Adorno on Mimesis in Aesthetic Theory
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Art is imitation only to the extent to which it is objective expression, far removed from psychology. There may have been a time long ago when this expressive quality of the objective world generally was perceived by the human sensory apparatus. It no longer is. Expression nowadays lives on only in art. Through expression art can keep at a distance the moment of being-for-other which is always threatening to engulf it. Art is thus able to speak in itself. This is the realization through mimesis. Art's expression is the antithesis of 'expressing something.' Mimesis is the ideal of art, not some practical method or subjective attitude aimed at expressive values. What the artist contributes to expression is his ability to mimic, which sets free in him the expressed substance." [1]
Adorno's critique of mimesis proposes a method of dialectical reflection which goes against the grain of the positivistic tendency of modern consciousness, which has a tendency to substitute means for ends. "Ar
Original Link: http://www.wbenjamin.org/mimesis.html