MachineMachine /stream - search for culture https://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss LifePress therourke@gmail.com <![CDATA[Institute of Network Cultures | Undead Digital Labor and the General Intellect – A Conversation on AI between Tiziana Terranova and Daniël de Zeeuw]]> https://networkcultures.org/blog/2024/04/23/terranova-and-de-zeeuw/

Daniël de Zeeuw: A combination of genuine concerns and moral panics over AI (often fueled by the tech moguls themselves) has reached a new high in recent years, particularly with the introduction of ChatGPT by OpenAI.

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Fri, 26 Apr 2024 18:57:44 -0700 https://networkcultures.org/blog/2024/04/23/terranova-and-de-zeeuw/
<![CDATA[The Wizard of AI]]> https://vimeo.com/884929644

Is this the world's first AI-generated documentary? Alan Warburton was commissioned by the ODI's Data as Culture programme to bring us 'The Wizard…

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Wed, 22 Nov 2023 04:05:21 -0800 https://vimeo.com/884929644
<![CDATA[An Illustrated Field Guide to Social Media | Knight First Amendment Institute]]> https://knightcolumbia.org/blog/an-illustrated-field-guide-to-social-media

This field guide looks at social media that works on different “logics” than do Facebook, Twitter, or YouTube. It features communities that have tried consciously to use different models than surveillance capitalism and includes the work of collaborators in other countries and subcultures.

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Wed, 12 Jul 2023 06:33:12 -0700 https://knightcolumbia.org/blog/an-illustrated-field-guide-to-social-media
<![CDATA[How AI could change computing, culture and the course of history | The Economist]]> https://www.economist.com/essay/2023/04/20/how-ai-could-change-computing-culture-and-the-course-of-history

Among the more sombre gifts brought by the Enlightenment was the realisation that humans might one day become extinct.

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Tue, 25 Apr 2023 18:51:25 -0700 https://www.economist.com/essay/2023/04/20/how-ai-could-change-computing-culture-and-the-course-of-history
<![CDATA[the weirdest part of the culture war is that both sides feel like they’re losing]]> https://twitter.com/nat_sharpe_/statuses/1521330471694745601 ]]> Mon, 02 May 2022 20:27:04 -0700 https://twitter.com/nat_sharpe_/statuses/1521330471694745601 <![CDATA[Cultural theory of 'The Edgelord'?]]> http://ask.metafilter.com/mefi/362417

The figure of 'The Edgelord' has been gaining traction in recent years. But I haven't read anything directed specifically at (theorising) this phenomena. Do you have any recommendations? Books, essays, YouTube polemics, podcasts etc. are all very welcome. OR The Edgelord's perceived relation to other concepts, frameworks, cultures, or pop notions.

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Thu, 07 Apr 2022 07:55:05 -0700 http://ask.metafilter.com/mefi/362417
<![CDATA[The Problem With NFTs]]> https://www.youtube.com/watch?v=YQ_xWvX1n9g

If someone pitches you on a "great" Web3 project, ask them if it requires buying or selling crypto to do what they say it does.

Sources and Further Reading https://web3isgoinggreat.com/ https://tante.cc/2021/12/17/the-third-web/ https://davidgerard.co.uk/blockchain/2021/03/11/nfts-crypto-grifters-try-to-scam-artists-again/ https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme/ https://www.stephendiehl.com/blog/crypto-absurd.html https://blog.mollywhite.net/blockchains-are-not-what-they-say/ https://www.motherjones.com/politics/2021/11/who-goes-crypto-eth-bitcoin-etc-financialization-gamestop-class-wealth/ https://twitter.com/davetroy/status/1478017698676228099?s=20 https://davidgolumbia.medium.com/cryptocurrency-is-garbage-so-is-blockchain-3e80078e77fe https://marker.medium.com/fintech-is-a-scam-a-listicle-in-eight-parts-7b6161f3a35a https://naavik.co/business-breakdowns/axie-infinity/#axie-decon= https://www.gawker.com/culture/the-future-is-useless-expensive https://twitter.com/NFTtheft https://www.theatlantic.com/ideas/archive/2021/04/nfts-werent-supposed-end-like/618488/ https://www.gamesindustry.biz/articles/2021-11-05-baseless-nft-hype-hits-a-crescendo-but-its-play-to-earn-thats-worth-watching-opinion https://www.technollama.co.uk/platform-is-law-the-cautionary-tale-of-stolen-nfts https://davidgerard.co.uk/blockchain/2021/02/12/libra-shrugged-chapter-6-banking-the-unbanked/ https://twitter.com/Bitfinexed

Written and performed by Dan Olson

Crowdfunding: https://www.patreon.com/foldablehuman Twitter: https://twitter.com/FoldableHuman 00:00:00 Preface 00:01:12 0. In 2008 The Economy Collapsed 00:07:09 1. Bitcoin 00:18:18 2. Ethereum 00:24:34 3. The Machine 00:39:07 4. NFTs Exist To Get You To Buy Crypto 00:57:54 5. The Unbearable Cringe Of Crypto 01:11:46 6. A Self-Organizing High Control Group 01:16:57 7. Crypto Reality 01:25:36 8. There Is No Privacy On The Chain 01:32:52 9. If This "Looks Like Scam" Then Every NFT Room I'm In Looks Like Scam LOL 01:38:29 10. Play To Earn Exists To Get You To Buy Crypto 01:46:39 11. We're All Gonna Make It And By "We" I Mean "Us" Not You 01:56:08 12. DAOs Exist To Get You To Buy Crypto 02:13:21 13. I Know It's Rigged, But It's The Only Game In Town

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Fri, 21 Jan 2022 09:00:03 -0800 https://www.youtube.com/watch?v=YQ_xWvX1n9g
<![CDATA[Break Bread]]> https://www.youtube.com/watch?v=41B5YonixBs

------Curiosity Stream Sign Up Link----- https://curiositystream.com/fdsignifier

After a few months of “success” on the platform, I sat to contemplate my journey from unknown content creator scraping for views to hot new video essayist and legit “left tuber”. This contemplation led to numerous questions and ponderings, and as I dived into those questions I started to get frustrated the answers that I arrived at. I got tired of people asking me “where have you been this whole time” when I knew I had been just quietly treading water, wondering why my videos weren’t being seen, and wondering why I barely saw any creators in the mold of what I wanted to do.

To explore these emotions, I talked to a variety of creators and experts on the nature of YouTube as a media platform the algorithmic systems that govern it, and the greater culture around it. I delved into my own concerns and observations about the landscape of YouTube, especially “left tube”.

This video is my thesis on what challenges I and other black creators face.

00:00 Intro 02:12 How Did I Get Here? 08:22 The Untold History of Breadtube/Lefttube 33:17 No Favors From the Algorithm 1:09:10 Problems in the Community

Creators Featured Voice Memos for the Void - https://www.youtube.com/c/voicememosforthevoid Jordan Harrod- https://www.youtube.com/c/JordanHarrod/videos The Storyteller- https://www.youtube.com/c/TheStorytellerAJ CJ the X- https://www.youtube.com/c/CJTheX Noah Samsen- https://www.youtube.com/c/NoahSamsen khadija Mbowe- https://www.youtube.com/c/KhadijaMbowe T1J- https://www.youtube.com/c/the1janitor Legal Eagle- https://www.youtube.com/c/LegalEagle Hank Green- https://www.youtube.com/c/SciShow

Channels Mentioned Yara Zayd- https://www.youtube.com/c/Yharazayd Kolpeshtheyardstick- https://www.youtube.com/channel/UC2Vj51Kp7qPC102MsA98Fww Victory- https://www.youtube.com/channel/UC8JTStI16odEK-N3JJcMmpw

DJ Trackmatic- https://www.instagram.com/trackmatic_idris/?hl=en https://youtube.com/channel/UCqeWnr-XOv2x8jr2fW72mnA

Resources-

Pewdie Pipeline by Noncompete https://www.youtube.com/watch?v=pnmRYRRDbuw&t=1029s

The Alt Right Playbook series by Innuendo Studios https://www.youtube.com/watch?v=4xGawJIseNY&list=PLJA_jUddXvY7v0VkYRbANnTnzkA_HMFtQ

Not So Awesome (channel awesome fall out documentary) https://www.youtube.com/watch?v=FvedKSaHCBQ

Implicit Bias Primer- https://www.simplypsychology.org/implicit-bias.html

Implicit Bias Association Harvard Study- https://implicit.harvard.edu/implicit/takeatest.html

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Mon, 06 Dec 2021 10:00:09 -0800 https://www.youtube.com/watch?v=41B5YonixBs
<![CDATA[WHY I WANT TO FUCK ELON MUSK]]> https://machinemachine.net/portfolio/why-i-want-to-fuck-elon-musk/

A text written for IOCOSE‘s exhibition “All of Your Base” held at Aksioma Project Space in Ljubljana, 1 December 2021–14 January 2022.

Published as a PostScriptUM PDF and print-on-demand publication.

► WHY I WANT TO FUCK ELON MUSK ► eBROCHURE (PDF)► PRINT ON DEMAND [coming soon]► LIST ON ISSUU

In their space race the gurus of the NewSpace movement are expanding an imaginary that hybridizes individualism, libertarianism, neoliberal economics, counterculture and utopianism. “Why I Want to Fuck Elon Musk” plays with these cultural references, taking inspiration from the most emblematic statements spoken or tweeted by Elon Musk in recent years. Daniel Rourke, a London-based writer, artist and academic, has resorted to working with the OpenAI Generative Pre-trained Transformer 3 (GPT-3) language model to imagine and narrate chronicles from a near future in which blockchains have materialized and the deepfakes of Bezos and Musk have colonized Mars. The fictional universe thus created by human and non-human imagination builds a literary counterpart to IOCOSE’s latest works – the video animations Pointing at a New Planet (2020) and Free from History (2021) – presented on the occasion of the “All of Your Base” exhibition at Aksioma | Project Space in Ljubljana.

Download PDF (eBROCHURE) View on Aksioma website

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Fri, 26 Nov 2021 02:06:04 -0800 https://machinemachine.net/portfolio/why-i-want-to-fuck-elon-musk/
<![CDATA[TikTok Cultures Research Network (Methodologies)]]> https://tiktokcultures.com/tiktok-methodologies/

The TikTok Cultures Research Network held its third virtual event TikTok Methodologies on 19 July 2021 hosted by founding members Associate Professor Crystal Abidin, Professor Patrik Wikström, and Dr D. Bondy Valdovinos Kaye.

The field of digital media research is rapidly expanding to include innovative and exciting TikTok research. As one of the most widely used digital short video platforms around the world, TikTok is a key social arena to study global youth culture, creativity, professionalization, and activism. This event was a critical forum for discussion on TikTok research frameworks and methodologies from emerging voices in the field.

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Tue, 09 Nov 2021 01:33:32 -0800 https://tiktokcultures.com/tiktok-methodologies/
<![CDATA[A Critique of Memes and Meme Culture]]> https://www.youtube.com/watch?v=4qXvnA8P1k0

This video critiques memes. It doesn't aim at judging which memes are based and which are cringe, nor at declaring this or that meme to be dead, but rather at explaining and critiquing the concept of the meme, starting with the original meaning as Richard Dawkins defined it.

Relevant Titles

The Memeing of Mark Fisher by Mike Watson https://www.waterstones.com/book/memeing-of-mark-fisher-the/mike-watson//9781789049336

Support Zero Books on Patreon: https://www.patreon.com/zerobooks Subscribe: http://bit.ly/SubZeroBooks Facebook: https://www.facebook.com/ZeroBooks/ Twitter: https://twitter.com/zer0books

Zero Books Manifesto:

The modern world is at an impasse. Disasters scroll across our smartphone screens and we’re invited to like, follow or upvote, but critical thinking is harder and harder to find. Rather than connecting us in common struggle and debate, the internet has sped up and deepened a long-standing process of alienation and atomization.

Zero Books aims to work against this trend.

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Sun, 01 Aug 2021 18:29:26 -0700 https://www.youtube.com/watch?v=4qXvnA8P1k0
<![CDATA[RESOURCE PORTAL ON ANTI-RACISM AND DECOLONIAL APPROACHES TO ART HISTORY AND VISUAL CULTURE – For Art History]]> https://forarthistory.org.uk/latest-news/resource-portal-on-anti-racism-and-decolonial-approaches-to-art-history-and-visual-culture-2/

This portal contains hundreds of references arranged along subject, themes and media in eight bibliographies.

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Thu, 15 Apr 2021 22:36:40 -0700 https://forarthistory.org.uk/latest-news/resource-portal-on-anti-racism-and-decolonial-approaches-to-art-history-and-visual-culture-2/
<![CDATA[Who Is GigaChad: Meme, Digital Creation or Russian Model?]]> https://melmagazine.com/en-us/story/gigachad-meme-instagram-meaning-irl

Digital CultureMiles Klee Share on FacebookShare on Twitter Share via email More Stories from MEL

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Wed, 31 Mar 2021 07:56:02 -0700 https://melmagazine.com/en-us/story/gigachad-meme-instagram-meaning-irl
<![CDATA[The internet didn’t kill counterculture—you just won’t find it on Instagram]]> https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/

Search Google Images for ‘counterculture’ and it overwhelmingly returns black-and-white photos of young people all now over 60.

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Tue, 19 Jan 2021 23:55:14 -0800 https://www.documentjournal.com/2021/01/the-internet-didnt-kill-counterculture-you-just-wont-find-it-on-instagram/
<![CDATA[How to Predict Culture in 2050?]]> https://app.milanote.com/1Kxgc81Lmfvj68

Milanote relies on JavaScript to do anything useful, please enable it and try again.

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Sun, 29 Nov 2020 06:36:22 -0800 https://app.milanote.com/1Kxgc81Lmfvj68
<![CDATA[An Open P2P Resource for AI technology: Art, Academia and Activism – Marc Garrett. Exploring Class in Postdigital Cultures]]> https://marcgarrett.org/2020/09/11/an-open-p2p-resource-for-ai-technology-art-academia-and-activism/

An open knowledge list for all to add to, use, and share with others.

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Wed, 14 Oct 2020 23:59:31 -0700 https://marcgarrett.org/2020/09/11/an-open-p2p-resource-for-ai-technology-art-academia-and-activism/
<![CDATA[Judith Butler on the culture wars, JK Rowling and living in “anti-intellectual times”]]> https://www.newstatesman.com/international/2020/09/judith-butler-culture-wars-jk-rowling-and-living-anti-intellectual-times

Thirty years ago, the philosopher Judith Butler*, now 64, published a book that revolutionised popular attitudes on gender. Gender Trouble, the work she is perhaps best known for, introduced ideas of gender as performance.

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Fri, 09 Oct 2020 00:13:49 -0700 https://www.newstatesman.com/international/2020/09/judith-butler-culture-wars-jk-rowling-and-living-anti-intellectual-times
<![CDATA[Revolutionary archaeology reveals the deepest possible Anthropocene | Aeon Essays]]> https://aeon.co/essays/revolutionary-archaeology-reveals-the-deepest-possible-anthropocene

Humanity’s transition from hunting and gathering to agriculture is one of the most important developments in human and Earth history. Human societies, plant and animal populations, the makeup of the atmosphere, even the Earth’s surface – all were irreversibly transformed.

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Fri, 02 Oct 2020 06:13:20 -0700 https://aeon.co/essays/revolutionary-archaeology-reveals-the-deepest-possible-anthropocene
<![CDATA[Understanding Interactive Media: Critical Questions & Concepts]]> https://docs.google.com/document/d/1FnsSHCJjW0vLCqpyEjNUVJ_f9haSS_tFxMroFbpxwwA/edit?usp=drivesdk&usp=embed_facebook&usp=embed_facebook&usp=embed_facebook&usp=embed_facebook

This seminar course is an introduction to the concepts, questions, and components that encompass interactive media as it relates to creative expression and critical engagement. Students will learn to analyze interactive media’s constituent parts, engage in readings that critically examine both the impact that interactive media and technology have on culture and societies as well as the ways in which social contexts shape the development and application of these technologies, and apply these concepts in a series of creative exercises. The contexts become apparent by examining interactive media and interactivity through the lenses of relevant critical perspectives including politics, economics, ethics, race, gender, psychology, and the environment. Throughout the semester students will learn and apply critical texts to analyze interactive media and build a vocabulary for making sense of our increasingly mediated world. The course thus serves to introduce a conceptual foundation for students to inform and direct their own creative practice by establishing a lexicon of basic operating definitions and reinforcing a culture of makers capable of critical reflection and awareness. Readings, discussions, research, creative exercises and writing constitute the body of this course.

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Tue, 25 Aug 2020 22:59:19 -0700 https://docs.google.com/document/d/1FnsSHCJjW0vLCqpyEjNUVJ_f9haSS_tFxMroFbpxwwA/edit?usp=drivesdk&usp=embed_facebook&usp=embed_facebook&usp=embed_facebook&usp=embed_facebook
<![CDATA[Millennials Are Killing Capitalism: "Wildcat The Totality" - Fred Moten And Stefano Harney Revisit The Undercommons In A Time Of Pandemic And Rebellion (Part 1)]]> https://huffduffer.com/therourke/582358

This is part one of a two-part conversation with Fred Moten and Stefano Harney.  Fred Moten is the author of In The Break: The Aesthetics of the Black Radical Tradition, multiple volumes of poetry, and most recently the trilogy consent not to be a single being. Stefano Harney is the author of Nationalism and Identity: Culture and the Imagination in a Caribbean Diaspora. He also co-authored The Liberal Arts and Management Education: A Global Agenda for Change with Howard Thomas, and State Work: Public Administration and Mass Intellectuality. In 2013, Moten and Harney collaborated on The Undercommons: Fugitive Planning and Black Study a text that has been influential to both Josh and myself.  They graciously accepted the invitation to revisit this work, and their thinking in this time of pandemic and rebellion.  In this first portion of our conversation, we begin a discussion of the undercommons, the Academy, the general antagonism, solidarity, empathy, whiteness, politics, citizenship, Blackness, and patriarchy. We hope you enjoy part one of this discussion as much as we did, and we will be releasing part 2 next week. 

https://millennialsarekillingcapitalism.libsyn.com/wildcat-the-totality-fred-moten-and-stefano-harney-revisit-the-undercommons-in-a-time-of-pandemic-and-rebellion-part-1

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Wed, 29 Jul 2020 01:03:36 -0700 https://huffduffer.com/therourke/582358