If you plug “AI” or “artificial intelligence” into Google Image Search, here’s what you get. Electric brains firing blue with neurons. Translucent robots and robot heads, code dribbling down their foreheads and noses.

Of all the buzzy 21st-century tech phrases, “machine learning” threatens to be the most important. Programming computers is slow, but we’re nearing the point where humans give the bots parameters and let them teach themselves.

Bots are everywhere. From simple algorithms and aggregator bots to complex “artificially” intelligent machine-learning systems, they have become inescapable. Some are in chat programs.

The incessant hype over AI tools like ChatGPT is inspiring lots of bad opinions from people who have no idea what they’re talking about.

The world of online fandom has come out against recent strides in disruptive technology: crusading against crypto, for instance, and protesting the widespread scraping of art for use in the training of visual AI programs.

The incessant hype over AI tools like ChatGPT is inspiring lots of bad opinions from people who have no idea what they’re talking about.

We worked with Keaton Patti to make a bot watch over 400,000 hours of horror movies and then write its own horror movie. This is what it came up with.

NetflixByBots #KeatonPatti #Horror

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Cyberfeminism Index is INCOMPLETE and ALWAYS IN PROGRESS. Commissioned by Rhizome, it premiered with New Museum’s First Look. The printed publication Cyberfeminism Catalog will be published by Inventory Press in 2022. Please feel welcome to contribute using the “submit” button at the bottom of all pages.

cyberfeminism?

Cyberfeminism cannot be reduced to women and technology. Nor is it about the diffusion of feminism through technology. Combining cyber and feminism was meant as an oxymoron or provocation, a critique of the cyberbabes and fembots that stocked the sci-fi landscapes of the 1980s. The term is self-reflexive: technology is not only the subject of cyberfeminism, but its means of transmission. It’s all about feedback.

In mid-January, a group of computer scientists and biologists from the University of Vermont, Tufts, and Harvard announced that they had created an entirely new life form — xenobots, the world’s first living robots.

I am honestly not sure whether fish have any concept of bees. I am equally unsure whether bees have any concept of fish. I am even more unsure whether bees and fish could be friends, if they knew that the other existed. But thanks to robots, it turns out that the answer is definitely yes.

examples of artists using sPaM as part of their artistic practice. (thinking: jodi, constant dullaarts army of bots, horse ebooks, bestiary of Spam),,,

The eerie possibility of robots manipulating humans crops up in science fiction tales like Ex Machina or Battlestar Galactica.

Filmed in Sheffield on the 6th and 7th and premiered on the 9th June 2018 at The Leadmill, Sheffield. A Live Cinema UK commission for Sheffield Doc|Fest 2018. More at https://www.thereduxproject.com/threads

STARRING Isabelle France as RUTH Harry Browse as JIMMY Ashley Gregory as BOB and Saffron Kershaw-Mee Nicole Henson Lucia Allen Shaun Stone-Riley Steve Shields Max Fyldes Steve Moseley Lucie Oates Oscar Aujla Jack Starr Barry McKeown Richard Humph Ruth Humph Spleenydotson Mark Perkins Oliver Ibbotson Alex Mckelvy Dan Kahn David Chang Sarah Calcutt Chris Boyd Sarah Lenthall Abbie Laycock Jane Lappin David Lappin Diane Chaplin Declan Bracewell Mark Flude Abbie Chin Wayne Hoyle Dave McClelland Adris Asghar Bird Lovegod Omar Aysha Tony Griffin Pauline Zelaieta Lisa Bushby Sergiu Radu Mona Lisa Charlie Marbles Eleanor Spivey Tom Bloomfield Luci Briginshaw Colm McAuliffe Kate Linderholm Magid Magid Elizabeth McIntyre

PROTEST MATERIALS BY Bannabel

THING DOER Taylor Iscariot

SECOND UNIT CAMERA PROVIDED BY Jambareeqi

WITH THANKS TO Live Cinema UK Sheffield Doc|Fest BBC Sheffield The Nottingham House Sheffield City Hall The Moor Graves Gallery Surriya Falconer Chris Harvey Graham Walker Nia Childs Dan Hayes Paulette Edwards Kate Linderholm Jude Rogers Philippa Barr Danny Hardaker Mick Jackson and the Lord Mayor of Sheffield

WARDROBE PROVIDED BY Mooch Vintage

COMING SOON Get Carter & Atonement

EXECUTIVE PRODUCERS Lisa Brook Kate Wellham

PRODUCED AND REDUXED BY Richard DeDomenici

If you plug “AI” or “artificial intelligence” into Google Image Search, here’s what you get. Electric brains firing blue with neurons. Translucent robots and robot heads, code dribbling down their foreheads and noses.

Of all the buzzy 21st-century tech phrases, “machine learning” threatens to be the most important. Programming computers is slow, but we’re nearing the point where humans give the bots parameters and let them teach themselves.

Bots are everywhere. From simple algorithms and aggregator bots to complex “artificially” intelligent machine-learning systems, they have become inescapable. Some are in chat programs.

The future as shown to us by science fictions is almost always shiny. Whether in aspirational daydreams or depictions of dystopia, the vision continues to be one of gleaming metal, stark white interiors, and of course many more robots.

When science fiction writers first imagined robot invasions, the idea was that bots would become smart and powerful enough to take over the world by force, whether on their own or as directed by some evildoer. In reality, something only slightly less scary is happening.

1.Perkowitz S (2004) Digital people: from bionic humans to androids. Joseph Henry Press, WashingtonGoogle Scholar2.Lars and the Real Girl (2007) Directed by Craig Gillespie. Metro-Goldwyn-Mayer & Sidney Kimmel Entertainment, USAGoogle Scholar3.

This story is part of our special coverage, The News in Crisis. When Republican Steve King beat back Democratic challenger Kim Weaver in the race for Iowa’s 4th congressional district seat in November, The Washington Post snapped into action, covering both the win and the wider electoral trend.