Daniël de Zeeuw: A combination of genuine concerns and moral panics over AI (often fueled by the tech moguls themselves) has reached a new high in recent years, particularly with the introduction of ChatGPT by OpenAI.

Share this so it isn't my last episode. Join our Discord! https://discord.gg/SrDAqQzQ

✳ PATREON: https://www.patreon.com/user?u=711561 ✳ Twitter: http://twitter.com/_lucasrizzotto ✳ Facebook: http://facebook.com/lucasrizzotto ✳ Instagram: http://instagram.com/_lucasrizzotto ✳ Website: http://lucasrizzotto.com]

Thanks for the wild ride, friends. This one was a joy (and hell) to make. Make sure you follow me closely on social media - got some big announcements to make this week!

I really appreciate you all, specially those of you who dig deep into the description to find hidden bits like this :)

This channel never really blew up the way I thought it would but it brought me close with some of the most passionate people I've ever seen and I'll always be eternally grateful.

Love ya,

Swooty McBooty

Special thanks to: Austin Beaulier (for helping me get the epic smooth shots in the memories sequence) Cix Liv (for all his expert insight as Dimitri) Max Noir (for dealing with all the bs of making this video for almost a year lmao) Stephen Hodgson (for helping out hugely with GPT-3 code)

Chapters!

00:00 - Teaser 00:38 - Introduction 02:35 - Jeff Bezos' Tale 04:22 - The Brain Transplant 05:07 - GIANT METAL DEATH MACHINES 06:00 - Okay Let Me Explain GPT-3 For Real Now lol 07:10 - Writing Fake Memories 09:30 - PLOT TWIST! An Old Friend 11:20 - Ad-Break 12:24 - The Conversation Begins 13:36 - Microwave Gets Personal 14:45 - Microwave Politics 15:43 - Oh God He Likes Hitler 16:18 - Dramatic Question Montage 19:34 - Unintended Consequences 20:19 - Microwave PTSD Montage 21:12 - The Murder Attempt 23:04 - Lucas Moves Far Away... 23:33 - ... To Uganda LOL 24:22 - Haunted By Nightmares 24:53 - Talking to an Expert 26:34 - Is Magnetron Fake? 27:06 - The Final Conversation 30:12 - Goodbye, Magnetron 31:34 - Is it over? 32:15 - Outro / Sad Announcements 34:20 - Goodbyes & Reminiscing

In this episode, Chelsea speaks with Dan Olson from @Folding Ideas to discuss his recent explainer video on the danger of crypto and NFTs.

Don't forget to subscribe and leave us a review!

*Subscribe to The Financial Confessions podcast here: https://anchor.fm/thefinancialdiet

*Rate + review us on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-financial-confessions/id1484287750

*For our favorite moments from The Financial Confessions podcast, subscribe to our highlights channel here: https://www.youtube.com/channel/UCNRL-_4emfF _ZamFOWCF2rg

Folding Ideas on YouTube: NFTs video: https://www.youtube.com/watch?v=YQ_xWvX1n9g

WHERE TO FIND US:

The Financial Diet site: http://www.thefinancialdiet.com

Facebook: https://www.facebook.com/thefinancialdiet

Twitter: https://twitter.com/TFDiet

Instagram: https://www.instagram.com/thefinancialdiet

At three in the afternoon on a Friday in late January, Jeremy O. Harris arranged for an Uber to bring Samuel Delany from his home in Philadelphia to the Golden Theatre in New York City.

This is part one of a two-part conversation with Fred Moten and Stefano Harney.  Fred Moten is the author of In The Break: The Aesthetics of the Black Radical Tradition, multiple volumes of poetry, and most recently the trilogy consent not to be a single being. Stefano Harney is the author of Nationalism and Identity: Culture and the Imagination in a Caribbean Diaspora. He also co-authored The Liberal Arts and Management Education: A Global Agenda for Change with Howard Thomas, and State Work: Public Administration and Mass Intellectuality. In 2013, Moten and Harney collaborated on The Undercommons: Fugitive Planning and Black Study a text that has been influential to both Josh and myself.  They graciously accepted the invitation to revisit this work, and their thinking in this time of pandemic and rebellion.  In this first portion of our conversation, we begin a discussion of the undercommons, the Academy, the general antagonism, solidarity, empathy, whiteness, politics, citizenship, Blackness, and patriarchy. We hope you enjoy part one of this discussion as much as we did, and we will be releasing part 2 next week. 

https://millennialsarekillingcapitalism.libsyn.com/wildcat-the-totality-fred-moten-and-stefano-harney-revisit-the-undercommons-in-a-time-of-pandemic-and-rebellion-part-1

Susan Rogers, by her own admission, is a rare bird. A female producer and sound engineer in an industry dominated by men, her drive and commitment would land her side by side with Prince as his star soared. She came to work with him in Paisley Park as an audio technician right before he would begin Purple Rain, and she’d stay working with him and becoming his sound engineer through his commercial peak; recording Parade, Around the World in a Day, The Black Album, and Sign O the Times. But Prince isn’t the only part of Susan Rogers’ story. In 1988 she left Minneapolis, and would go on to produce some of the biggest hits of the 90’s before taking the money from that to go back to school, and become a Professor at one of the world’s most prestigious music schools. Her name is synonymous with Prince, but the story of how Susan got there, and what she did after this legendary collaboration, is just as fascinating. From finding her musical tribe as a kid in Orange County, to recording some of the most loved songs of all time, and diving into the neuroscience of why we connect with song, this is a brilliant conversation with a curious mind, and living legend. James Brown - Papa's Got a Brand New Bag Prince - Let's Go Crazy Geggy Tah - Whoever You Are Barenaked Ladies - One Week Wilson Pickett - In the Midnight Hour

https://www.abc.net.au/radio/programs/take-5/susan-rogers-take-5/12421040

As a clinical geneticist, Paul James is accustomed to discussing some of the most delicate issues with his patients. But in early 2010, he found himself having a particularly awkward conversation about sex.

Revised from “Donna Haraway and Cary Wolfe in Conversation”, Manifestly Haraway (University of Minnesota Press, 2016). Perhaps it is time to write a “Chthulucene Manifesto.” “My” Chthulucene is the time of mortal compositions at stake to and with each other.

(pt) Walk&Talk fala da ilha, fala de um lugar e de um momento que questiona noções de centro e de periferia, amplia as geografias do mundo e as histórias da arte. Uma vídeo-conversa entre pessoas que multiplicam as formas de habitar a ilha, sobre a nossa natureza, o poder de criar e os ritmos do tempo.

(en) Walk&Talk speaks from the island, speaks from a place and moment that questions notions of centre and of periphery, expands the geographies of the world and the histories of the art. A video-conversation between people who multiply the ways of inhabiting the island, about our nature, the power of creating and the pace of time.

/ Realização/Direction - Bernardo Bordalo, Rui Nó | Montagem/Editing - Bernardo Bordalo | Cinematografia/Cinematography - Cláudio Oliveira | Banda Sonora/Sound Track - Cláudio Oliveira | Sonoplastia/Sound Design - Claudio Oliveira | Tradução/Translation Luisa Cativo

Comissariado/Commissioned by Walk&Talk - Arts Festival Direção Artística/Artistic Direction Jesse James & Sofia Carolina Botelho

/ Ana Trincão - André Uerba - Alessandro Bartolazzo - António Torres – Casabranca - Camposaz - Caroline David - Cristóvão Ferreira - Conan Osiris - Dani Admiss - Daniel Rourke + Luiza Prado - Diana Vidrascu – Diogo Alvim - Elliot Sheedy - Filipe Pereira - Gustavo Ciríaco com/with Ana Trincão, Rodrigo Andreolli, Sara Zita Correia & Tiago Barbosa - Gonçalo Preto - Henrique Ferreira - João Mourão & Luis Silva - Kurt Woerpel - Lígia Soares - Lúcia Moniz - Luísa Salvador - Manuela Marques - Margarida Andrade - Maurícia Barreira Neves - Maya Saravia - Mezzo Atelier, Joana Oliveira & Giacomo Mezzadri - Michel Charlot - Miguel Flor - Miguel Damião - Mónica de Miranda - Nora Al-Badri + Nikolai Nelles - Pauliana Valente Pimentel - Pedro Penim com/with Bernardo de Lacerda & Frederico Serpa - Polliana Dalla Barba - Sascha Pohflepp & Chris Woebken - Shift Register, Jamie Allen & Martin Howse - Rodrigo Andreolli - Sara Zita Correia - Sofia Caetano - Teresa Silva - Tiago Barbosa - Tim Lahan - ThugUnicorn – UVA - Voyager - We Came from Space

I talk with Jason Edward Lewis about the Aboriginal Territories in Cyberspace initiative, as well as the two 2167 Indigenous Storytelling in VR that he helped to produce. How do we reckon the past, present, and the future, and what types of possibilities open up when you start to tell stories from the perspective of seven generations from now, or about 150 years into the future. This conversation took place at the Symposium iX conference at the Society for Arts and Technology in Montreal, Canada.

LISTEN TO THIS EPISODE OF THE VOICES OF VR PODCASThttps://dts.podtrac.com/redirect.mp3/d1icj85yqthyoq.cloudfront.net/wp-content/uploads/2018/06/Voices-of-VR-654-Jason-Edward-Lewis.mp3

This is a listener-supported podcast through the Voices of VR Patreon.

Music: Fatality

Support Voices of VR

Subscribe on iTunes

Donate to the Voices of VR Podcast Patreon

Music: Fatality & Summer Trip

http://voicesofvr.com/654-indigenous-futurism-aboriginal-territories-in-cyberspace-with-jason-edward-lewis/

is a historian, writer, award winning filmmaker and the Pellegrino University Professor in History of Science and Physics at Harvard University.  He was appointed a Guggenheim Fellow in 2009, he won the Max Planck Prize in 1999, and was named a MacArthur Foundation Fellow in 1997.

In the current issue of Salvage journal, Sølvi Goard uses Ghost in the Shell as an entry point for a discussion of how capitalism shapes bodies, especially trans bodies.

welcome! highly-established videogame speedrunner Narcissa Wright joins me to talk what speedrunning is, her long history as a speedrunner and a staple of that community as an extremely popular Twitch streamer of Zelda (and other games) and co-founder of the website Speed Runs Live. We also talk about how things have changed as the community has grown massively in size and fragmented in the past several years, and get into a little bit about harassment she's received after transitioning. Finally, we talk about where she's currently at with speedrunning and other projects she has going on right now. this was a good conversation that I felt privileged to have, so I hope you all enjoy it!

you can also find earlier episodes of Beyond The Filter on here: https://archive.org/details/@ellaguro

you can check out Narcissa's twitch channel here:
https://go.twitch.tv/narcissawright

check out her youtube channel here: https://www.youtube.com/channel/UC-R8ghoWcuny0CUB3hmm9XA

and follow her on twitter here: http://www.twitter.com/narcissawright

• liz ryerson http://www.twitter.com/ellaguro http://www.patreon.com/ellaguro

http://traffic.libsyn.com/badatsports/Bad_at_Sports_Episode_431-Murata_and_Beatty.mp3download

This week: San Francisco checks in with a great interview. Bad at Sports contributors Brian Andrews and Patricia Maloney sat down with artist Takeshi Murata and sound designer Robert Beatty on November 9, 2013, at Ratio 3, in San Francisco, to discuss Murata’s most recent digitally animated video, OM Rider(2013). OM Rider follows two animated creatures: a wizened old man that Andrews describes as “half the Curious George Man in the Yellow Suit, half like the butler from Rocky Horror Picture Show,” and a hipster wolf, which rides a moped through a barren landscape and performs other aimless tasks. The video begins with the creature playing a synthesizer that gives the video its title. Om Rider contains Murata’s characteristic absurd humor and aesthetic, which mixes highly attuned lighting and composition with more retro modeling and minimalist, almost antiseptic spaces.

Takeshi Murata was born in 1974 in Chicago. In 1997, he graduated from the Rhode Island School of Design, where he studied film, video, and animation. He currently lives and works in Saugerties, New York. Murata has exhibited at the New Museum, New York; the Museum of Modern Art, New York; the Museum of Fine Arts, Houston; the Fondazione Sandretto Re Rebaudengo, Turin, Italy; Sikemma Jenkins & Co., New York; Gladstone Gallery, New York; and Salon 94, New York. Murata’s work is featured in the collections of the Hirshhorn Museum and Sculpture Garden, Washington DC; DESTE Foundation for Contemporary Art, Athens; and The Smithsonian Museum of American Art.

FYI, AP will post an excerpted text version of this interview on Dec. 3, and the link for that conversation should be:

http://www.artpractical.com/column/interview-with-takeshi-murata/

And here is a related review Brian wrote for his previous show: http://www.artpractical.com/review/get_your_ass_to_mars_andrews/

About Latest Posts ChristopherOperations Manager at Bad at SportsChristopher Hudgens is the Operations Manager for BaS and works in various other capacities for other organizations in the Chicago Art & Culture scene. Most recently as Business Operations Manager for the Bridge Art Fair and currently an advocate for all things art & technology.

Latest posts by Christopher (see all)

Episode 577: Kerry James Marshall WLPN B@SC Radio Edit - February 28, 2017

Kevin Jennings (1979-2016) - June 28, 2016

Episode 549: James Wines SITE Architect - May 24, 2016

http://badatsports.com/2013/episode-431-takeshi-murata-and-robert-beatty/

The William Buckley debates was political discourse at its finest. Although watching Norman Mailer throwing shade at Gore Vidal is entertaining, James Baldwin taking Buckley to task holds a special place in our hearts.

So proud of all the ideas @Morehshin and I made reality in the last week or so. An honour to know and bring together such talented humans for such exciting happenings. I think we properly shifted minds. Now the ideas and frameworks and conversations are in place, it's time to make them into actions and interventions.

The following essay is reprinted with permission from The Conversation, an online publication covering the latest research. Occasionally in science there are theories that refuse to die despite the overwhelming evidence against them.

Laboria Cuboniks is currently a group of 6 women working together online to redefine a feminism adequate to the twenty-first century. They collectively wrote Xenofeminsim: A Politics for Alienation in 2014.