This field guide looks at social media that works on different “logics” than do Facebook, Twitter, or YouTube. It features communities that have tried consciously to use different models than surveillance capitalism and includes the work of collaborators in other countries and subcultures.

By many accounts, the internet is entering a new stage that will completely alter how we experience it. At its core it’s “a story about community and collaboration on a scale never seen before” that is focused on “tearing down the traditional barriers that have kept companies safe.

Silicon Valley CEOs keep hailing its imminent arrival as they hawk digital goods, but the metaverse was a dystopian idea from its inception. A big shift is apparently underway in Silicon Valley.

From floating ‘3D street art’ to a talking Henri Rousseau painting, Meta’s vision of the future is drained of all imagination When I was a kid, I had a book about the future.

examples of artists using sPaM as part of their artistic practice. (thinking: jodi, constant dullaarts army of bots, horse ebooks, bestiary of Spam),,,

At the end of June, Mark Zuckerberg announced that Facebook had hit a new level: two billion monthly active users. That number, the company’s preferred ‘metric’ when measuring its own size, means two billion different people used Facebook in the preceding month.

I really like painters that adopt compression artifacts...

Every time I teach at an artschool in Europe I notice that the students are not actively following what is happening in pop music video cultures - there seems to be some kind of taboo. So I had my Merzakademie students make a playlist of recent (post digital) videos generated on edge of pop and internet cultures. I think it is a really good start.

At Facebook’s F8 conference in Silicon Valley, David Marcus, the company’s head of messaging, proudly demonstrated its new suite of chatbots. Users can now get in a conversation with the likes of CNN, H&M, and HP, and ask for help shopping, or the latest headlines.

Mark Zuckerberg hasn’t had the best week. First, Facebook’s Free Basics platform was effectively banned in India.

Skip Article Header. Skip to: Start of Article. In the mid-’90s, a computer program called Chinook beat the world’s top player at the game of checkers. Three years later, to much fanfare, IBM’s Deep Blue supercomputer won its chess match against reigning world champion Gary Kasparov.

Many people think of Facebook as just the big blue app, or even as the website, but in recent years we’ve been building a family of apps and services that provide a wide range of ways for people to connect and share.

Face it: Siri sucks. So often, she has no clue what you’re saying. And when she does, there’s a pretty good chance she’ll respond with nothing more than a page filled with Internet links. Part of the problem is that Apple’s talking digital assistant is built on old technology.

I am looking for some fantastic and terrible examples of 'artist statements'.

I'd be keen to track down examples where the rules have been bent/broken (1st/2nd/3rd person pronouns; art writerly; weird but brilliant etc.). I will be teaching a workshop to 31 students and want to keep them on their toes.

a tutorial/essay video on how to && why leave facebook without deleting ur account ( more @ nickbriz.com/facebook )

--------------------------------- ~ ---------------------------------

Filter Bubble https://www.youtube.com/watch?v=B8ofWFx525s

Recycled Likes http://readwrite.com/2012/12/11/why-are-dead-people-liking-stuff-on-facebook#awesm=~oIOG2pHruSl3s1 && http://bureauofminds.tumblr.com/post/41028512430/facebook-is-impersonating-people-without-their

Sponsored Stories http://mashable.com/2011/01/25/facebook-sponsored-stories/ && info on the change/update to this http://www.huffingtonpost.com/2014/01/10/facebook-sponsored-storie_n_4574644.html

Mood Manipulation Experiment http://www.theatlantic.com/technology/archive/2014/06/everything-we-know-about-facebooks-secret-mood-manipulation-experiment/373648/

Kernel on machines and memory, with some nice examples of apps that are exploring our changing relationship with both.

We are all digital archaeologists now, writes Robert Carroll. But in a world where nothing is forgotten, can we learn to forgive? Computers are better at recalling stuff than we are. The internet tends to remember by default, so stories about people haunted by juvenile blunders on Facebook abound. But surely a world with less forgetfulness is a good thing? Forgetting is lost keys and angry spouses. It’s old age and decline, Alzheimer’s and dementia. It’s a weakness to be overcome, not something to be clung on to. Yet, in a little less than a decade, digital technology has swung the balance from forgetting to remembering. Experiences and knowledge no longer need tangible artefacts like books or photographs to survive. Thanks to low-cost hard disks, it has become easier to remember than forget.

Facebook, YouTube and even texting will be the salvation of many of the world's endangered languages, scientists believe.

Of the 7,000 or so languages spoken on Earth today, about half are expected to be extinct by the century's end.

Globalisation is usually blamed, but some elements of the "modern world", especially digital technology, are pushing back against the tide.

And as every sci-fi nerd knows, you totally need a tricked-out battleship if you're about to engage in serious battle.

To state this as clearly as possible: The four American companies that have come to define 21st-century information technology and entertainment are on the verge of war. Over the next two years, Amazon, Apple, Facebook, and Google will increasingly collide in the markets for mobile phones and tablets, mobile apps, social networking, and more. This competition will be intense.

Are the pessimistic cultural criticists (from Jean Baudrillard to Paul Virilio) justified in their claim that cyberspace ultimately generates a kind of proto-psychotic immersion into an imaginary universe of hallucinations, unconstrained by any symbolic Law or by any impossibility of some Real? If not, how are we to detect in cyberspace the contours of the other two dimensions of the Lacanian triad ISR, the Symbolic and the Real?

As to the symbolic dimension, the solution seems easy — it suffices to focus on the notion of authorship that fits the emerging domain of cyberspace narratives, that of the "procedural authorship": the author (say, of the interactive immersive environment in which we actively participate by role-playing) no longer writes detailed story-line, s/he merely provides the basic set of rules (the coordinates of the fictional universe in which we immerse ourselves, the limited set of actions we are allowed to accomplish within this virtual space, etc.)

The book – the physical paper book – is being circled by a shoal of sharks, with sales down 9 per cent this year alone. It's being chewed by the e-book. It's being gored by the death of the bookshop and the library. And most importantly, the mental space it occupied is being eroded by the thousand Weapons of Mass Distraction that surround us all. It's hard to admit, but we all sense it: it is becoming almost physically harder to read books.

In his gorgeous little book The Lost Art of Reading – Why Books Matter in a Distracted Time, the critic David Ulin admits to a strange feeling. All his life, he had taken reading as for granted as eating – but then, a few years ago, he "became aware, in an apartment full of books, that I could no longer find within myself the quiet necessary to read". He would sit down to do it at night, as he always had, and read a few paragraphs, then find his mind was wandering, imploring him to check his email, or Twitter, or Facebook.