MachineMachine /stream - search for digital en-us LifePress <![CDATA[Demystifying Generative Art - Editorial - Le Random — A Digital Generative Art Institution]]>

Peter Bauman (Monk Antony) develops a framework for appreciating and analyzing generative art through an investigation of the movement’s locus of artistic intent.

Thu, 20 Jul 2023 09:51:23 -0700
<![CDATA[Decolonising the Digital| Technology as Cultural Practice]]>

Decolonising the Digital: Technology as Cultural Practice is a collection of critical essays, showcases, and interviews by Australian experimental artists, and diverse digital media theorists.

Mon, 12 Dec 2022 01:35:33 -0800
<![CDATA[Piracy Index | Piracy]]>

This website is a collection of the best digital piracy resources. This will help you get started on your pirate voyage. What happened to the GitHub repo?

Sun, 03 Jul 2022 23:33:36 -0700
<![CDATA[RPS Contemporary Group | Dr Grant Scott: United Nations of Photography]]>

Recorded Monday June 20th, 2022

After fifteen years art directing photography books and magazines such as Elle and Tatler, Dr Grant Scott began to work solely as a photographer for commercial and editorial clients in 2000. His images combine his experience working with some of the greatest photographers of the last century with his graphic and journalistic talents to create engaging photographic narratives from every commission.

Grant is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Coordinator for Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015) and New Ways of Seeing: The Democratic Language of Photography (Routledge 2019).

In the talk Grant addresses the constantly shifting sands of engagement with the photographic medium. Noting that we read books and acquire a respect for how difficult it is to write and are taught how to read the written word and appreciate its transformative power Grant will makes the case for the importance of visual literacy. He will explain how digital photography has democratised the medium, with ensuing debates between those with analogue experience and the digital natives and focus on the importance of ‘the personal’ in defining subject matter. The talk and following questions and answers are an exploration on what makes a successful visual narrative.

Mon, 27 Jun 2022 02:33:41 -0700
<![CDATA[Holly Herndon on the power of machine learning and developing her “digital twin” Holly+ | The FADER]]>

The FADER Interview is a brand new podcast series in which the world’s most exciting musicians talk with the staff of The FADER about their latest projects.

Fri, 03 Jun 2022 05:52:13 -0700
<![CDATA[Holly Herndon on the power of machine learning and developing her “digital twin” Holly+ | The FADER]]>

The FADER Interview is a brand new podcast series in which the world’s most exciting musicians talk with the staff of The FADER about their latest projects.

Fri, 03 Jun 2022 01:52:13 -0700
<![CDATA[If NFTs Were Honest | Honest Ads (Bored Ape Yacht Club, Azuki, CloneX Parody)]]>

What if NFT collections like Bored Ape Yacht Club, Azuki, CloneX, and other such stupid crap were actually honest about what they were?


Join us Mondays, Wednesdays, Fridays, and Sundays at 3pm EST for brand new Cracked shows and series!


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Roger Horton: Jack Hunter Artist: Darnell Eaton Writer: Mark Hill Director: Jordan Breeding Art Director/Assistant Director: Andy Newman Director of Photography: Dave Brown Editor: Jordan Breeding Sound: Mike Schoen Key Production Assistant: Jose Brown Set Production Assistant/Art: James Satterfield Teleprompter: Hillary Shea

Mark's Twitter: Mark's Book: Jordan’s Twitter: Jordan’s Writing Portfolio: Dave’s Instagram:

00:00 - If NFTs Were Honest 05:18 - Darnell Is Going To Be Famous

NFT #Crypto #NFTExplained

Fri, 04 Feb 2022 10:00:33 -0800
<![CDATA[Explaining Deleuze with drum machines]]>

My book: Audiobook: You can also find copies on other websites, including Amazon,, Blackwell’s, Powell’s, and others. You can also get the eBook, the kindle edition on Amazon, or read it digitally on Google Books. The audiobook is also available on Audible.

My Patreon:
My Twitter:

The two Suicide songs played here are "Frankie Teardrop" and "Rocket USA"

Wed, 19 Jan 2022 20:27:45 -0800
<![CDATA[The Metaverse Has Always Been a Dystopian Idea]]>

Silicon Valley CEOs keep hailing its imminent arrival as they hawk digital goods, but the metaverse was a dystopian idea from its inception. A big shift is apparently underway in Silicon Valley.

Thu, 25 Nov 2021 02:51:13 -0800
<![CDATA[TikTok Cultures Research Network (Methodologies)]]>

The TikTok Cultures Research Network held its third virtual event TikTok Methodologies on 19 July 2021 hosted by founding members Associate Professor Crystal Abidin, Professor Patrik Wikström, and Dr D. Bondy Valdovinos Kaye.

The field of digital media research is rapidly expanding to include innovative and exciting TikTok research. As one of the most widely used digital short video platforms around the world, TikTok is a key social arena to study global youth culture, creativity, professionalization, and activism. This event was a critical forum for discussion on TikTok research frameworks and methodologies from emerging voices in the field.

Tue, 09 Nov 2021 01:33:32 -0800
<![CDATA[NFTs might not solve the digital art authenticity problem.]]>

When Christie’s auctioned for $69 million a “nonfungible token,” or NFT, linked to the digital collage Everydays: The First 5000 Days, many people asked WTF was an NFT? And why was a relative unknown artist by the name of Beeple now the third-highest selling living artist—for a digital work

Mon, 17 May 2021 23:55:37 -0700
<![CDATA[Who Is GigaChad: Meme, Digital Creation or Russian Model?]]>

Digital CultureMiles Klee Share on FacebookShare on Twitter Share via email More Stories from MEL

Wed, 31 Mar 2021 07:56:02 -0700
<![CDATA[The Digital Condition: Arts and Humanities in the Digital Age]]>

UPDATE: Due to circumstances the Winter School will be held virtually. Please note that the programme follows the EET Eastern European Time UTC+2 timezone!

Tue, 26 Jan 2021 10:39:28 -0800
<![CDATA[The Racist Legacy of Computer-Generated Humans - Scientific American]]>

Computer-generated imagery is supposed to be one of the success stories of computer science. Starting in the 1970s, the algorithms for realistically depicting digital worlds were developed in a monumental joint effort between academic, commercial and federal research labs.

Wed, 23 Dec 2020 01:19:41 -0800
<![CDATA[An Open P2P Resource for AI technology: Art, Academia and Activism – Marc Garrett. Exploring Class in Postdigital Cultures]]>

An open knowledge list for all to add to, use, and share with others.

Wed, 14 Oct 2020 23:59:31 -0700
<![CDATA[Girl with a Pearl Earring: under the Hirox 3D microscope!]]> The full scan has been made with the Hirox 3D Digital Microscope RH-2000 at the Mauritshuis in the Hague (NL) with the support of Abbie Vandivere during the technical examination "Girl in the Spotlight". More Information: | or contact us: Girl in the spotlight project: Panorama: 3D viewer: Inspection: Emilien Leonhardt & Vincent Sabatier - Hirox Europe / JYFEL Corporation SARL

Tue, 28 Apr 2020 05:12:32 -0700
<![CDATA[We are entering a space that can only be accessed via non-digital means]]> ]]> Sat, 14 Mar 2020 05:40:38 -0700 <![CDATA[Collecting in the Age of Digital Reproduction - Casey REAS - Medium]]>

In the art market, almost everything sold is an object such as a drawing, a painting, a sculpture, an installation, or a photograph, but there are some exceptions. These deviations may include a contract, a set of instructions, a digital video file, or a software file.

Wed, 11 Sep 2019 04:28:29 -0700
<![CDATA[Hito Steyerl - This is the Future - Biennale Arte 2019]]>

Steyerl uses AI technology to create a garden of the future that emulates the Venetian landscape of elevated walkways. Viewers walk among digital flowers that cycle through their lifespan without ever actually existing. Through Steyerl’s self-created technology, she asks whether AI can successfully predict the future, the answer being an explicit ‘no’.

Wed, 29 May 2019 07:40:52 -0700
<![CDATA[Hyperrhiz: New Media Cultures | ISSN 1555-9351]]>

Citation: Hanna, Julian. ““Future Shock”: Manifestos in the Digital Age.” Hyperrhiz: New Media Cultures no. 20, 2019. doi:10.20415/hyp/020.ex02 Abstract: The manifesto is currently one of most useful and vital online forms.

Tue, 28 May 2019 23:03:14 -0700