Inside the many debates swirling around the rapid rollout of so-called artificial intelligence, there is a relatively obscure skirmish focused on the choice of the word “hallucinate”.

Critical Topics: AI Images is an undergraduate class delivered for Bradley University in Spring 2023. It is meant to provide an overview of the context of AI art making tools and connects media studies, new media art, and data ethics with current events and debates in AI and generative art.

Recorded Monday June 20th, 2022

After fifteen years art directing photography books and magazines such as Elle and Tatler, Dr Grant Scott began to work solely as a photographer for commercial and editorial clients in 2000. His images combine his experience working with some of the greatest photographers of the last century with his graphic and journalistic talents to create engaging photographic narratives from every commission.

Grant is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Coordinator for Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015) and New Ways of Seeing: The Democratic Language of Photography (Routledge 2019).

In the talk Grant addresses the constantly shifting sands of engagement with the photographic medium. Noting that we read books and acquire a respect for how difficult it is to write and are taught how to read the written word and appreciate its transformative power Grant will makes the case for the importance of visual literacy. He will explain how digital photography has democratised the medium, with ensuing debates between those with analogue experience and the digital natives and focus on the importance of ‘the personal’ in defining subject matter. The talk and following questions and answers are an exploration on what makes a successful visual narrative.

The question of whether a computer program, or a robot, might become sentient has been debated for decades. In science fiction, we see it all the time. The artificial intelligence establishment overwhelmingly considers this prospect something that might happen in the far future, if at all.

The question of whether a computer program, or a robot, might become sentient has been debated for decades. In science fiction, we see it all the time. The artificial intelligence establishment overwhelmingly considers this prospect something that might happen in the far future, if at all.

I remember reading about Geraldine Juárez’s 2014 bitcoin-burning experiment at the time and getting immensely impressed by its boldness. Back then, crypto seemed like a fringe phenomenon – worthy of radical artistic interventions but not earnest policy debate – so I didn’t make much of it.

Photo by Vuk Valcic/SOPA Images/LightRocket via Getty Images. What should women care about in 2022? This was the implicit question asked by Mumsnet on Tuesday, when the platform hosted a discussion with Stella Creasy and Caroline Nokes, two MPs, on women and mothers in politics.

This video critiques memes. It doesn't aim at judging which memes are based and which are cringe, nor at declaring this or that meme to be dead, but rather at explaining and critiquing the concept of the meme, starting with the original meaning as Richard Dawkins defined it.

Relevant Titles

The Memeing of Mark Fisher by Mike Watson https://www.waterstones.com/book/memeing-of-mark-fisher-the/mike-watson//9781789049336

Support Zero Books on Patreon: https://www.patreon.com/zerobooks Subscribe: http://bit.ly/SubZeroBooks Facebook: https://www.facebook.com/ZeroBooks/ Twitter: https://twitter.com/zer0books

Zero Books Manifesto:

The modern world is at an impasse. Disasters scroll across our smartphone screens and we’re invited to like, follow or upvote, but critical thinking is harder and harder to find. Rather than connecting us in common struggle and debate, the internet has sped up and deepened a long-standing process of alienation and atomization.

Zero Books aims to work against this trend.

What is a game? It's a debate that rears its bemusing head every now and then as developers push the boundaries of the medium, and this month it has been brought back to the fore by a group arguably less qualified to give a concrete definition: lawyers.

Image by Jamy van Zyl In 1986, Science and Technology Studies scholar Langdon Winner launched a debate about the power of technologies to shape human politics when he asked “do artefacts have politics?” A technology like the Robert Moses-designed overpasses that arc above the roads from New Yor

Onstage at the November 20 Democratic debate, presidential candidate and Universal Basic Income evangelist Andrew Yang used one of his precious minutes of speaking time to casually claim that “data is the new oil,” and that we need to create a “WTO for data” to help wrestle it under control.

The aftermath of the Piazza della Loggia bombing, a 1974 attack carried out by the Evola-inspired group Ordine Nuovo. Debate is a cover-story: never having to be honest about your true intentions while pretending to be open-minded.

As soon as Jordan Peterson announced he would be debating Slavoj Žižek, the hype machine started revving. The media promised a “rumble in the realm of the mind,” a “brawl between iconoclastic philosophers,” and a “highbrow Mortal Kombat.

In this video we take a look at why Cosmic Horror (or Lovecraftian Horror) is so hard to adapt onto the screen because of its visual complexity and abstraction.

Video essay made by Moises & Sergio Velasquez https://www.patreon.com/screened

------------- Editor's Note:

• It's not mental patients but someone insane made the drawings.

------------- Follow us on:

Instagram: https://www.instagram.com/screenedclip/ Twitter: https://twitter.com/MoiVel

------------- Music:

The Old Ones by Scott Buckley – www.scottbuckley.com.au

------------- Movie Clips From:

2001: A Space Odyssey (Debatebly has Lovecraftian elements) Alien Annihilation Bird Box Cloverfield Paradox In the Mouth of Madness The Endless The Mist The Thing The Unnamable The Void

Cosmichorror #Movies #Lovecraft

Levandowski’s church will enter a tech universe that’s already riven by debate over the promise and perils of AI. Some thinkers, like Kevin Kelly in Backchannel earlier this year, argue that AI isn’t going to develop superhuman power any time soon, and that there’s no Singularity in sight.

Sight + Sound Festival - Eastern Bloc, Montreal, September 27thUnder the theme [Non-Compliant Futures], Sight + Sound festival 2017 will perform an autopsy of the grand narrative of innovation, the very one which promised us a radiant future dependent upon hyperconsumption, techno-positivism, digital colonialism, and the myth of infinite growth. With over thirty international guests, the festival program, curated by Disnovation.org, will question the standardized imaginaries of the future and highlight intersecting paths and strategies that aim to reveal, perturb, and pervert the cult of innovation.Following on from the gospel of progress, evolution, and growth from centuries past, today’s vocabulary of innovation and disruption are rhetorical instruments par excellence. They flood the dominant discourse of our times, flowing from the political arena into the fields of labour, education, and art. Meanwhile, in periphery to the daily onslaught of techno-solutionist propaganda, numerous critical, alternative, deviant, and speculative practices are (re)emerging globally. They pave the way to a critical and grassroots reappropriation of the possibilities envisioned by our technological society.Sight + Sound 2017 calls to break free from a linear notion of progress and, rather, re-introduce concepts such as degrowth and maintainability to the core of our vision of the future. It is also an invitation to embrace our alien-becoming, which we are already collectively enduring with the whole of human and non-human life.Together with artists, activists, performers, and theorists, NON-COMPLIANT FUTURES inhabits this tsunami of capitalism and human action by populating it with a host of artistic alternatives — rather unlikely but preferable possibilities that will act as the basis to broader debate and critical projections into the future.

The William Buckley debates was political discourse at its finest. Although watching Norman Mailer throwing shade at Gore Vidal is entertaining, James Baldwin taking Buckley to task holds a special place in our hearts.

3D Printing & Art Activism Workshop + Talk and Q&A, District, Berlin (22nd+23rd June, 2016)Two-day workshop and public talk with Morehshin Allahyari & Daniel Rourke on 22 and 23 June 2016 at District, Berlin.WED, 22 June, 10:30-17:00 Workshop Day 1THU, 23 June, 10:30-17:00 Workshop Day 2THU, 23 June, 19:00-20:30 Public TalkDESIGN BEYOND THE HUMAN: An Introduction to The 3D Additivist CookbookA talk and Q&A session by Morehshin Allahyari and Daniel Rourke on the possibilities locked up in additivist technologies, with particular focus on the work of the critically renowned and emerging artists, makers, and theorists included in the forthcoming 3D Additivist Cookbook.In this talk the artist-activist Morehshin Allahyari and writer-artist Daniel Rourke will tackle the question of what it means to design beyond the human. Is it better to try to change the world or change ourselves, and what are the implications of taking a position in this debate?3D PRINTING & ART ACTIVISM WORKSHOP“Only self-contradictory practices are true in a deeper sense of the word. In our contemporary world, only art indicates the possibility of revolution as a radical change beyond the horizon of our present desires and expectations.” - On Art Activism - Boris GroysWe believe technology can open up new perspectives, providing people with the means to challenge the structures, ideas, and institutions that maintain the status quo. But technological change is - almost by definition - tied to the functions of capitalism: a system that profits the few, often at the expense of civil liberties or the environment.For this workshop, we call creators and thinkers to challenge and action around a technology filled with hope and promise: the 3D printer. After considering the metaphorical and practical implications of additive processes, and exploring the revolutionary spaces opened up by ‘Art Activism’, workshop participants will devise practical and conceptual 3D printable designs that have radical implications. We will then discuss and explore the potential of ‘Disobedient Objects’ and their influence on social and political movements. We will reconsider activism as a form of ‘change’ and question the notion of ‘problem solving’ using dystopia, horror, and weirding as methodologies.Some Questions to Consider:What does it mean to be ‘radical’ in our contemporary society?How can we use technologies as tools of resistance and collective action?What does Activism mean today?Participants will work on devising their own ‘radical’ ideas, and blueprints for a 3D printed design that has the potential as a tool for activism with particular emphasis on sparking creative and critical debate.Preparing for the Workshop:Watch The 3D Additivist ManifestoBrowse the extensive additivism.org archiveDownload The Additivism Reader: Browse the reader + Read what interests you + Make notesMaterials participants will need to bring:Laptop computer Pens, paper Participants are encouraged to look through the reader that we have provided prior to the workshop.The work produced in the workshop will be shared online as part of our additivism.org blog and diverse social network. We encourage participants to continue working on their ideas after the workshop for possible submission and inclusion in the forthcoming 3D Additivist Cookbook - to be published online and in print in late 2016.Workshop application:In order to participate in the workshop, please send Daniel and Morehshin a short email on why you want to take part: 3d@additivism.org

The story of IBM’s Deep Blue computer defeating world chess champion Garry Kasparov in 1997 has been told so many times that it’s practically shorthand for the philosophical debate over man vs. machine. But the story lacks subtlety and perhaps the right moral.