If the earth stood still, the oceans would gradually migrate toward the poles and cause land in the equatorial region to emerge. This would eventually result in a huge equatorial megacontinent and two large polar oceans. The line that delineates the areas that hydrologically contribute to one or the other ocean would follow the equator if the earth was a perfect ellipsoid. However, due to the significant relief of both the continents and the ocean floor, the hypothetical global divide between the areas that hydrologically contribute to one or another ocean deviates from the equator significantly. Analogous to the well-known U.S. Continental Divide, this would be the border separating two giant hemispherical watersheds of the new circumpolar oceans. Interestingly, the highest point on this global divide would not be the highest altitude on the entire globe. The highest elevation of the global divide in the Colombian Andes would be about 12,280 meters, whereas the altitudes of the famous

By drawing a diagram, a ground plan of a house, a street plan to the location of a site, or a topographic map, one draws a "logical two dimensional picture." A "logical picture" differs from a natural or realistic picture in that it rarely looks like the thing it stands for. It is a two dimensional analogy or metaphor - A is Z.

The Non-Site (an indoor earthwork)* is a three dimensional logical picture that is abstract, yet it represents an actual site in N.J. (The Pine Barrens Plains). It is by this dimensional metaphor that one site can represent another site which does not resemble it - this The Non-Site. To understand this language of sites is to appreciate the metaphor between the syntactical construct and the complex of ideas, letting the former function as a three dimensional picture which doesn't look like a picture. "Expressive art" avoids the problem of logic; therefore it is not truly abstract. A logical intuition can develop in an entirely "new sense of metaphor" free of na

Welcome to the Atlas Obscura, a compendium of this age's wonders, curiosities, and esoterica. The Atlas Obscura is a collaborative project with the goal of cataloguing all of the singular, eccentric, bizarre, fantastical, and strange out-of-the-way places that get left out of traditional travel guidebooks and are ignored by the average tourist. If you're looking for miniature cities, glass flowers, books bound in human skin, gigantic flaming holes in the ground, phallological museums, bone churches, balancing pagodas, or homes built entirely out of paper, the Atlas Obscura is where you'll find them.

Desire Paths / Lines: a term apparently coined by Gaston Bachelard in The Poetics of Space. What was the original French he used? and are there any other terms for the act and outcome of paths that emerge through routine, reflexion and the feedback of movement. What was Bachelard's original name for desire lines, in French?

Also, I am not just interested in desire lines as object/artefact, but the actual act of creating/adding to desire lines. Is there a different term for this? or a series of related terms? any terms from other areas/disciplines which pop into your head?

Some past ask.mefis that touch on this subject:

http://ask.metafilter.com/62599/Where-the-sidewalk-ends

http://ask.metafilter.com/45203/Too-lazy-to-take-a-hardright

I'd really love to read any notions/ideas you have regarding this concept. Thanks!