MachineMachine /stream - search for alba https://machinemachine.net/stream/feed en-us http://blogs.law.harvard.edu/tech/rss LifePress therourke@gmail.com <![CDATA[The Quick and the Dead: Life, Latency, and the Limits of the Biological]]> https://vimeo.com/162412284

In this lecture, “The Quick and the Dead,” Sophia Roosth asks: At what pace must life proceed in order to count as life? How do qualities such as speed, slowness, time, and temperature actually shape the ways in which we think about life as form, pattern, or process? What is the place of latency in the life sciences and allied disciplines? Roosth interrogates these questions historically and anthropologically by attending to a variety of scientific communities, among them geobiologists and micropaleontologists seeking ancient microbial life-forms fossilized in stone; polar scientists excavating organic substances frozen in Antarctic riverbeds; resurrection scientists seeking to insert ancient proteins into living cells; and researchers at the Svalbard Global Seed Vault, which stores samples of the world’s seeds for post-apocalyptic renewal.Cast: The American Academy in BerlinTags: sophia roosth, harvard university and american academy in berlin

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Wed, 22 Nov 2017 12:25:05 -0800 https://vimeo.com/162412284
<![CDATA[The First Ever Samples From the Global Seed Vault Have Been Retrieved]]> http://gizmodo.com/the-first-ever-samples-from-the-global-seed-vault-have-1737437860

Deep in the arctic, inside over 400 feet of rock, a huge cache of seeds is stored in the Svalbard Global Seed Vault, in case of some global emergency. Today, the first of the seeds from that supply have arrived to replenish a collection sent away for safe keeping during Syria’s Civil War.

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Sat, 24 Oct 2015 03:35:44 -0700 http://gizmodo.com/the-first-ever-samples-from-the-global-seed-vault-have-1737437860
<![CDATA['Fantastic Man' (Full Length) - A Film About William Onyeabor]]> https://www.youtube.com/watch?v=GiaRp0M2fxE

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You Need To Hear This is proud to present 'Fantastic Man' a documentary investigating Nigerian musician William Onyeabor, a man shrouded in mystery and myth. Directed by Jake Sumner (Alldayeveryday) the film tells the story of a label's attempt to track William down, speaking to fans such as Damon Albarn, Caribou and Femi Kuti and travelling to Nigeria to meet those who've worked with him in a bid to uncover the truth about his story.

http://williamonyeabor.com/

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Click here to buy the album: https://itunes.apple.com/gb/album/world-psychedelic-classics/id715480408 http://luakabop.com/onyeabor/

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Tue, 25 Feb 2014 05:19:27 -0800 https://www.youtube.com/watch?v=GiaRp0M2fxE
<![CDATA[The Body Counter: A statistician’s guide to mass atrocities]]> http://www.foreignpolicy.com/articles/2012/02/27/the_body_counter?page=full

Traditionally, human rights work has been more akin to investigative reporting, but Ball is the most influential of a handful of people around the world who see that world not in terms of words, but of figures. His specialty is applying quantitative analysis to mountains of anecdotes, finding the correlations that coax out a story that cannot easily be dismissed.

Could the movements of refugees have been random? No, Ball said. He had also plotted killings of Kosovars and found that both phenomena occurred at the same times and in the same places -- flight and death, hand in hand. "I remember well the moment of astonishment that I felt when I saw the killing graph for the first time," Ball replied to Milosevic. "I assumed I had made an error, because the correlation was so close."

Something had caused both phenomena, and Ball examined three possibilities. First, the surges in killings and flight did not happen during or shortly after NATO bombings. Nor were they consistent with the pattern of attacks by Albanian guerrilla groups. They were consistent, however, with the third hypothesis, that Serb forces conducted a systematic campaign of killing and expulsions.

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Thu, 01 Mar 2012 09:59:31 -0800 http://www.foreignpolicy.com/articles/2012/02/27/the_body_counter?page=full