E se Super Mario Bros. Wonder fosse um jogo NES de 1988?

Esse foi um projeto muito audacioso, pois além do 3D e do 2D, tive que fazer toda a pixel art do suposto jogo de NES!

Muitos dos gráficos que aparecem no gameplay eu consegui graças ao site https://www.spriters-resource.com

Também fiz a narração (peço desculpas).

No comercial é possível ver um "Wario" de capa correndo do Toad carregando um cogumelo. Esse "Wario" é uma homenagem ao Alexsandro Magalhães dos canais @cedjogos e @AlexsandroMagalhaes

Eu espero que você tenha gostado!

Outra coisa, aproveite e torne-se um “Amigo Apoiador” (membro) do canal para me ajudar a continuar produzindo esses vídeos!

Compartilhe, se inscreva e ative o sino para mais conteúdos como este!

Minhas redes sociais!

Susan Rogers, by her own admission, is a rare bird. A female producer and sound engineer in an industry dominated by men, her drive and commitment would land her side by side with Prince as his star soared. She came to work with him in Paisley Park as an audio technician right before he would begin Purple Rain, and she’d stay working with him and becoming his sound engineer through his commercial peak; recording Parade, Around the World in a Day, The Black Album, and Sign O the Times. But Prince isn’t the only part of Susan Rogers’ story. In 1988 she left Minneapolis, and would go on to produce some of the biggest hits of the 90’s before taking the money from that to go back to school, and become a Professor at one of the world’s most prestigious music schools. Her name is synonymous with Prince, but the story of how Susan got there, and what she did after this legendary collaboration, is just as fascinating. From finding her musical tribe as a kid in Orange County, to recording some of the most loved songs of all time, and diving into the neuroscience of why we connect with song, this is a brilliant conversation with a curious mind, and living legend. James Brown - Papa's Got a Brand New Bag Prince - Let's Go Crazy Geggy Tah - Whoever You Are Barenaked Ladies - One Week Wilson Pickett - In the Midnight Hour

https://www.abc.net.au/radio/programs/take-5/susan-rogers-take-5/12421040

candarian-demon:

50’s Horror Originals vs Remakes  ➥ The Fly (1958 vs 1986), Invasion of the Body Snatchers (1956 vs 1978), House of Wax (1953 vs 2005), The Thing and The Thing from Another World (1958 vs 1982), The Blob (1958 vs 1988)

The 5th Mercy Podcast for Liverpool Biennial, 2012 is a work written, performed and edited by the wondrous poet Holly Pester and myself (Daniel Rourke)

Featuring Original Work by: George Major : http://www.georgemajor.com Claire Potter : http://clairelouisepotter.blogspot.co.uk

Featuring Audio Samples From: Bo Didley, I’m a Man The Yardbirds, I’m a man Jacques Dutronc, La Fille Du Père Noël Davie Bowie, The Jean Genie The Winstons, Amen, Brother Danger Mouse, Interlude Die Hard Original Soundtrack (inc. Let it Snow, by Dean Martin) Featuring Textual Samples From: Roger Ebert, Die Hard, July 15, 1988 : http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19880715/REVIEWS/807150301/1023 Scientific American, Shakespeare to Blame for Introduction of European Starlings to U.S. : http://www.scientificamerican.com/article.cfm?id=call-of-the-reviled Wired Magazine, Cue the Scream : http://www.wired.com/entertainment/hollywood/magazine/15-10/st_scream BBC 1Xtra, The Story of the ‘Amen Break’ with Crissy Criss : http://www.bbc.co.uk/programmes/b011cjqd New York Times, 1877, American Acclimatization Society : http://query.nytimes.com/gst/abstract.html?res=F50912F73B5B137B93C7A8178AD95F438784F9

Northwestern University Press (1988), Paperback, 160 pages

The author, who writes under a pseudonym, is a Japanese sushi chef. In 1982, at the invitation of a Japanese-North Korean trading company, he started working in a sushi restaurant in Pyongyang. In 1988 he agreed to serve as Kim Jong Il's personal chef—a job he held until 2001. In April of that year, having realized the extent of the paranoid and oppressive surveillance he was under, he escaped to Japan. In 2003, in Japanese, he published Kim Jong Il's Chef (Fuso Publishing, Inc.), from which these excerpts are drawn.

That headline flashed to all corners of the media universe this month. Of course, we don't know whether a universe has corners. Truth is, we don't know much about the universe that isn't astonishingly inferential. Alas, you'd hardly know that from listening to the retired Lucasian Professor of Mathematics at the University of Cambridge and his media echo chamber.

The breaking news originated in the latest book by Stephen Hawking, The Grand Design (Bantam), co-written with physicist Leonard Mlodinow. It excited front-page editors as few science tomes do. Britain's Mirror exclaimed, "Good Heavens! God Did Not Create the Universe, Says Stephen Hawking." Canada's National Post drolly chimed in with, "In the Beginning, God Didn't Have to Do a Thing."

In his new book, Hawking, the celebrated author of A Brief History of Time (Bantam, 1988), declares on the first page that "philosophy is dead" because it "has not kept up" with science, which alone can explain the universe. "It is not necess