A shadow looms over the 2020 election: Deepfakes! The newish video-editing technology (or really, host of technologies) used to seamlessly paste one person’s face on another’s body, has activated a panic among pundits and politicians.

A shadow looms over the 2020 election: Deepfakes! The newish video-editing technology (or really, host of technologies) used to seamlessly paste one person’s face on another’s body, has activated a panic among pundits and politicians.

The lights were off, the air smelled faintly of roses, and New Age music flowed from room to room.

Dan Olson’s YouTube documentary “Line Goes Up” is like “The Big Short,” except crypto is the housing crisis. Until a few weeks ago, Dan Olson had a pretty comfortable—if niche—thing going on YouTube.

Since the pandemic began, the seemingly mundane protocols of Zoom have become a significant part of many people’s daily lives: finding the right link, setting up the peripherals, managing the glitches and slippages in this supposedly “synchronous” form of communication.

We’ll be honest. The initial plan was to write a critical gaze over art docs. Not the schlocky biopics, or dewy-eyed reminisces of certain “scenes”, eras or places, but more straightforward (if beautiful) documentaries.

We’ll be honest. The initial plan was to write a critical gaze over art docs. Not the schlocky biopics, or dewy-eyed reminisces of certain “scenes”, eras or places, but more straightforward (if beautiful) documentaries.

The cultural impact of Mark Fisher's work continues to grow years after his death in 2017....

https://rwm.macba.cat/en/sonia/sonia-148-mark-fisher

A shadow looms over the 2020 election: Deepfakes! The newish video-editing technology (or really, host of technologies) used to seamlessly paste one person’s face on another’s body, has activated a panic among pundits and politicians.

In May, a video appeared on the internet of Donald Trump offering advice to the people of Belgium on the issue of climate change. “As you know, I had the balls to withdraw from the Paris climate agreement,” he said, looking directly into the camera, “and so should you.”

Carolyn L. Kane In a world that esteems technological efficiency, immediacy, and control, the advent of technical noise, glitch, and failure—no matter how colorful or disturbingly beautiful—are avoided at great costs.

In our second installment on Glitch Art we’re going to look at a type of glitch that is made using the compression artifacts from digital video called datamoshing. Datamoshing visual effects usually appear like small colorful squares sprinkled across a screen like confetti.

Every time I teach at an artschool in Europe I notice that the students are not actively following what is happening in pop music video cultures - there seems to be some kind of taboo. So I had my Merzakademie students make a playlist of recent (post digital) videos generated on edge of pop and internet cultures. I think it is a really good start.

The 3D Additivist Manifesto at HMKV, Dortmund (May 2016)In the series HMKV Video of the Month, HMKV presents current video works by international artists for the duration of one month each. In May 2016 we are presenting The 3D Additivist Manifesto by Morehshin Allahyari & Daniel Rourke.Morehshin Allahyari & Daniel RourkeThe 3D Additivist Manifesto (Das 3D-Additivistische Manifest)Video, 2015, 10:11 Min.Almost 100 years after its publication Morehshin Allahyari & Daniel Rourke are updating the Futurist Manifesto (1909) by Filippo Tommaso Marinetti in a dark but appropriate way.

Something of an experiment. One frame was chosen from each shot of this excerpt from Cameron's 1984 film 'The Terminator.' The frames were then 'smeared' over the resulting gaps. Audio was left alone.Cast: Morgan

Replicunts: the Future of Cyberfeminism - Liana Borghi, Pat Cadigan, Gwyneth Jones, Francesca da Rimini, Josephine Starrs, Sadie Plant Virtual Futures University of Warwick, 26-28 May 1995 VirtualFutures.co.uk The virtual revolution is also a sexual revolution. All New Gen plays with cyberspace amazons, and the Puppet Mistress weaves webs on the net. What are the virtual futures of gender and sexuality? What happens to masculinity and feminity as the Cyberflesh Girlmonsters come on line? Can patriarchy survive the emergence of cyberspace? Is anything straight in a non-linear world? Does the cyborg have a sex? Is a new sexual politics - or post-politics of some kind - gathering pace in the midst of the digital revolution?Cast: Virtual FuturesTags:

Live AV performance registration that I did during Syndrom 3.X @ Static Gallery, Liverpool, January 2015. Featuring some video images by Alexandra Gorczynski, and my remixed sounds from the track Professional Grin by Knalpot. Sound mastering by Sandor Caron.

Minute #1. Kevin Heckart Minute #2. Geraldine Juárez Minute #3. Gaby Cepeda Minute #4. Angela Washko Minute #5. Emilie Gervais Minute #6. LaTurbo Avedon Minute #7. Lyla Rye Minute #8. Mattie Hillock Minute #9. Antonio Roberts Minute #10. Georges Jacotey Minute #11. Daniel Rourke Minute #12. Sandra Rechico & Annie Onyi Cheung Minute #13. Yoshi Sodeoka Minute #14. Alma Alloro Minute #15. LoVid Minute #16. Andrea Crespo Minute #17. Ad Minoliti Minute #18. Arjun Ram Srivatsa Minute #19. Carrie Gates Minute #20. Isabella Streffen Minute #21. Esteban Ottaso Minute #22. Silke Zil Kuhar ZIL & ZOY Minute #23. Hyo Myoung Kim Minute #24. Jesse Darling Minute #25. Tristan Stevens Minute #26. Erica Lapadat-Janzen Minute #27. Claudia Hart Minute #28. Anthony AntonellisCast: Lorna MillsTags:

I am privileged to be involved in Ways of Something: an incredible collaboration between artist Lorna Mills and (currently) 85 artists. Episode 3 will have its World Premiere at The Photographer’s Gallery, London, on February 12th 2015. 85 web-based artists remake John Berger’s historic documentary ‘Ways of Seeing’ (1972) one minute at a time. Originally commissioned by The One Minutes, at Sandberg Instituut in Amsterdam and compiled by Lorna Mills, the episodes present a sequence of 3D renderings, filmic remixes, videos and webcam performances which subvert the tropes of art history in an entertaining and overwhelming way. Followed by a Q&A between Julia van Mourik, director of The One Minutes and Lorna Mills via Skype.

Artists in Episode 1 1: Daniel Temkin, 2: Rollin Leonard, 3: Sara Ludy, 4: Rhett Jones, 5: Jaakko Pallasvuo, 6: Dafna Ganani, 7: Jennifer Chan, 8: Rea McNamara, 9: Theodore Darst, 10: Matthew Williamson, 11: Hector Llanquin, 12: Christina Entcheva, 13: V5MT, 14: Marisa Olson, 15: Joe McKay, 16: Carla Gannis, 17: Nicholas O’Brien, 18: Eva Papamargariti, 19: Rosa Menkman, 20: Kristin Lucas, 21: Jeremy Bailey & Kristen D. Schaffer, 22: Giselle Zatonyl, 23: Paul Wong, 24: Alfredo Salazar-Caro, 25: Sally McKay, 26: RM Vaughan & Keith Cole, 27: Andrew Benson, 28: Christian Petersen, 29: Faith Holland, 30: Jennifer McMackon Artists in Episode 2 1: Kevin Heckart, 2: Geraldine Juarez, 3: Gaby Cepeda, 4: Angela Washko, 5: Emilie Gervais, 6: LaTurbo Avedon, 7: Lyla Rye, 8: Mattie Hillock, 9: Antonio Roberts, 10: Georges Jacotey, 11: Daniel Rourke, 12: Sandra Rechico & Annie Onyi Cheung, 13: Yoshi Sodeoka, 14: Alma Alloro, 15: LoVid, 16: Andrea Crespo, 17: Ad Minoliti, 18: Arjun Ram Srivatsa, 19: Carrie Gates, 20: Isabella Streffen, 21: Esteban Ottaso, 22: ZIL & ZOY, 23: Hyo Myoung Kim, 24: Jesse Darling, 25: Tristan Stevens, 26: Erica Lapadat-Janzen, 27: Claudia Hart, 28: Anthony Antonellis Artists in Episode 3 1: Carine Santi-Weil, 2: Nicolas Sassoon, 3: Tom Sherman, 4: Kim Asendorf and Ole Fach, 5: Rafaela Kino, 6: Alex McLeod, 7: Kate Wilson and Lynne Slater, 8: Aleksandra Domanović, 9: Systaime, 10: Erik Zepka, 11: Adam Ferriss, 12: Rodell Warner and Arnaldo James, 13: Debora Delmar, 14: Brenna Murphy, 15: Nick Briz, 16: Carlos Sáez, 17: Jenn E Norton, 18: Juliette Bonneviot, 19: Luis Nava, 20: Vince McKelvie; 21: Claudia Maté 22: Evan Roth, 23: Shana Moulton, 24: Sabrina Ratté, 25: Jordan Tannahill, 26: Vasily Zaitsev feat.MON3Y.us, 27: Ann Hirsch REVIEWS - Read an interview with Lorna Mills about Ways Of Something on The Creators Project. Read here. - Ben Davis wrote an essay looking at the first two episodes on artnet. Read here. - The project was also featured by Animal New York here.

Julia van Mourik is an independent curator and editor, based in Amsterdam. Since 1999, she has produced visual arts projects and has composed programmes and publications, exploring new possibilities for presenting the moving image. She is Director of The One Minutes, a place for artists to experiment, to produce and to present within the inexorable limit of 60 seconds, hosted by Sandberg Instituut, Masters of Art and Design in Amsterdam (NL). She is also director of the Lost & Found programme, where artists show material that doesn’t fit comfortably into regular gallery contexts, that seems out of place. And she is Adviser to the to the Dutch Cultural Media Fund, promoting the development and production of high-quality artistic programmes by the national public broadcasting corporations. Lorna Mills has actively exhibited her work internationally in both solo and group exhibitions since the early 1990’s. Her practice has included obsessive Ilfochrome printing, obsessive painting, obsessive super 8 film & video, and obsessive on-line animated GIFs incorporated into restrained off-line installation work. She has also co-curated monthly group animated GIF projections with Rea McNamara for the Sheroes performance series in Toronto, a group GIF projection event When Analog Was Periodical in Berlin co-curated with Anthony Antonellis, and a touring four person GIF installation, :::Zip The Bright:::, that originated at Trinity Square Video in Toronto. In June 2013, Mills opened a solo exhibition ‘The Axis of Something’ at TRANSFER, her work was exhibited by the gallery at the Moving Image Art Fair NYC in March 2014, and her second solo show for TRANSFER is currently in development for 2015.  Her most recent solo project was Ungentrified a large GIF projection installation at OCADU in Toronto for Nuit Blanche. £7 / £4 concs Episodes 1 and 2 are produced by The One Minutes at the Sandberg Instituut in Amsterdam. Episode 3 is produced by Lorna Mills.        

If you haven’t watched YouTube in a while—if you’ve joined the Amish, or you’re Edward Snowden—a lot has changed. Early on, the platform was a salmagundi of out-of-focus lifecasts.