PLASTIC FREE ISLAND (Island Sans Plastic) examines the mobilization of an entire island to address its plastic pollution problem. 5 years in the making, this film documents the synergy of two artist-directed networks, Drifters Project and Plastic Pollution Coalition in the development of a template of social and artistic engagement of the island of Kefalonia, Greece. With an international team of 30 students and hundreds of citizens of the island, beaches are cleaned, plastic is typed and sorted and artwork is created. As a model for reinventing at-risk island communities, Plastic Free Island works to create a template for a sustainable future, one island at a time.Cast: Pam Longobardi and Sergio Kotsovoulos

A few years ago I watched a David Attenborough nature doc in which he narrated a scene that took place in an ancient, overgrown jungle temple. An alpha male monkey was surrounded by females, and a smaller, cheeky, male monkey waited nearby. A scene unfolds where a particular female waits for the right moment, calls the cheeky monkey over when the alpha isn't looking, and quickly mates with him, before he runs off into the jungle. What is this scene from? I would LOVE to find it again. Thanks.

In the picture, he departs from this earth like an arrow. Although he has not chosen his fate, he appears to have, in his last instants of life, embraced it. If he were not falling, he might very well be flying. He appears relaxed, hurtling through the air.

Shared for educational purposes only: Craig Baldwin's found footage montage film "Tribulation 99," which presents a parade of conspiracy theories comprising an alternate history of America's Cold War in satirical fashion. To obtain a full-feature, full resolution copy on DVD, go to othercinemadvd.com/trib.htmlCast: PhillozTags: found footage, montage, UFO, conspiracy, aliens, Cold War, Craig Baldwin, eschatology, satire, parody, Book of Revelation, Hollow Earth, assassinations, ancient astronauts, Howard Hunt, Latin America, imperialism, Communism, Fidel Castro and cult religion

Directed by John Hughes One way street explores the life and work of German Jewish critic and philosopher, Walter Benjamin, who died escaping the Gestapo in 1940. Although Benjamin's work is little known in this country, he is regarded in Europe as one of the most influential figures in 20th Century thought. One way street provides clear and accessible introductions to some of the central ideas in Benjamin's writings. Expert commentary from a range of English scholars situate Benjamin's work in the context of their time and evoke a sense of the excitement that his work has generated. A heightened visual style, montage structure and strong musical treatments correspond in evocative and powerful ways with the concerns and the strategies of Benjamin himself.Cast: g. c.Tags: walter banjamin, photography, art, history, philosophy, video and fashion

In this rare documentary, David Lynch talks about the making of his first feature film, "Eraserhead".

Extracted from a lecture given by WSB at the Jack Kerouac School of Disembodied Poetics at Naropa Institute, Boulder, Colorado, April 20, 1976. Break Through in Grey Room, Sub Rosa, Belgium.

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Broadcast (2011) If you have ever wondered what would happen in your own home if you were taken away and everything inside was left to rot, the answer is revealed in this programme which explores the strange and surprising science of decay. For two months, a glass box containing a typical kitchen and garden was left to rot in full public view within Edinburgh Zoo. In this resulting documentary, Dr George McGavin and his team use time-lapse cameras and specialist photography to capture the extraordinary way in which moulds, microbes and insects are able to break down our everyday things and allow new life to emerge from old. Decay is something that many of us are repulsed by, but as the programme shows, it's a process that's vital in nature. And seen in close up, it has an unexpected and sometimes mesmerising beauty.

In April 2012, I set out to enter an international whistling competition - and make a short documentary film about it. This is what resulted.

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Since the early 1990s Adam Curtis has made a number of serial documentaries and films for the BBC using a playful mix of journalistic reportage and a wide range of avant-garde filmmaking techniques. The films are linked through their interest in using and reassembling the fragments of the past—recorded on film and video―to try and make sense of the chaotic events of the present. I first met Adam Curtis at the Manchester International Festival thanks to Alex Poots, and while Curtis himself is not an artist, many artists over the last decade have become increasingly interested in how his films break down the divide between art and modern political reportage, opening up a dialogue between the two.

by Hito Steyerl

The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. It is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed, as well as copied and pasted into other channels of distribution.

The poor image is a rag or a rip; an AVI or a JPEG, a lumpen proletarian in the class society of appearances, ranked and valued according to its resolution. The poor image has been uploaded, downloaded, shared, reformatted, and reedited. It transforms quality into accessibility, exhibition value into cult value, films into clips, contemplation into distraction. The image is liberated from the vaults of cinemas and archives and thrust into digital uncertainty, at the expense of its own substance. The poor image tends towards abstraction: it is a visual idea in its very becoming.

In early 2002, the filmmaker Grace Guggenheim--the daughter of the late Charles Guggenheim, one of America’s greatest documentarians, and the sister of the filmmaker Davis Guggenheim, who made An Inconvenient Truth-decided to do something that might strike most of us as common sense. Her father had directed or produced more than a hundred documentaries. Some of these were quite famous (Nine from Little Rock). Some were well-known even if not known to be by him (Monument to a Dream, the film that plays at the St. Louis arch). Some were forgotten but incredibly important for understanding American history in the twentieth century (A Time for Justice). And some were just remarkably beautiful (D-Day Remembered). So, as curator of his work, Grace Guggenheim decided to remaster the collection and make it all available on DVD, which was then the emerging platform for film.