than a century later, that clip has rejoined the cutting edge.

In 1997, scientists found the first scrap of Neanderthal DNA in a fossil. Since then, they have recovered genetic material, even entire genomes, from a number of Neanderthal bones, and their investigations have yielded a remarkable surprise: Today, 1 to 2 percent of the DNA in non-African people comes from Neanderthals.

That genetic legacy is the result of interbreeding roughly 50,000 years ago between Neanderthals and the common ancestors of Europeans and Asians. Recent studies suggest that Neanderthal genes even influence human health today, contributing to conditions from allergies to depression.

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Watch CartoonHangover's 107 Rick & Morty Facts YOU Should Know ►► http://bit.ly/1m6TGGC

Welcome to a special edition of 8-Bit Philosophy, where classic video games introduce famous thinkers, problems, and concepts with quotes, teachings, and more. This week - The Philosophy of Rick and Morty.

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The question persists: Is a virus alive? Or is it simply a clever organic machine? It lacks most all of things we associate with "life": the ability to reproduce (outside of a host cell), biological componentry, a metabolism. All it is is DNA, a single strand wrapped in a protein membrane.

Resolution Disputes: A Conversation Between Rosa Menkman and Daniel Rourke: In the lead-up to her solo show, institutions of Resolution Disputes [iRD], at Transfer Gallery, Brooklyn, Daniel Rourke caught up with Rosa Menkman over two gallons of home-brewed coffee. They talked about what the show might become, discussing a series of alternate resolutions and realities that exist parallel to our daily modes of perception.iRD was exhibited at Transfer Gallery in March & April 2015, and also functioned as host to Daniel Rourke and Morehshin Allahyari’s 3D Additivist Manifesto, on April 16th.Rosa Menkman: If I remember correctly you and Morehshin wrote an open invitation to digital artists to send in their left over 3D objects. So every object in that dark gooey ocean in The 3D Additivist Manifesto actually represents a piece of artistic digital garbage. It’s like a digital emulation of the North Pacific Gyre, which you also talked about in your lecture at Goldsmiths, but then solely consisting of Ready-Made art trash.The actual scale and form of the Gyre is hard to catch, it seems to be unimaginable even to the people devoting their research to it; it’s beyond resolution. Which is why it is still such an under acknowledged topic. We don’t really want to know what the Gyre looks or feels like; it’s just like the clutter inside my desktop folder inside my desktop folder, inside the desktop folder. It represents an amalgamation of histories that moved further away from us over time and we don’t necessarily like to revisit, or realise that we are responsible for. I think The 3D Additivist Manifesto captures that resemblance between the way we handle our digital detritus and our physical garbage in a wonderfully grimm manner.Daniel Rourke: I’m glad you sense the grimness of that image. And yes, as well as sourcing objects from friends and collaborators we also scraped a lot from online 3D object repositories. So the gyre is full of Ready-Mades divorced from their conditions of creation, use, or meaning. Like any discarded plastic bottle floating out in the middle of the pacific ocean.Eventually Additivist technologies could interface all aspects of material reality, from nanoparticles, to proprietary components, all the way through to DNA, bespoke drugs, and forms of life somewhere between the biological and the synthetic. We hope that our call to submit to The 3D Additivist Cookbook will provoke what you term ‘disputes’. Objects, software, texts and blueprints that gesture to the possibility of new political and ontological realities. It sounds far-fetched, but we need that kind of thinking.Alternate possibilities often get lost in a particular moment of resolution. A single moment of reception. But your exhibition points to the things beyond our recognition. Or perhaps more importantly, it points to the things we have refused to recognise. So, from inside the iRD technical ‘literacy’ might be considered as a limit, not a strength.