MachineMachine /stream - tagged with writing

Rancière’s Ignoramus

Mon, 26 Jul 2010 06:43:00 -0700

Jacques Rancière prepares for us a parable. A student who is illiterate, after living a fulfilled life without text, one day decides to teach herself to read. Luckily she knows a single poem by heart and procures a copy of that poem, presumably from a trusted source, by which to work. By comparing her knowledge, sign by sign, word by word, with the poem she can, Rancière believes, finally piece together a foundational understanding of her language:

“From this ignoramus, spelling out signs, to the scientist who constructs hypotheses, the same intelligence is always at work – an intelligence that…

"Lost" Languages to Be Resurrected by Computers?

Tue, 20 Jul 2010 03:56:00 -0700

A new computer program has quickly deciphered a written language last used in Biblical times—possibly opening the door to "resurrecting" ancient texts that are no longer understood, scientists announced last week.

Created by a team at the Massachusetts Institute of Technology, the program automatically translates written Ugaritic, which consists of dots and wedge-shaped stylus marks on clay tablets. The script was last used around 1200 B.C. in western Syria.

Written examples of this "lost language" were discovered by archaeologists excavating the port city of Ugarit in the late 1920s. It took until 1932 for…

Art and Thingness, Part Two: Thingification

Mon, 19 Jul 2010 08:08:00 -0700

by Sven Lütticken

In a text written in response to the upheavals of the Russian Revolution and the early Soviet avant-garde, Carl Einstein claimed that tradition “piles up in the object”; that the object is a “medium for passive thinking,” bound to tradition and bourgeois property relations; and that in order to “assert the human person, objects, which are preserve jars, must be destroyed.” Going so far as to state that “every destruction of objects is justified,” Einstein proclaimed a “dictatorship of the thingless.”

In a Latourian manner, one might present the recent turn…

Essay: Technology changes how art is created and perceived

Sun, 18 Jul 2010 05:20:00 -0700

It used to be so simple. A book had an author; a film, a screenwriter and director; a piece of music, a composer and performer; a painting or sculpture, an artist; a play, a playwright. You could assume that the work actually erupted more or less full-blown from these folks. In addition, the book, film, musical composition, painting or play was a discrete object or event that existed in time and space. You could hold it in your hands or watch or listen to it in a theater or your living room. It didn't really change over time unless the…

The Outskirts of Progress

Sat, 17 Jul 2010 12:37:00 -0700

Much of your life is now spent traveling along the American Northeast, from Baltimore to Boston. Like many who’ve plowed back and forth along this route, you’ve grown overly familiar with the spectacle of ruined industry. The railroad runs past hundreds of abandoned factories. Their graffiti-covered brickwork, their broken windows, the rusted hulks of machinery displayed in their fissured and weed-strewn vacant lots summon a sense of an age gone missing. Gone the glovers of Newark, the machinists of North Philadelphia, the arms manufacturers of Connecticut; gone the textile mills, tanneries, and foundries. In their place rose up salvage shops,…

Goodbye to the Graphosphere

Sat, 17 Jul 2010 12:36:00 -0700

For half a millennium, across continents and civilizations, the human readership did almost nothing but grow and consolidate itself. Constantly more people in more and more places could read, and could read more books more cheaply, with increasing ease. And not only were they able to do this, but they chose to. It would be astonishing to learn, if some retrospective survey could be carried out, that hours per head spent reading didn’t increase across all capitalist or otherwise modernizing countries (most Communist regimes having been energetic promoters of literacy) until at least the middle of the past century.

Who Goes There by John W. Campbell

Fri, 16 Jul 2010 03:46:00 -0700

Who Goes There? is a science fiction novella by John W. Campbell, Jr. under the pen name Don A. Stuart, published August 1938 in Astounding Stories. In 1973, the story was voted by the Science Fiction Writers of America as one of the finest science fiction novellas ever written, and published with the other top vote-getters in The Science Fiction Hall of Fame, Volume Two. The novella has twice been adapted as a motion picture: firstly in 1951 as The Thing from Another World and later in 1982 as The Thing.

A Diatribe from the Remains of Dr. Fred McCabe

Sun, 11 Jul 2010 21:25:00 -0700

by Daniel Rourke

About a month ago in handling the remains of one Dr. Fred McCabe I found rich notes of contemplation on the subject of information theory. It appears that Fred could have written an entire book on the intricacies of hidden data, encoded messages and deceptive methods of transmission. Instead his notes exist in the form of a cryptic assemblage of definitions and examples, arranged into what Dr. McCabe himself labelled a series of ‘moments’.

I offer these moments alongside some of the ten thousand images Dr. McCabe amassed in a separate, but intimately…

first issue of rattle journal

Thu, 08 Jul 2010 08:55:00 -0700

first issue of rattle journal

I have an article in the first issue of rattle journal, available now

Losing our minds to the web

Thu, 01 Jul 2010 06:50:00 -0700

Enter Nicholas Carr, a technology writer and Silicon Valley’s favourite contrarian, whose book The Shallows: What the Internet is Doing to Our Brains (Norton) has just come out in the US (and will be published in Britain by Atlantic in September). It is an expanded version of an essay, “Is Google Making Us Stupid?,” printed in the Atlantic magazine in 2008, which struck a chord with several groups. Those worrying about Google’s growing hold on our culture felt Carr was justified in going after it (though there was little about the search giant in the article). Those concerned with the…

Why e-books will never replace real books

Tue, 29 Jun 2010 08:21:00 -0700

Because we perceive print and electronic media differently. Because Marshall McLuhan was right about some things.

In case you don't recall one of the more influential thinkers of the late 20th century: McLuhan was an academic media theorist who ended up being called a "high priest of popular culture." He was big enough to be a standing joke on Laugh-In ("Marshall McLuhan, what are you doin'?") to appear in a cameo in Annie Hall, to get interviewed in Playboy. One of the fundamental things McLuhan said was that new media change us and change the world. We…

Chronic Citizen: Jonathan Lethem on P.K. Dick, Why Novels are a Weird Technology, and Constructed Realities

Sun, 27 Jun 2010 10:21:00 -0700

While mainstream literary figures sometimes praise their fellow writers, rarely do they present themselves publicly as hardcore pop culture fans. Since the publication of his novels Motherless Brooklyn and Fortress of Solitude, as well as his reception of the MacArthur Fellowship in 2005, Jonathan Lethem has become a successful and widely-praised author of playful and intelligent literary fictions. He has also become probably the most visible fan and proponent of the science fiction of Philip K. Dick. A few years ago, Lethem was commissioned by the august Library of America to edit a volume of Dick‘s writings for the publisher‘s…

The Writer Who Couldn't Read

Sun, 27 Jun 2010 08:03:00 -0700

"In January of 2002," writes the neuroscientist Oliver Sacks, "I received a letter from Howard Engel, a Canadian novelist describing a strange problem." Engel's problem was so strange, I decided to create a short video to let you see his story. Our narrator and animator is San Francisco artist Lev Yilmaz.

On July 31, 2001, Engel woke up, dressed, made breakfast, and then went to the front door to get his newspaper. "I wasn't aware," he says in our NPR interview, "that it was any different from any other morning."

But it was.…

Critical Code Studies

Mon, 21 Jun 2010 03:30:00 -0700

by Mark C. Marino

The computer does not understand what it says. Literally speaking, the computer does not even interpret that code. When the function is called, the computer will print (output) the list of the two atoms (as symbolic units are called in Lisp) "Hello" and "World." The single quotation marks tell the computer not to interpret the words "Hello" and "World" (as the double quotation marks do in this sentence). With this distinction, language becomes divided between the operational code and data. The computer here merely shuffles the words as so many strings of data.…

Delete: The Virtue of Forgetting in the Digital Age

Sun, 13 Jun 2010 23:59:00 -0700

In 2006 Stacy Snyder, a 25-year-old student at Millersville University in Pennsylvania, was denied a teaching degree just days before graduation. University officials had discovered a photo of her, captioned “Drunken Pirate,” on MySpace. The photo showed Snyder wearing a pirate hat and drinking from a plastic cup, and the university accused her of promoting underage drinking. As Viktor Mayer-Schönberger tells the story in his new book Delete: The Virtue of Forgetting in the Digital Age, Snyder lost control over the photo when it was indexed by Google and other search engines: “the Internet remembered what Stacy wanted to have…

The linguistic turn and other misconceptions about analytic philosophy

Sun, 13 Jun 2010 23:56:00 -0700

Analytic philosophy has a complex history of more than one hundred years and this movement is so variegated that it can hardly be characterized by a single feature. Most of those who have tried to do so either were not aware of its diversity or considered only some part of its history. For example, it is sometimes believed that analytic philosophy is committed to a thoroughly anti-metaphysical stance. Such a belief may be rooted in some of the famous pronouncements of the logical empiricists, in the philosophical method put forward by Wittgenstein in his Tractatus Logico-philosophicus, or in the fact…

Inside Code: A Conversation with Dr. Lane DeNicola and Seph Rodney

Sun, 13 Jun 2010 21:25:00 -0700

posted by Daniel Rourke

A couple of weeks ago I was invited to take part in a panel discussion on London based, arts radio station, Resonance FM. It was for The Thread, a lively show that aims to use speech and discussion as a tool for research, opening up new and unexpected angles through the unravelling of conversation.

The Thread's host, London Consortium researcher Seph Rodney, and I were lucky enough to share the discussion with Dr. Lane DeNicola,…

Writing off the UK's last palaeographer

Sat, 29 May 2010 10:04:00 -0700

Dry, dusty and shortly to be dead. Palaeographers are used to making sense of fragments of ancient manuscripts, but King's College London couldn't have been plainer when it announced recently that it was to close the UK's only chair of palaeography. From September, the current holder of the chair, Professor David Ganz, will be out of a job, and the subject will no longer exist as a separate academic discipline in British universities. Its survival will now depend entirely on the whim of classicists and medievalists studying in other fields.

The decision took everyone by surprise. "It…

Radio Open Source » The Ecstasy of Influence

Sat, 29 May 2010 02:01:00 -0700

We can’t stop talking about Jonathan Lethem’s essay in this month’s Harper’s. If you haven’t read it, you really should. Nothing that follows in this post will be nearly as interesting. Go ahead. And this post will still be here when you return. You know you want to.
plagiarism

Caught [Digirebelle / Flickr]

Nearly every word of this essay about cultural borrowing and reworking was stolen — er, appropriated — from some other source and then cobbled together with a big dose of Lethem magic to form a cohesive whole. Even the “I”s…

The ecstasy of influence: A plagiarism, By Jonathan Lethem (Harper's Magazine)

Sat, 29 May 2010 02:00:00 -0700

Consider this tale: a cultivated man of middle age looks back on the story of an amour fou, one beginning when, traveling abroad, he takes a room as a lodger. The moment he sees the daughter of the house, he is lost. She is a preteen, whose charms instantly enslave him. Heedless of her age, he becomes intimate with her. In the end she dies, and the narrator—marked by her forever—remains alone. The name of the girl supplies the title of the story: Lolita.

The author of the story I've described, Heinz von Lichberg, published his tale…