As history has repeatedly shown, political systems come and go. Given our rapid technological and social advances, it's a trend we can expect to continue. Here are 12 extraordinary — and even frightening — ways our governments could be run in the future.

In 2007 game designer and Second Life CEO Rod Humble wrote a video game called The Marriage[1]. The player’s goal in The Marriage is to prevent two squares from shrinking or fading out while circles drift around them

What is the relationship between the ritual and the algorithm? Are all rituals algorithmic? I'm interested in any papers or books/chapters written about this. I'm writing about Google's search algorithm at the moment, and I can't help get this ritual thing out of my head. It feels like an important meeting point between humans and machines.

When I say 'ritual' I mean the enactment of a set of actions with traditional and symbolic value.

When I say 'algorithm' I am talking about computers of course (a step-by-step procedure for calculation), but I am also interested in an algorithm as a list of well-defined instructions passed on to another entity in order to execute a specific procedure in precise detail. That entity might be a human.

Are all rituals algorithmic?

The best conflation I can think of is the Japanese Tea Ceremony. To generalise, I see this as a highly specific algorithm taken to the absolute limits of human cultural perfection.

Many thanks in advance!

Revolutions are often thought of in terms of conflict and disorder, but they just as often come on waves of peaceful obsolescence. The old way of doing things is allowed to linger as long as it likes while everyone else gets on with the future. In the last few years the "free-to-play" model— where games are given away on mobile phones or online while the developer makes money through advertisements or the sale of in-game items—has encircled the videogame industry. At first it seemed like a curiosity, a unique idea that made sense in China and Korea, where loot-hoarding games like Ragnarok Online, The Legend of Mir, and World of Warcraft found a perfect match with internet bar culture. Meanwhile Activision and Electronic Arts competed for dominance in a luxury business energized by dreams of $180 Rock Band bundles and franchises with the "potential to be exploited every year across every platform." When rumors began circulating last month that Nexon, one of the biggest free-to-play comp

"What does culture want? To make infinity comprehensible"

The list is the origin of culture. It's part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order -- not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries. There is an allure to enumerating how many women Don Giovanni slept with: It was 2,063, at least according to Mozart's librettist, Lorenzo da Ponte. We also have completely practical lists -- the shopping list, the will, the menu -- that are also cultural achievements in their own right.

"The everyday experience of liberal capitalism rests upon the violent defence of the boundaries against the other that the system itself produces. That banal and pacifying phrase ‘social exclusion’ allows us to forget the material experience of exclusion and the subjectivities that it tends to generate."

What I’ve learned, the hard way, is that the one thing you must never ask a collector is “why?” It’ll get you nowhere. They’ll just stare at you in baffled amazement before returning to contemplation of their most recent acquisition, or dreaming of the next one. These are people who thrive on making classifications, pondering the arrangements of their trophies and annotating them with informative labels. Often their obsession seems to derive from a need to impose order on a chaotic world, from the fear of death and oblivion. The collection will ward off mortality, carrying the illusion of eternity. Collections represent nostalgia for previous worlds, a desire to reclaim the past, to rescue and give meaning to objects otherwise lost in the flux. At the same time, though, collecting also encourages some of our most dangerous and base qualities: possessiveness, acquisitiveness, the lust for power.But collecting can also be a noble, even a humanist calling. 

A key feature of complex adaptive systems is their ability to self-organize along a number of different pathways with possible sudden shifts between states: A lake, for example, can exist in either an oxygenated, clear state or an algae-dominated, murky one. A financial market can float on a housing bubble or settle into a basin of recession. Conventionally, we’ve tended to view the transition between such states as gradual. But there is increasing evidence that systems often don’t respond to change in a smooth way: The clear lake seems hardly affected by fertilizer runoff until a critical threshold is passed, at which point the water abruptly goes turbid. Resilience science focuses on these sorts of regime shifts and tipping points. It looks at incremental stresses, such as accumulation of greenhouse gases in combination with chance events—things like storms, fires, even stock market crashes...

Our fascination with ants has led to engaging stories about them, from the Iliad’s Myrmidons to Antz’s Z, as well as a growing body of research by biologists. Though the ant colonies of fable and film often are invested with the hierarchical organization characteristic of human societies, a real ant colony operates without direction or management. New research is showing us how ant colonies get things done without anyone being in charge. Ants, it turns out, have much to teach us about the decentralized networks that operate in many biological systems, in which local interactions produce global behavior, without the guidance of any central intelligence or authority.

Many of our stories about ants concern how hard they work and how they are reconciled to the anomie of life as a pawn in a larger system. Sometimes we imagine that the ants like it that way. Proverbs 6:6 admonishes the sluggard to emulate the hard-working ants. In Aesop’s fables, the ants show perseverance and foresight. Ho

In this in-depth analysis, Daniel Johnson discusses games, language and sociology with regard to Valve's Portal - please note that the article contains story spoilers for the game.

In 1959 Erving Goffman released The Presentation of Self in Everyday Life; a book that went on to heavily influence future understanding of social interactions within the sociology discipline. In it, he discusses social intercourse under the metaphor of actors performing on a stage. Specifically, in the second chapter he shares the idea of a front and backstage to social interaction.

As with the theater, we have a place where we manage the performance and a place where we give that performance. As social interlocutors engaged in interaction, we are presenting an impression of ourselves to an audience; we're acting out a role that requires constant management at the whim of the interaction.

The front stage is the grounds of the performance. The backstage is a place we rarely ever want to reveal to others,

In all the traditional approaches to pedagogy, both in art and in literacy, the possibility of perceiving the transitional nature of the space produced by text or image—the common space for author and receptor—is completely lost. The emphasis is on producing communication vessels that are static and consumable objects, for which the sign has to be well executed. In this kind of art, execution has to reach the point of desirability, which in turn defines success.

Teaching and instruction are generally used as synonyms, something that reflects an implicit pedagogical ideology. The word instruction is a homonym: it refers to the instructions given on how to perform a task as well as to the induction of the learner into a world ruled by instructions. Pedagogies of instruction are academic and vertical. They are based on the instructor’s monologue and focus on attaining perfection through repetition. Traditionally, listening and being “instructed” constitute the first stage the student has